1
00:00:15,598 --> 00:00:18,601
[♪♪♪♪♪♪]

2
00:00:50,250 --> 00:00:52,168
[♪♪♪♪♪♪]

3
00:01:07,901 --> 00:01:09,486
[♪♪♪♪♪♪]

4
00:01:15,742 --> 00:01:16,826
[♪♪♪♪♪♪]

5
00:01:26,453 --> 00:01:28,037
[♪♪♪♪♪♪]

6
00:01:37,180 --> 00:01:38,765
[♪♪♪♪♪♪]

7
00:01:43,770 --> 00:01:45,688
[♪♪♪♪♪♪]

8
00:01:51,444 --> 00:01:53,730
[♪♪♪♪♪♪]

9
00:02:00,236 --> 00:02:02,288
[♪♪♪♪♪♪]

10
00:02:05,992 --> 00:02:08,578
[PAPERS RUSTLING]

11
00:02:11,464 --> 00:02:12,832
[SIGHS]

12
00:02:31,601 --> 00:02:33,736
and in the port
of Cadiz.

13
00:02:52,956 --> 00:02:54,457
Francisco Goya.

14
00:02:59,963 --> 00:03:04,100
Isn'’’t he the man
you commissioned
to paint your portrait?

15
00:03:06,102 --> 00:03:07,437
He is, Father.

16
00:03:23,786 --> 00:03:27,824
These prints are...
quite disturbing,
I must say.

17
00:03:29,742 --> 00:03:31,244
Disturbing?

18
00:03:38,501 --> 00:03:40,503
show us the true face
of our world.

19
00:03:49,512 --> 00:03:51,681
the true face
of our world?

20
00:03:57,237 --> 00:03:58,321
It is the Lord'’’s.

21
00:04:13,953 --> 00:04:15,421
he'’’s painted angels,
yes.

22
00:04:40,363 --> 00:04:44,150
that Goya is a valuable
member of the Church.

23
00:05:24,407 --> 00:05:26,993
Eight. Eight burned
at the stake.

24
00:05:38,371 --> 00:05:41,341
I'’’m talking about
the God-fearing ways
of the past.

25
00:05:50,683 --> 00:05:54,187
Grant me the wisdom
to lead it, Father.

26
00:05:55,521 --> 00:05:57,690
[WHINING]

27
00:06:02,228 --> 00:06:04,197
[BIRDS CHIRPING]

28
00:06:11,537 --> 00:06:12,789
[HORSE WHINNIES]

29
00:06:24,667 --> 00:06:25,251
[WHINES]

30
00:06:51,661 --> 00:06:52,695
and she smells
of jasmine.

31
00:06:56,165 --> 00:06:58,534
And I'’’m workin
g on her portrait
right now.

32
00:07:03,756 --> 00:07:07,343
[LAUGHS]
How do you know?

33
00:07:14,517 --> 00:07:16,102
[QUIET CHATTERING OUTSIDE]

34
00:07:30,450 --> 00:07:32,568
Am I allowed
to say something?

35
00:07:34,120 --> 00:07:36,155
- Please.
- I know that face.

36
00:07:45,131 --> 00:07:48,000
[BELL TOLLING]

37
00:07:55,508 --> 00:07:57,093
Do you...

38
00:08:02,565 --> 00:08:03,649
with your models?

39
00:08:17,830 --> 00:08:19,782
- [GOYA CHUCKLES]
- [HORSE WHINNIES]

40
00:08:20,616 --> 00:08:21,617
[GOYA CHUCKLES]

41
00:08:31,344 --> 00:08:33,763
and not everybody
will spend
the extra money.

42
00:08:36,632 --> 00:08:39,719
One hand, 2,000 reales.
Two hands, 3,000.

43
00:09:03,659 --> 00:09:07,547
Are you aware of
how many powerful enem
ies you have, Goya?

44
00:09:20,676 --> 00:09:23,729
- [ROYAL FANFARE PLAYING]
- [CHATTERING]

45
00:09:52,708 --> 00:09:53,593
[SIGHS]

46
00:09:58,514 --> 00:10:01,434
How do you want history
to perceive you, madam?

47
00:10:04,770 --> 00:10:06,272
young and beautiful.

48
00:10:15,398 --> 00:10:17,400
[HORSES WHINNYING]

49
00:10:21,404 --> 00:10:23,406
[SQUAWKS]

50
00:10:30,162 --> 00:10:31,631
[BIRDS CALLING]

51
00:10:34,500 --> 00:10:35,835
[DISTRESSFUL BIRD CALLS]

52
00:10:39,221 --> 00:10:41,223
[DISTRESSFUL BIRD CALLS
CONTINUE]

53
00:10:43,559 --> 00:10:46,595
[SQUAWKING]

54
00:10:51,567 --> 00:10:52,652
- [GUNSHOT]
- [SQUEALS]

55
00:10:57,073 --> 00:11:00,326
Which one do you wish
for supper, my dear?

56
00:11:01,327 --> 00:11:02,828
QUEEN: Hmm...

57
00:11:07,333 --> 00:11:09,085
the vulture.

58
00:11:18,511 --> 00:11:20,379
watch you work
for a while?

59
00:11:26,218 --> 00:11:29,772
I prefer
no one see the work
before it'’’s finished.

60
00:11:35,561 --> 00:11:37,563
ar.
You are, my de

61
00:11:39,565 --> 00:11:41,067
Oh.

62
00:11:51,043 --> 00:11:55,081
Whatever is your...
pleasure.

63
00:12:04,974 --> 00:12:06,058
[♪♪♪♪♪♪]

64
00:12:16,185 --> 00:12:19,238
[♪♪♪♪♪♪]

65
00:12:21,440 --> 00:12:22,942
[SIGHS]

66
00:12:25,778 --> 00:12:28,664
How long do I
have to sit up here?

67
00:12:30,916 --> 00:12:34,420
For as long as I
may need you there,
Your Majesty.

68
00:12:37,423 --> 00:12:38,707
Hmm.

69
00:12:44,964 --> 00:12:47,633
But look at what is
really inside this.

70
00:12:53,939 --> 00:12:57,026
The dark prince
of the darkest principles.

71
00:12:58,194 --> 00:12:59,695
LORENZO:
Devious, huh? Devious.

72
00:13:03,649 --> 00:13:05,568
Use your ears.
People talk.

73
00:13:20,966 --> 00:13:24,920
to poison the souls
of God-fearing people.

74
00:14:06,762 --> 00:14:09,465
they are
the servants of God.

75
00:14:13,969 --> 00:14:15,855
[CHATTERING]

76
00:14:20,359 --> 00:14:22,061
[CHATTERING
IN FOREIGN LANGUAGE]

77
00:14:29,735 --> 00:14:31,537
[CHATTERING,
LAUGHTER CONTINUES]

78
00:14:35,074 --> 00:14:36,575
[SPEAKS IN
FOREIGN LANGUAGE]

79
00:14:40,212 --> 00:14:41,714
[MUTTERS IN
FOREIGN LANGUAGE]

80
00:14:44,383 --> 00:14:46,835
- MAN: Hey.
- Ugh.

81
00:14:57,229 --> 00:14:59,315
[SPEAKS IN
FOREIGN LANGUAGE]

82
00:15:02,601 --> 00:15:04,186
[CHATTERING CONTINUES]

83
00:15:08,240 --> 00:15:10,776
[CONVERSING IN SPANISH]

84
00:15:13,662 --> 00:15:16,031
[ALL CONTINUE CHATTERING]

85
00:15:21,954 --> 00:15:24,957
.
- Hey, where are you going?
- She'’’s going to the dwarf

86
00:15:29,878 --> 00:15:32,965
- [DWARF SPEAKS SPANISH]
- [LAUGHS]

87
00:15:37,219 --> 00:15:38,187
No!

88
00:15:41,607 --> 00:15:43,192
Whoa.

89
00:15:52,701 --> 00:15:55,204
[DONKEY SQUEALS]

90
00:16:01,126 --> 00:16:03,629
You have received
a summons from
the Holy Office.

91
00:16:13,088 --> 00:16:14,723
The tavern.

92
00:16:26,402 --> 00:16:28,354
She kissed the fee
t of a dwarf.

93
00:16:33,275 --> 00:16:36,662
se.
they can summon he
r just to testify
against someone el

94
00:16:38,030 --> 00:16:38,864
Someone else?

95
00:16:42,334 --> 00:16:43,702
they might be
interested in?

96
00:16:49,842 --> 00:16:52,428
[HORSES GRUNTING]

97
00:16:54,930 --> 00:16:56,432
Whoa.

98
00:16:58,434 --> 00:16:59,935
[HORSE WHINNIES]

99
00:17:15,451 --> 00:17:18,954
NG]
[CAT MEOWI

100
00:17:22,458 --> 00:17:23,909
[DOORBELLS CHIME]

101
00:17:33,419 --> 00:17:35,421
[BELLS TOLLING IN DISTANCE]

102
00:17:39,425 --> 00:17:40,426
[QUIETLY CHUCKLES]

103
00:17:56,909 --> 00:17:57,910
[DOOR SHUTS]

104
00:17:59,361 --> 00:18:02,247
[DOOR OPENS, SHUTS]

105
00:18:17,713 --> 00:18:18,797
[DOOR OPENS]

106
00:18:23,302 --> 00:18:24,303
[DOOR SHUTS]

107
00:18:39,618 --> 00:18:40,819
- MEN: Amen.
- Amen.

108
00:18:45,324 --> 00:18:46,875
.
Sit down, please

109
00:19:08,764 --> 00:19:10,566
you dined at the i
nn of Dona Julia?

110
00:19:14,319 --> 00:19:15,404
Mm-hmm.

111
00:19:16,905 --> 00:19:18,857
What were you served
that evening?

112
00:19:22,444 --> 00:19:23,278
Oh, yes.

113
00:19:29,501 --> 00:19:30,536
For dinner.

114
00:19:35,958 --> 00:19:37,459
I had chicken.

115
00:19:47,186 --> 00:19:48,687
Onions...

116
00:19:52,858 --> 00:19:54,309
Mm-hmm.

117
00:20:00,482 --> 00:20:01,783
Potatoes.

118
00:20:06,822 --> 00:20:07,823
Uh...

119
00:20:22,170 --> 00:20:23,505
that you are telling
the truth?

120
00:20:38,987 --> 00:20:41,073
No, I would be grateful.

121
00:20:49,281 --> 00:20:51,867
[SCREAMING CONTINUES]

122
00:20:56,121 --> 00:20:58,457
[SCREAMING, CRYING IN PAIN]

123
00:21:01,793 --> 00:21:03,211
[WHIMPERING, GASPING]

124
00:21:08,133 --> 00:21:10,636
[CRYING]
Yes. Yes, I did.

125
00:21:40,666 --> 00:21:42,751
[CRYING]
But I did!

126
00:21:51,677 --> 00:21:54,146
Tell me what the truth is!

127
00:22:15,334 --> 00:22:17,869
- [KNOCK ON DOOR]
- [DOG WHIMPERS, BARKS]

128
00:22:22,874 --> 00:22:25,377
- How are you, Francisco?
- Come in, come in.

129
00:22:36,888 --> 00:22:38,390
Yes.

130
00:22:45,147 --> 00:22:46,064
Why?

131
00:22:47,949 --> 00:22:50,786
My daughter In￩s
has been summoned
by the Holy Office.

132
00:22:54,122 --> 00:22:56,074
- In￩s?
- Yes.

133
00:23:01,546 --> 00:23:04,332
and we haven'’’t heard
a word, either.

134
00:23:09,337 --> 00:23:12,924
No. That'’’s why
I would like to speak
with this man.

135
00:23:19,264 --> 00:23:21,850
but is there any way
you can arrange it?

136
00:23:40,202 --> 00:23:43,288
.
Well, I wish I..

137
00:23:58,437 --> 00:23:59,855
I beg you, Francisco.

138
00:24:01,723 --> 00:24:06,194
[♪♪♪♪♪♪]

139
00:24:19,791 --> 00:24:21,793
[♪♪♪♪♪♪]

140
00:24:48,270 --> 00:24:50,355
[♪♪♪♪♪♪]

141
00:25:03,251 --> 00:25:04,252
[BLOWS]

142
00:25:05,253 --> 00:25:06,254
[BLOWS]

143
00:25:15,263 --> 00:25:17,265
[STEAM HISSES]

144
00:26:07,015 --> 00:26:09,517
[CRANKS GRIND]

145
00:26:12,404 --> 00:26:14,990
[♪♪♪♪♪♪]

146
00:26:28,036 --> 00:26:29,621
[♪♪♪♪♪♪]

147
00:26:32,841 --> 00:26:33,842
MAN: Senor Goya.

148
00:26:43,468 --> 00:26:44,469
Come in.

149
00:26:47,472 --> 00:26:48,473
This way.

150
00:27:06,541 --> 00:27:07,459
Hmm.

151
00:27:10,712 --> 00:27:13,331
I would never recognize
myself in him.

152
00:27:19,638 --> 00:27:21,723
]
[CHUCKLING

153
00:27:25,810 --> 00:27:28,897
I do like the painting of him,
I know that, I know that.

154
00:27:37,605 --> 00:27:38,523
Yes, please, do.

155
00:27:47,949 --> 00:27:50,535
His name
is Tom￡s Bilbata.

156
00:27:57,876 --> 00:27:59,377
of the Convent
of Saint Tom￡s.

157
00:28:12,774 --> 00:28:14,776
What does Senor Bilbata
want from me?

158
00:28:23,535 --> 00:28:25,870
on the ceiling
in the Florida chapel.

159
00:28:28,823 --> 00:28:31,826
She'’’s been arrested
by the Holy Office.

160
00:28:32,660 --> 00:28:33,745
Mm.

161
00:28:36,214 --> 00:28:38,583
I know him quite well.
He'’’s a very honorable man.

162
00:28:43,555 --> 00:28:45,140
[FOOTSTEPS]

163
00:28:58,653 --> 00:29:00,155
[GATE SQUEAKS OPEN]

164
00:29:02,157 --> 00:29:04,159
[QUIET MURMURING]

165
00:29:09,164 --> 00:29:12,083
- [CHAINS RATTLING]
- [WHIMPERING]

166
00:29:17,172 --> 00:29:19,674
[CHAINS RATTLING]

167
00:29:22,293 --> 00:29:23,378
[GROANING]

168
00:29:29,384 --> 00:29:31,102
[BREATHES DEEPLY]

169
00:29:36,941 --> 00:29:38,443
[DOG BARKS IN DISTANCE]

170
00:29:39,944 --> 00:29:41,946
[CHAINS RATTLE]

171
00:29:43,948 --> 00:29:46,451
[WHIMPERING]

172
00:30:03,084 --> 00:30:06,638
[CRYING SOFTLY]

173
00:30:20,568 --> 00:30:22,570
[WHIMPERING]

174
00:30:36,534 --> 00:30:37,418
May I go home now?

175
00:30:43,341 --> 00:30:45,343
[CRYING]
I wanna go home.

176
00:30:49,347 --> 00:30:51,633
Do not fear, my child.

177
00:31:05,446 --> 00:31:06,948
that I love them?

178
00:31:08,950 --> 00:31:11,236
[CRYING]
I love them so much.

179
00:31:30,972 --> 00:31:33,758
when I open my eyes.

180
00:31:40,315 --> 00:31:42,267
[WHIMPERING]

181
00:31:46,654 --> 00:31:47,689
[GASPS]

182
00:31:53,828 --> 00:31:55,413
[BOTH PRAYING IN LATIN]

183
00:32:01,169 --> 00:32:04,455
[CONTINUES PRAYER ALONE]

184
00:32:18,720 --> 00:32:20,221
I'’’ll take care
of you.

185
00:32:23,274 --> 00:32:25,360
- [LORENZO MUTTERING]
- [INES WHIMPERING]

186
00:32:28,146 --> 00:32:30,231
[BREATHES HEAVILY]

187
00:32:54,389 --> 00:32:56,891
And this is
my dear wife...

188
00:32:58,893 --> 00:33:00,561
Mar￭a Isabel.

189
00:33:07,402 --> 00:33:08,403
Please.

190
00:33:21,499 --> 00:33:24,786
You know, Tom￡s
being my own name...

191
00:33:32,460 --> 00:33:36,297
ht.
I'’’m very sorry t
hat my daughter cannot
dine with us tonig

192
00:33:55,233 --> 00:33:57,285
[COINS CLANKING]

193
00:34:01,039 --> 00:34:04,409
[LORENZO LEADING PRAYER
IN LATIN]

194
00:34:10,048 --> 00:34:10,631
ALL: Amen.

195
00:34:19,757 --> 00:34:20,675
Mm.

196
00:34:38,860 --> 00:34:40,411
And these are anchovies
from Santona.

197
00:34:54,258 --> 00:34:55,126
Yes, I did.

198
00:35:02,383 --> 00:35:04,385
[SIGHS]

199
00:35:12,360 --> 00:35:14,896
- Stand trial?
- Mm-hmm.

200
00:35:20,451 --> 00:35:22,203
ss?
What did she confe

201
00:35:28,159 --> 00:35:29,494
ble.
But that'’’s impossi

202
00:35:49,564 --> 00:35:52,233
from Amsterdam in 1624.

203
00:35:56,187 --> 00:35:57,188
Yes.

204
00:36:11,619 --> 00:36:12,620
Excuse me.

205
00:37:22,690 --> 00:37:25,576
You'’’re a God-fearing man,
Goya, aren'’’t you?

206
00:37:53,387 --> 00:37:58,859
but have you ever been put
to "The Question" yourself?

207
00:38:23,050 --> 00:38:25,636
[ALL LAUGHING]

208
00:38:40,901 --> 00:38:41,902
So would I.

209
00:38:44,405 --> 00:38:45,323
Would you?

210
00:38:58,452 --> 00:39:00,037
I would.

211
00:39:06,927 --> 00:39:08,262
[CHUCKLES]

212
00:39:09,964 --> 00:39:11,549
[CLOCK TICKING QUIETLY]

213
00:39:21,692 --> 00:39:24,061
AÀÀlvaro, go get
your father.

214
00:39:38,459 --> 00:39:40,461
Yes, he does.

215
00:39:45,082 --> 00:39:46,467
MARIA: Francisco?

216
00:40:11,192 --> 00:40:14,195
in order to do harm
to the Holy Office."

217
00:40:27,675 --> 00:40:29,210
[CLOCK TICKING QUIETLY]

218
00:40:30,761 --> 00:40:31,762
Sign it.

219
00:40:33,798 --> 00:40:35,266
[LAUGHING]

220
00:40:36,684 --> 00:40:39,136
GOYA: This is a jo
ke, Tom￡s, right?

221
00:40:41,639 --> 00:40:42,473
Sign it.

222
00:40:50,731 --> 00:40:52,233
AÀÀngel, block the door.

223
00:40:55,536 --> 00:40:56,537
[GASPS]

224
00:41:01,075 --> 00:41:02,626
Stop Senor Goya.

225
00:41:16,006 --> 00:41:18,092
Did he let
my daughter go?

226
00:41:22,730 --> 00:41:24,098
[SOBS SOFTLY]

227
00:41:25,516 --> 00:41:26,517
Did he?

228
00:41:27,518 --> 00:41:30,020
o.
Keep him here.
Let Senor Goya g

229
00:41:39,196 --> 00:41:39,663
Tom￡s!

230
00:41:53,093 --> 00:41:55,596
- [DOOR OPENS]
- MAN: Don Francisco.

231
00:41:59,183 --> 00:42:01,135
[HORSES GRUNTING]

232
00:42:07,975 --> 00:42:08,859
TOMAS: Mar￭a Isabel.

233
00:42:09,777 --> 00:42:10,778
[WHIMPERS]

234
00:42:12,780 --> 00:42:14,064
]
[BLOWS OUT CANDLES

235
00:42:16,817 --> 00:42:18,285
[SOBS QUIETLY]

236
00:42:22,706 --> 00:42:25,125
- [GLASSWARE BREAKING]
- TOMAS: Bring him here.

237
00:42:28,546 --> 00:42:29,547
Sign it.

238
00:42:39,340 --> 00:42:40,341
s.
Tie his hand

239
00:42:42,643 --> 00:42:44,478
[LORENZO GROANS QUIETLY]

240
00:42:47,731 --> 00:42:49,316
Y]
[GROANING QUIETL

241
00:43:01,028 --> 00:43:02,029
Lift him up.

242
00:43:04,081 --> 00:43:07,167
[LORENZO GROANING IN PAIN]

243
00:43:11,088 --> 00:43:14,625
[LORENZO GROANING,
PRAYING IN LATIN]

244
00:43:19,346 --> 00:43:21,882
[CRYING OUT IN PAIN]

245
00:43:24,969 --> 00:43:25,970
[WHIMPERING]

246
00:43:33,944 --> 00:43:35,446
[LORENZO'’’S C
RYING STOPS]

247
00:43:55,833 --> 00:43:57,835
the moment my daughter
returns home.

248
00:44:05,009 --> 00:44:07,511
TOMAS: All right,
you are free to go now.

249
00:44:08,512 --> 00:44:10,514
]
[BREATHING HEAVILY

250
00:44:21,108 --> 00:44:23,944
Father Lorenzo
, you'’’re forge
tting something.

251
00:44:25,946 --> 00:44:27,948
[BREATHES HEAVILY]

252
00:44:29,450 --> 00:44:32,419
This might be
of great help
to both of us.

253
00:44:34,371 --> 00:44:36,840
[CHOIR CHANTING
IN DISTANCE]

254
00:44:54,775 --> 00:44:56,226
Brother Lorenzo.

255
00:45:13,660 --> 00:45:15,579
Yes, Father. Yes.

256
00:45:22,469 --> 00:45:25,089
How did you respon
d to this request?

257
00:45:26,557 --> 00:45:29,009
I promised to plead
for her release.

258
00:45:43,323 --> 00:45:44,324
Did she confess?

259
00:45:47,828 --> 00:45:49,279
She was put
to "The Question."

260
00:45:51,281 --> 00:45:52,282
Hmm.

261
00:45:56,787 --> 00:45:59,256
with humble gratitude.

262
00:46:12,886 --> 00:46:13,971
As for the daughter...

263
00:46:34,408 --> 00:46:35,375
ed.
We are conclud

264
00:46:36,794 --> 00:46:38,796
[CHOIR CHANTING]

265
00:46:44,301 --> 00:46:45,669
- [DOOR OPENS]
- [MUTTERS]

266
00:46:58,732 --> 00:47:00,234
And...

267
00:47:01,768 --> 00:47:03,770
They love you
very much, In￩s.

268
00:47:07,774 --> 00:47:10,277
Shall we pray
together, In￩s?

269
00:47:14,248 --> 00:47:16,783
[BOTH PRAYING]

270
00:47:28,846 --> 00:47:30,430
[BREATHES HEAVILY]

271
00:47:34,685 --> 00:47:36,053
[LAUGHS HYSTERICALLY]

272
00:47:40,807 --> 00:47:42,392
[LAUGHING]
I can'’’t believe it!

273
00:47:49,066 --> 00:47:50,067
I just...

274
00:47:51,535 --> 00:47:52,870
Can you believe
this idiot?

275
00:47:56,406 --> 00:47:57,407
[CHUCKLES]

276
00:48:11,755 --> 00:48:14,725
will confess to the most
preposterous absurdities.

277
00:48:23,150 --> 00:48:25,068
to restore
our daughter to us.

278
00:48:26,486 --> 00:48:28,405
r.
Yes, I will see
what I can do for he

279
00:48:37,664 --> 00:48:39,700
’’s.
It is Lorenzo'

280
00:48:44,421 --> 00:48:46,840
All the brothers
are looking for him,
Father.

281
00:48:51,128 --> 00:48:53,380
- Yes?
- Francisco Goya y Lucientes?

282
00:49:05,809 --> 00:49:10,314
I hope Father Lorenzo
is pleased with the frame
we'’’ve chosen for it.

283
00:49:23,210 --> 00:49:25,712
We are here
to confiscate
the portrait.

284
00:49:31,718 --> 00:49:35,839
If he were to contact yo
u, we would like to be
notified immediately.

285
00:49:37,090 --> 00:49:38,091
Well, certainly.

286
00:49:42,596 --> 00:49:43,981
Oh, incidentally, I...

287
00:49:47,017 --> 00:49:49,403
I have not yet been paid
for the painting.

288
00:49:54,775 --> 00:49:56,660
[BELL TOLLING]

289
00:49:59,863 --> 00:50:02,449
[CROWD CLAMORS]

290
00:50:08,205 --> 00:50:09,589
[BELLS TOLLING]

291
00:50:10,507 --> 00:50:13,377
[CHOIR CONTINUES CHANTING]

292
00:50:29,526 --> 00:50:30,894
[FIRE CRACKLES]

293
00:50:58,922 --> 00:51:01,925
G]
[GOYA HEARS TOLLING BE
LLS AS HIGH-PITCHED RINGIN

294
00:51:05,228 --> 00:51:07,764
- [NO SPOKEN AUDIO]
- [RINGING CONTINUES]

295
00:51:10,016 --> 00:51:12,602
[BELLS CONTINUE TOLLING
AS HIGH-PITCHED RINGING]

296
00:51:18,358 --> 00:51:19,443
[FIRE CRACKLING]

297
00:51:24,865 --> 00:51:28,752
[SIGHS DEEPLY]

298
00:51:37,043 --> 00:51:39,546
[BELL TOLLING]

299
00:51:45,886 --> 00:51:47,971
I'’’ve never been this c
lose to our queen.

300
00:51:56,446 --> 00:51:59,950
.
Yes, but that does not
make a queen beautiful

301
00:52:01,284 --> 00:52:03,870
[ROYAL FANFARE PLAYING]

302
00:52:20,637 --> 00:52:21,171
[FANFARE STOPS]

303
00:52:31,264 --> 00:52:33,683
[BIRDS CHIRPING]

304
00:52:42,742 --> 00:52:45,162
[ROYAL FANFARE PLAYING]

305
00:52:57,424 --> 00:53:00,544
ber.
Her Majesty wishes
for you to go to
His Majesty'’’s cham

306
00:53:08,101 --> 00:53:10,520
- [CLOCK CHIMING]
- [BIRDS CHIRPING]

307
00:53:14,307 --> 00:53:15,892
[DOOR SQUEAKS OPEN]

308
00:53:18,445 --> 00:53:19,863
[DOOR SHUTS]

309
00:53:21,231 --> 00:53:22,115
Please sit.

310
00:53:23,483 --> 00:53:25,452
Sit, please.

311
00:53:30,740 --> 00:53:32,325
[CLEARS THROAT]

312
00:53:41,051 --> 00:53:43,136
[PLAYING VIOLIN]

313
00:53:50,427 --> 00:53:54,764
]
[CONTINUES PLAYING

314
00:54:15,752 --> 00:54:19,256
[PLAYING OFF TUNE

315
00:54:20,173 --> 00:54:22,676
]
[SCREECHES TO A FINISH

316
00:54:40,277 --> 00:54:43,196
re.
[CHUCKLING]
No. Not really, si

317
00:54:48,318 --> 00:54:49,235
No.

318
00:54:51,488 --> 00:54:52,572
[CHUCKLES]

319
00:54:55,408 --> 00:54:56,793
Really?

320
00:55:12,809 --> 00:55:14,144
All right, come in!

321
00:55:20,984 --> 00:55:24,487
.
Your Majesty,
I have come from Paris

322
00:55:25,989 --> 00:55:29,776
The French rabble
has decapitated
the King of France.

323
00:55:38,585 --> 00:55:41,087
in a public execut
ion six days ago.

324
00:55:43,089 --> 00:55:44,591
My cousin Louis?

325
00:55:45,592 --> 00:55:46,593
Yes, sire.

326
00:55:48,094 --> 00:55:50,096
[BIRDS CHIRPING]

327
00:55:51,598 --> 00:55:55,101
[♪♪♪♪♪♪]

328
00:57:09,292 --> 00:57:11,961
[LOUD CHEERING]

329
00:57:19,803 --> 00:57:21,855
[LOUD CLAMOR AND BUSTLING]

330
00:57:23,106 --> 00:57:24,557
[YELLING]

331
00:57:33,483 --> 00:57:34,651
[YELLS]

332
00:57:43,326 --> 00:57:43,910
[GROANS]

333
00:57:45,128 --> 00:57:46,162
[WHIMPERS]

334
00:57:48,465 --> 00:57:51,134
- [GUNFIRE CONTINUES]
- [MAN SCREAMS]

335
00:58:02,896 --> 00:58:05,431
[SQUAWKS]

336
00:58:10,854 --> 00:58:12,188
[YELLING CONTINUES]

337
00:58:17,944 --> 00:58:21,948
I can see these explosions,
but I can'’’t hear them.

338
00:58:39,349 --> 00:58:42,268
[♪♪♪♪♪♪]

339
00:59:34,771 --> 00:59:37,240
[SOLDIERS YELLING]

340
00:59:45,698 --> 00:59:47,450
Who is in command
of this place?

341
00:59:58,428 --> 01:00:00,713
n.
on this earth, my so

342
01:00:07,604 --> 01:00:10,807
[CONTINUES CHANTING
IN LATIN]

343
01:00:18,147 --> 01:00:20,566
[CROWD SCREAMING]

344
01:00:43,506 --> 01:00:47,226
and all of its prisoners
will be freed forthwith.

345
01:00:48,094 --> 01:00:50,930
[♪♪♪♪♪♪]

346
01:01:01,941 --> 01:01:02,859
Oh!

347
01:01:22,128 --> 01:01:23,629
[EXPLOSIONS]

348
01:01:30,053 --> 01:01:32,638
[♪♪♪♪♪♪]

349
01:01:37,143 --> 01:01:38,644
- [GUNFIRE]
- [HORSE WHINNIES]

350
01:01:42,782 --> 01:01:43,866
[SOBS QUIETLY]

351
01:01:53,543 --> 01:01:54,994
[DOG WHINES]

352
01:01:58,831 --> 01:02:01,417
[CLAMOR AND BUSTLING
CONTINUES]

353
01:02:02,919 --> 01:02:05,505
- [EXPLOSION]
- [HORSE WHINNYING]

354
01:02:07,673 --> 01:02:09,759
[♪♪♪♪♪♪]

355
01:02:12,178 --> 01:02:13,763
[CRYING]

356
01:02:19,569 --> 01:02:22,071
[♪♪♪♪♪♪]

357
01:02:36,452 --> 01:02:38,454
[CLAMOR CONTIN
UES IN DISTANCE]

358
01:02:49,966 --> 01:02:52,969
[BREATHES HEAVILY]

359
01:03:08,701 --> 01:03:10,203
[SOBS QUIETLY]

360
01:03:16,459 --> 01:03:17,493
[REMOVES WINE CORK]

361
01:03:19,045 --> 01:03:21,914
[NO AUDIO]

362
01:03:44,153 --> 01:03:45,154
[UNLOCKS DOOR]

363
01:03:46,606 --> 01:03:47,106
]
[CHUCKLES SOFTLY

364
01:03:55,698 --> 01:03:56,616
I'’’m deaf.

365
01:03:57,917 --> 01:03:59,001
I'’’m deaf!

366
01:04:02,038 --> 01:04:03,005
[NO SPOKEN AUDIO]

367
01:04:04,674 --> 01:04:06,175
[♪♪♪♪♪♪]

368
01:04:11,264 --> 01:04:13,633
GOYA: Sit down
. Sit down.

369
01:04:18,137 --> 01:04:20,640
n.
You have to write.
Write everything dow

370
01:04:23,142 --> 01:04:25,144
Write what happened.
I can'’’t hear.

371
01:04:27,146 --> 01:04:28,114
?
Are you hungry

372
01:04:29,565 --> 01:04:30,566
?
Are you hungry

373
01:04:44,547 --> 01:04:47,083
there was never a trial.

374
01:04:48,584 --> 01:04:50,586
My father is dead now.

375
01:04:53,139 --> 01:04:54,640
My whole family'’’s dead.

376
01:05:02,648 --> 01:05:06,352
The only thing
I can think about
is my child.

377
01:05:07,353 --> 01:05:08,688
You had a child?

378
01:05:10,573 --> 01:05:11,574
In prison?

379
01:05:26,839 --> 01:05:29,709
Can you help me
find her, please?

380
01:05:44,890 --> 01:05:46,776
[CROWD YELLING]

381
01:05:52,898 --> 01:05:55,401
But the Holy Office
is long gone.

382
01:06:00,740 --> 01:06:03,242
They'’’re either
all in prison
or on the run.

383
01:06:05,244 --> 01:06:06,128
GOYA: Uh-huh.

384
01:06:22,261 --> 01:06:24,347
[BUSTLING AND CLAMOR
CONTINUES]

385
01:06:30,903 --> 01:06:31,854
Felipe!

386
01:06:36,275 --> 01:06:37,360
[DOG BARKS]

387
01:06:43,783 --> 01:06:45,368
[CROWD YELLING]

388
01:06:51,924 --> 01:06:53,259
[MAN YELLS IN SPANISH]

389
01:06:58,764 --> 01:07:01,267
[ALL CONTINUE YELLING]

390
01:07:03,269 --> 01:07:04,770
!
MAN: Quiet

391
01:07:06,222 --> 01:07:08,274
- MAN: Shh!
- [CROWD QUIETS]

392
01:07:28,244 --> 01:07:29,328
They...

393
01:07:39,171 --> 01:07:40,973
because they
are irresistible.

394
01:07:48,931 --> 01:07:50,349
Goya!

395
01:07:56,322 --> 01:07:59,825
All men are born free.

396
01:08:16,959 --> 01:08:19,762
[CROWD CHEERING]

397
01:08:25,384 --> 01:08:26,719
Father Gregorio...

398
01:08:33,025 --> 01:08:34,026
However...

399
01:08:55,331 --> 01:08:57,416
[CROWD CHEERS, APPLAUDS]

400
01:09:24,026 --> 01:09:25,611
[CROWD CHEERS LOUDLY]

401
01:09:29,165 --> 01:09:30,749
[CHEERING CONTINUES]

402
01:09:40,292 --> 01:09:41,710
Goya!

403
01:09:48,634 --> 01:09:51,720
that made you confess
that you were a...

404
01:09:59,945 --> 01:10:02,314
How could I forget him
? What was his name?

405
01:10:05,618 --> 01:10:07,536
Yes, of course
. How is he?

406
01:10:12,408 --> 01:10:14,210
No, it'’’s his daughter.

407
01:10:25,421 --> 01:10:26,505
Bring her in.

408
01:10:29,508 --> 01:10:31,510
.
I owe everything..

409
01:10:47,076 --> 01:10:48,611
I...

410
01:11:22,361 --> 01:11:24,446
.
Yes.
Henrietta, my wife

411
01:11:48,137 --> 01:11:50,005
- [KNOCK ON DOOR]
- Come in.

412
01:11:54,310 --> 01:11:55,311
In￩s.

413
01:12:00,399 --> 01:12:01,317
Lorenzo Casamares.

414
01:12:10,025 --> 01:12:11,610
Stop, please.

415
01:12:13,112 --> 01:12:14,113
Sit down.

416
01:12:21,837 --> 01:12:23,422
What can I do for you?

417
01:12:24,423 --> 01:12:26,792
What happened
to our child?

418
01:12:33,048 --> 01:12:34,133
Is she with you?

419
01:12:37,102 --> 01:12:38,387
[SIGHS]

420
01:12:43,726 --> 01:12:46,195
How long did they
keep you in that prison?

421
01:12:48,647 --> 01:12:50,115
.
I don'’’t know

422
01:12:52,534 --> 01:12:53,485
And...

423
01:13:02,911 --> 01:13:03,912
"Our daughter"?

424
01:13:09,051 --> 01:13:12,337
Why do you believe
that I am the father
of your little girl?

425
01:13:19,094 --> 01:13:22,181
LORENZO:
Please, sit down.
Sit down, please.

426
01:13:26,568 --> 01:13:28,070
[CLEARS THROAT]

427
01:13:31,073 --> 01:13:32,574
What happened
to the child?

428
01:13:41,083 --> 01:13:44,586
before she even
tasted my milk.

429
01:14:01,220 --> 01:14:03,555
[WHISPERS]

430
01:14:10,896 --> 01:14:12,481
Come. Come.

431
01:14:28,630 --> 01:14:31,633
Go on. Everyth
ing will be fine.

432
01:14:34,136 --> 01:14:36,138
[INES CHUCKLES,
SNIFFLES QUIETLY]

433
01:14:57,025 --> 01:15:00,028
She has obviously taken
leave of her senses in jail.

434
01:15:09,838 --> 01:15:13,208
Do you think she
invented the story
about her child?

435
01:15:28,724 --> 01:15:30,776
what would have happened
to the child?

436
01:15:41,703 --> 01:15:45,541
.
Please...respo
nd to my question

437
01:15:49,328 --> 01:15:52,297
will you spare whatever
remains of my life?

438
01:15:58,754 --> 01:16:00,172
Yes.

439
01:16:02,174 --> 01:16:06,094
Can I trust a...
a monkey?

440
01:16:07,512 --> 01:16:09,014
[CHUCKLES]

441
01:16:11,016 --> 01:16:12,017
Yes.

442
01:16:22,494 --> 01:16:23,579
Uh...

443
01:16:25,747 --> 01:16:29,618
Well, there was one
who would answer
that description.

444
01:16:48,804 --> 01:16:50,305
She was a little tiger.

445
01:16:51,773 --> 01:16:54,059
LORENZO: Mm...

446
01:16:59,982 --> 01:17:01,483
Not really.

447
01:17:08,240 --> 01:17:11,827
o.
[LAUGHING]
Oh, no. They never d

448
01:17:22,971 --> 01:17:24,056
WOMAN: Alicia.

449
01:17:25,557 --> 01:17:26,558
Come on.

450
01:17:27,559 --> 01:17:29,561
[PEOPLE CHATTERING,
LAUGHING]

451
01:17:48,914 --> 01:17:52,084
[MEN SPEAKING
IN FOREIGN LANGUAGE]

452
01:17:56,121 --> 01:17:57,122
Whoa.

453
01:18:07,132 --> 01:18:08,133
Come on.

454
01:18:13,805 --> 01:18:16,224
- [DOOR CLOSES]
- [MAN WHIPS HORSE]

455
01:19:13,865 --> 01:19:16,752
No, you can keep
this thing right here
in Madrid.

456
01:19:27,212 --> 01:19:29,131
I met him.
And his wife.

457
01:19:33,718 --> 01:19:35,554
?
How did she manage
to have so many lovers

458
01:19:38,607 --> 01:19:40,192
[FOOTSTEPS]

459
01:19:45,697 --> 01:19:48,066
s.
I'’’m sure my brothe
r would appreciate thi

460
01:20:05,717 --> 01:20:07,969
- LORENZO: Bring him in.
- Wait.

461
01:20:13,058 --> 01:20:16,561
Show Senor Goya to my study
and kindly ask him to wait.

462
01:20:17,896 --> 01:20:18,897
Thank you.

463
01:20:27,823 --> 01:20:28,824
[DOOR OPENS]

464
01:20:38,667 --> 01:20:41,086
I just want to get in touch
with In￩s Bilbata.

465
01:20:46,958 --> 01:20:48,460
She does have a daughter.

466
01:20:54,182 --> 01:20:56,685
- You saw her?
- Yeah.

467
01:21:15,237 --> 01:21:17,072
r?
Where did you see he

468
01:21:21,326 --> 01:21:22,294
In the Pardo Gardens.

469
01:21:26,831 --> 01:21:27,832
Yes.

470
01:21:29,751 --> 01:21:31,253
She is a...

471
01:21:33,221 --> 01:21:34,589
Yes, she is.

472
01:21:36,925 --> 01:21:38,843
Do you know
her name?

473
01:21:45,517 --> 01:21:47,519
I want the mother
to meet her daughter.

474
01:21:49,020 --> 01:21:50,355
Of course.

475
01:21:53,692 --> 01:21:54,693
Go on.

476
01:22:02,033 --> 01:22:02,784
[MAN WHIPS HORSE]

477
01:22:15,513 --> 01:22:16,932
Yes.

478
01:22:18,767 --> 01:22:20,185
Where were you born,
Alicia?

479
01:22:22,637 --> 01:22:23,471
In an orphanage.

480
01:22:24,856 --> 01:22:27,275
Do you know
who your parents were?

481
01:22:28,810 --> 01:22:31,062
My mother
was a heretic.

482
01:22:35,867 --> 01:22:36,868
Hmm.

483
01:22:48,913 --> 01:22:50,915
Nowhere, nowhere.
I just want to talk to you.

484
01:22:53,335 --> 01:22:55,337
You'’’re not the pol
ice, are you?

485
01:22:58,340 --> 01:23:01,176
I would like to make you
a proposition.

486
01:23:46,054 --> 01:23:49,057
which I doubt,
which I doubt...

487
01:23:51,059 --> 01:23:54,896
If she were, I would
never want to bring
those two together.

488
01:24:11,329 --> 01:24:13,381
Plus, Francisco...

489
01:24:14,916 --> 01:24:18,503
In￩s is not in control
of her senses.

490
01:24:30,515 --> 01:24:32,650
You are completely
obsessed with her.

491
01:24:58,209 --> 01:24:59,794
Can you
understand that?

492
01:25:01,796 --> 01:25:02,764
Where is she?

493
01:25:08,219 --> 01:25:09,721
Francisco...

494
01:25:15,226 --> 01:25:16,611
[GRUNTS]

495
01:25:20,198 --> 01:25:21,282
[HORSES TROTTING]

496
01:25:34,462 --> 01:25:36,748
The other one is 7'’’2" tall.

497
01:25:46,007 --> 01:25:47,475
Who is this woman,
anyway?

498
01:25:50,845 --> 01:25:52,147
In￩s Bilbata.

499
01:25:53,481 --> 01:25:55,567
How much is
she worth to you?

500
01:25:59,571 --> 01:26:00,488
1,000 reales.

501
01:26:24,963 --> 01:26:27,048
- 200.
- All right.

502
01:26:31,603 --> 01:26:32,687
]
[DOOR SQUEAKS OPEN

503
01:26:35,607 --> 01:26:39,310
[PATIENTS MURMURING,
GROANING]

504
01:26:44,199 --> 01:26:46,284
[DOOR SQUEAKS OPEN]

505
01:26:52,657 --> 01:26:54,158
In￩s.

506
01:27:23,354 --> 01:27:24,856
[ALL GROWS QUIET]

507
01:27:26,741 --> 01:27:29,160
Don'’’t you remember me?

508
01:27:32,497 --> 01:27:33,781
You can go home now.

509
01:27:36,084 --> 01:27:38,119
- I found your daughter, In￩s.
- [DOOR SQUEAKS OPEN]

510
01:27:44,092 --> 01:27:45,176
[CHUCKLES]

511
01:27:46,094 --> 01:27:48,463
- My daughter?
- Yes.

512
01:27:49,964 --> 01:27:51,299
My baby?

513
01:27:53,518 --> 01:27:56,104
[CHUCKLING]

514
01:28:04,896 --> 01:28:05,980
Halt!

515
01:28:13,905 --> 01:28:16,407
- [SOLDIERS CHATTERING
] - [HORSES GRUNTING]

516
01:28:20,411 --> 01:28:22,664
GOYA: In￩s, wait
in the carriage.

517
01:28:23,464 --> 01:28:25,466
You keep
an eye on her.

518
01:28:29,337 --> 01:28:31,139
[SPANISH MUSIC PLAYING]

519
01:28:35,393 --> 01:28:37,478
[PEOPLE CHATTERING]

520
01:28:42,400 --> 01:28:43,935
[CHATTERING CONTINUES]

521
01:29:06,207 --> 01:29:08,626
[SPEAKING IN
FOREIGN LANGUAGE]

522
01:29:12,547 --> 01:29:14,132
[SPEAKS IN
FOREIGN LANGUAGE]

523
01:29:19,971 --> 01:29:21,889
[BABY GURGLES]

524
01:29:36,988 --> 01:29:39,957
[BABY GURGLING]

525
01:29:43,327 --> 01:29:44,829
a?
GOYA: Miss Alici

526
01:29:46,330 --> 01:29:47,248
Yes.

527
01:29:49,167 --> 01:29:51,169
ya.
I'’’m Francisco Go

528
01:29:54,138 --> 01:29:55,056
Oh...

529
01:29:58,476 --> 01:29:59,394
?
Is that your child

530
01:30:00,762 --> 01:30:02,063
No.

531
01:30:07,435 --> 01:30:08,486
Another man?

532
01:30:21,165 --> 01:30:23,251
Shh! Shh!

533
01:30:29,957 --> 01:30:32,126
You'’’ve never
met your mother,
have you?

534
01:30:35,630 --> 01:30:36,547
]
[LOUD BANG

535
01:30:39,967 --> 01:30:40,968
[ALL YELLING]

536
01:30:43,938 --> 01:30:45,273
[MAN GRUNTS]

537
01:30:46,474 --> 01:30:47,775
[YELLING]

538
01:30:55,316 --> 01:30:56,400
a!
WOMAN: Alici

539
01:30:58,402 --> 01:30:59,904
Alicia, run!

540
01:31:03,825 --> 01:31:05,660
GOYA: No,
don'’’t touch her!

541
01:31:06,494 --> 01:31:08,246
Alicia!

542
01:31:13,167 --> 01:31:15,670
[CLAMOR CONTINUES]

543
01:31:25,429 --> 01:31:27,014
[SQUAWKING]

544
01:31:29,767 --> 01:31:31,853
[GROANING]

545
01:31:46,284 --> 01:31:48,169
[PANTING]

546
01:32:05,136 --> 01:32:06,721
[PEOPLE CHATTERING]

547
01:32:10,525 --> 01:32:15,196
- [WOMAN SPEAKS SPANISH]
- [BABY CRYING]

548
01:32:16,531 --> 01:32:18,983
[MEN CHATTERING, LAUGHING]

549
01:32:20,535 --> 01:32:23,538
[BABY CRYING]

550
01:32:27,491 --> 01:32:28,993
[SOBS SOFTLY]

551
01:32:30,294 --> 01:32:32,880
[KISSES CHEEK]

552
01:32:37,218 --> 01:32:40,304
- Shh...shh...
- [BABY GURGLES]

553
01:32:43,307 --> 01:32:45,259
[BABY CRIES]

554
01:32:50,314 --> 01:32:51,816
[BABY GURGLING]

555
01:33:08,749 --> 01:33:09,834
[MUTTERS]

556
01:33:20,261 --> 01:33:20,845
Yes.

557
01:33:56,580 --> 01:33:57,882
Whore?!

558
01:34:10,645 --> 01:34:13,097
But do you remember
what you were yesterday?

559
01:34:14,515 --> 01:34:15,399
Who'’’s the whore here?

560
01:34:53,521 --> 01:34:55,306
Youare the whore.

561
01:34:59,560 --> 01:35:01,195
What is it?!

562
01:35:05,366 --> 01:35:06,867
[SIGHS]

563
01:35:23,634 --> 01:35:27,138
and the Spanish are joining
the British in their assault
on our outposts.

564
01:35:31,175 --> 01:35:34,261
The king and his famil
y left for Madrid
half an hour ago.

565
01:35:40,818 --> 01:35:42,903
[♪♪♪♪♪♪]

566
01:35:51,112 --> 01:35:52,696
[♪♪♪♪♪♪]

567
01:36:01,956 --> 01:36:03,541
[GROANS]

568
01:36:33,037 --> 01:36:35,072
[PEOPLE CHATTERING]

569
01:36:41,045 --> 01:36:41,879
In￩s.

570
01:36:55,759 --> 01:36:58,762
- [BABY CRYING]
- Shh...

571
01:37:06,070 --> 01:37:08,656
- [BABY GURGLES]
- INES: Shh...

572
01:37:10,858 --> 01:37:12,443
[SOLDIERS CHATTERING]

573
01:37:24,872 --> 01:37:26,457
[HORSES TROTTING]

574
01:37:31,462 --> 01:37:33,464
[MAN YELLS]

575
01:37:47,478 --> 01:37:49,063
[SOLDIERS YELLING]

576
01:37:53,984 --> 01:37:55,986
[CHATTERING]

577
01:38:07,631 --> 01:38:10,134
Back to France,
you cowards!

578
01:38:17,808 --> 01:38:20,144
s!
MAN #2:
Come on, boy

579
01:38:21,145 --> 01:38:23,480
[GIRLS SCREAMING]

580
01:38:27,434 --> 01:38:29,019
[HORNS CONTINUE]

581
01:38:31,355 --> 01:38:33,691
MAN: B Company,
close up!

582
01:38:36,277 --> 01:38:38,195
[YELLING]

583
01:38:42,199 --> 01:38:44,251
[CLAMOR CONTINUES]

584
01:38:51,425 --> 01:38:53,010
[♪♪♪♪♪♪]

585
01:38:57,514 --> 01:38:59,383
- [GUNFIRE]
- [MAN GROANS]

586
01:39:08,275 --> 01:39:09,643
s?
LORENZO: Fran￧oi

587
01:39:10,477 --> 01:39:11,779
[GUNFIRE]

588
01:39:13,697 --> 01:39:14,648
[HORSE WHINNIES]

589
01:39:18,152 --> 01:39:19,036
[GROANS]

590
01:39:21,705 --> 01:39:24,291
- [WHINNYING]
- [LORENZO GASPING]

591
01:39:26,460 --> 01:39:28,996
- [GRUNTS]
- [WHINNYING]

592
01:39:30,047 --> 01:39:31,632
[♪♪♪♪♪♪]

593
01:39:33,834 --> 01:39:35,836
[YELLING]

594
01:39:38,889 --> 01:39:39,974
[SOLDIERS YELLING]

595
01:39:45,312 --> 01:39:47,898
- [PANTING]
- [HORSE WHINNIES]

596
01:39:49,566 --> 01:39:51,151
[BANGING, RATTLING]

597
01:40:39,149 --> 01:40:42,202
and your punishment
will be death.

598
01:40:52,246 --> 01:40:54,631
[MURMURING]

599
01:40:57,918 --> 01:41:01,889
if you'’’ll join us agai
n in the ever-loving arms
of God.

600
01:41:09,346 --> 01:41:10,764
my son...

601
01:41:13,267 --> 01:41:15,269
[CHAINS RATTLE]

602
01:41:18,772 --> 01:41:20,274
Will you repent?

603
01:41:22,192 --> 01:41:24,528
- [WOMEN CHATTERING]
- [GOATS CHATTERING]

604
01:41:30,084 --> 01:41:32,086
[HORSES APPROACHING]

605
01:41:39,510 --> 01:41:41,428
[CROWD CLAMORING]

606
01:41:46,967 --> 01:41:48,552
[CROWD CHATTERING]

607
01:41:56,894 --> 01:41:59,396
NG]
[CROWD CLAMORI

608
01:42:03,534 --> 01:42:05,119
[CLAMORING CONTINUES]

609
01:42:09,540 --> 01:42:12,126
[CHANTING]

610
01:42:22,169 --> 01:42:24,838
[DRUMS BEING PLAYED]

611
01:42:26,006 --> 01:42:28,091
[CROWD CLAMORING]

612
01:42:29,843 --> 01:42:31,428
[YELLING]

613
01:42:32,930 --> 01:42:35,399
[CHATTERING]

614
01:42:45,275 --> 01:42:47,744
- Well, what do you think
will happen to him now?
- Oh...

615
01:42:54,952 --> 01:42:57,037
- [CHANTING]
- [DRUMS BEING PLAYED]

616
01:42:58,038 --> 01:43:01,508
[MAN PRAYING
IN LATIN]

617
01:43:03,010 --> 01:43:04,094
Amen.

618
01:43:05,796 --> 01:43:07,881
[LATIN PRAYER CONTINUES]

619
01:43:15,556 --> 01:43:19,359
Open your eyes,
see the world
you have lost.

620
01:43:46,503 --> 01:43:49,089
- For God is all merciful.
- [MAN YELLS]

621
01:43:53,677 --> 01:43:56,096
- [CROWD CHEERING]
- [DRUMS BEING PLAYED]

622
01:44:02,853 --> 01:44:05,439
[YELLING]

623
01:44:19,169 --> 01:44:20,254
[GIGGLES]

624
01:44:23,624 --> 01:44:25,626
DRUM ROLL QUICKENS]

625
01:44:33,634 --> 01:44:35,519
[ALL GROWS QUIET]

626
01:44:40,440 --> 01:44:41,858
[BREATHES HEAVILY]

627
01:44:45,362 --> 01:44:46,897
[WHIMPERING]

628
01:44:57,824 --> 01:44:58,909
[GASPS]

629
01:44:59,993 --> 01:45:01,962
[JUBILANT MUSIC PLAYING]

630
01:45:09,336 --> 01:45:11,755
[MEN YELLING]

631
01:45:38,915 --> 01:45:40,417
[MUSIC STOPS]

632
01:45:43,670 --> 01:45:46,623
[CHATTERING]

633
01:45:55,849 --> 01:45:59,636
[CHILD SINGING IN SPANISH]

634
01:46:04,891 --> 01:46:08,895
[CHILDREN SINGING IN SPANISH]

635
01:46:33,720 --> 01:46:36,223
[CHILDREN CONTINUE SINGING]

636
01:46:42,345 --> 01:46:43,847
GOYA: In￩s!

637
01:46:48,101 --> 01:46:49,686
[CHILDREN CONTINUE SINGING]

638
01:47:50,247 --> 01:47:53,166
[♪♪♪♪♪♪]

639
01:48:05,896 --> 01:48:07,397
[♪♪♪♪♪♪]

640
01:48:27,117 --> 01:48:29,202
[♪♪♪♪♪♪]

641
01:48:38,378 --> 01:48:40,463
[♪♪♪♪♪♪]

642
01:48:46,019 --> 01:48:48,471
[♪♪♪♪♪♪]

643
01:49:08,124 --> 01:49:10,210
[♪♪♪♪♪♪]

644
01:49:24,307 --> 01:49:26,226
[♪♪♪♪♪♪]

645
01:49:42,409 --> 01:49:45,495
[♪♪♪♪♪♪]

646
01:49:56,506 --> 01:49:58,458
[♪♪♪♪♪♪]

647
01:50:06,933 --> 01:50:08,468
[♪♪♪♪♪♪]

648
01:50:36,663 --> 01:50:39,749
[♪♪♪♪♪♪]

649
01:50:50,510 --> 01:50:53,596
[♪♪♪♪♪♪]

650
01:53:00,974 --> 01:53:03,059
[♪♪♪♪♪♪]