1 00:01:50,675 --> 00:01:52,982 YOU'LL BE FINE, LUCY. 2 00:01:53,025 --> 00:01:54,984 THIS HEAT'S WIPING ME OUT. 3 00:01:55,027 --> 00:01:57,552 WELL, WIND THE WINDOW DOWN, IF YOU LIKE. 4 00:01:57,595 --> 00:02:01,121 FORGET IT. IT'S EVEN HOTTER OUTSIDE. 5 00:02:01,338 --> 00:02:03,862 AT LEAST THERE'S NOT MUCH TRAFFIC. 6 00:02:03,906 --> 00:02:05,081 I'M NOT SURPRISED. 7 00:02:05,125 --> 00:02:07,866 WHO WOULD WANT TO GO OUT ON A DAY LIKE THIS? 8 00:02:07,910 --> 00:02:10,956 AW, COME ON, DON'T BE LIKE THAT. 9 00:02:11,566 --> 00:02:14,743 HAVE YOU STILL GOT YOUR HEADACHE? 10 00:02:15,222 --> 00:02:17,398 YEAH. IT KEEPS COMING AND GOING 11 00:02:17,441 --> 00:02:19,139 AND WON'T GET OUT. 12 00:02:19,182 --> 00:02:21,532 SMOKING'S NOT GONNA HELP IT. 13 00:02:21,576 --> 00:02:26,537 CIGARETTES ARE THE ONLY THING THAT EASES IT A BIT. 14 00:02:38,419 --> 00:02:41,944 ♪ THERE IS A WAR BETWEEN THE RICH AND POOR... ♪ 15 00:02:41,987 --> 00:02:43,598 DON'T WORRY SO MUCH ABOUT ME. 16 00:02:43,641 --> 00:02:45,556 ALL I NEED IS A GOOD NIGHT'S SLEEP. 17 00:02:45,600 --> 00:02:46,949 THAT'S ALL. 18 00:02:46,992 --> 00:02:48,994 COULD YOU PASS ME ONE OF THOSE CIGARETTES, PLEASE? 19 00:02:49,038 --> 00:02:51,258 ♪ BETWEEN THE ONES WHO SAY THERE IS A WAR ♪ 20 00:02:51,301 --> 00:02:54,609 ♪ AND THE ONES WHO SAY THAT THERE IS A ♪ 21 00:02:56,176 --> 00:02:59,440 ♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪ 22 00:02:59,483 --> 00:03:02,965 ♪ THAT'S RIGHT, GET IN IT ♪ 23 00:03:04,314 --> 00:03:07,578 ♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪ 24 00:03:07,622 --> 00:03:11,234 ♪ IT'S JUST BEGINNING 25 00:03:12,801 --> 00:03:15,238 ♪ WELL, I LIVE HERE WITH A WOMAN AND A CHILD ♪ 26 00:03:15,282 --> 00:03:20,025 ♪ THE SITUATION MAKES ME KIND OF NERVOUS ♪ 27 00:03:21,331 --> 00:03:23,246 ♪ AS I RISE UP, PULL HER ARM ♪ 28 00:03:23,290 --> 00:03:25,509 ♪ SHE SAYS, "I GUESS YOU CALL THIS LOVE" ♪ 29 00:03:25,553 --> 00:03:28,338 ♪ I CALL IT SERVICE 30 00:03:29,296 --> 00:03:32,908 ♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪ 31 00:03:32,951 --> 00:03:36,172 ♪ DON'T BE A TOURIST 32 00:03:37,347 --> 00:03:41,264 ♪ WHY DON'T YOU COME ON BACK TO THE WAR ♪ 33 00:03:41,308 --> 00:03:44,311 ♪ BEFORE IT HURTS US? 34 00:03:45,529 --> 00:03:49,098 ♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪ 35 00:03:49,141 --> 00:03:52,580 ♪ LET'S ALL GET NERVOUS 36 00:03:54,190 --> 00:03:56,148 ♪ YOU CANNOT STAND WHAT I'VE BECOME ♪ 37 00:03:56,192 --> 00:04:00,979 ♪ YOU MUCH PREFER THE GENTLEMAN I WAS BEFORE ♪ 38 00:04:02,285 --> 00:04:06,855 ♪ I WAS SO EASY TO DEFEAT, I WAS SO EASY TO CONTROL ♪ 39 00:04:06,898 --> 00:04:11,773 ♪ I DIDN'T EVEN KNOW THERE WAS A WAR ♪ 40 00:04:12,339 --> 00:04:15,951 ♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪ 41 00:04:15,994 --> 00:04:19,128 ♪ DON'T BE EMBARRASSED 42 00:04:20,347 --> 00:04:23,959 ♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪ 43 00:04:24,002 --> 00:04:27,136 ♪ YOU CAN STILL GET MARRIED 44 00:04:29,181 --> 00:04:31,488 ♪ THE WAR BETWEEN THE RICH AND POOR ♪ 45 00:04:31,532 --> 00:04:36,101 ♪ A WAR BETWEEN THE MAN AND THE WOMAN ♪ 46 00:04:37,015 --> 00:04:39,757 ♪ THERE IS A WAR BETWEEN THE LEFT AND RIGHT ♪ 47 00:04:39,801 --> 00:04:41,803 ♪ A WAR BETWEEN THE BLACK AND WHITE ♪ 48 00:04:41,846 --> 00:04:45,937 ♪ A WAR BETWEEN THE ODD AND THE EVEN ♪ 49 00:04:47,156 --> 00:04:51,291 ♪ WHY DON'T YOU COME ON BACK TO THE WAR... ♪ 50 00:04:58,385 --> 00:05:01,518 SOAK UP THE PEACE AND QUIET. 51 00:05:07,307 --> 00:05:08,264 PIT STOP. 52 00:05:08,308 --> 00:05:09,657 LAST HINT OF CIVILIZATION 53 00:05:09,700 --> 00:05:11,311 WE'LL SEE FOR A COUPLE OF DAYS. 54 00:05:11,354 --> 00:05:14,879 LET'S SEE YOU STRETCHING YOUR LEGS. 55 00:05:15,402 --> 00:05:17,229 YEAH, YEAH, GOOD IDEA. 56 00:05:17,273 --> 00:05:18,361 YOU COMING? 57 00:05:18,405 --> 00:05:21,321 NO, THANKS. I'M SICK OF FOLLOWING HIM. 58 00:05:21,364 --> 00:05:22,234 YOU SURE? 59 00:05:22,278 --> 00:05:24,802 YEAH. GO AHEAD. I'LL BE FINE. 60 00:05:24,846 --> 00:05:26,326 OK. 61 00:05:31,722 --> 00:05:32,897 WHAT IS THIS PLACE? 62 00:05:32,941 --> 00:05:35,552 I DON'T KNOW. NEVER STOPPED HERE BEFORE. 63 00:05:35,596 --> 00:05:37,249 YOU ALL RIGHT? 64 00:05:37,293 --> 00:05:39,121 YEAH, YEAH. 65 00:05:41,297 --> 00:05:42,342 YOU COMING? 66 00:05:42,385 --> 00:05:43,778 I'M SHATTERED. 67 00:05:43,821 --> 00:05:46,911 THE LESS WE GET CAUGHT UP, THE SOONER WE'LL GET THERE. 68 00:05:46,955 --> 00:05:48,217 OK. 69 00:05:48,260 --> 00:05:51,612 GLAD TO SEE YOU'RE ALL ENTHUSIASTIC. 70 00:05:51,655 --> 00:05:53,744 YOURS ISN'T COMING, EITHER? 71 00:05:53,788 --> 00:05:55,529 NOPE. 72 00:05:58,706 --> 00:06:00,490 WELL, A LITTLE BIT BETTER. 73 00:06:00,534 --> 00:06:03,363 HOW ABOUT A COUPLE GLASSES OF VINO? 74 00:06:04,538 --> 00:06:06,888 OH, THAT'S ALL WE FUCKING NEED. LESTER! 75 00:06:06,931 --> 00:06:10,500 HEY, COME ON, COME ON, COME ON. HERE. 76 00:07:03,248 --> 00:07:05,294 HA HA HA! 77 00:08:16,017 --> 00:08:17,584 [TURNS ON AND OFF TAPE PLAYER] 78 00:08:34,122 --> 00:08:36,733 THAT'S WRONG. 79 00:10:30,151 --> 00:10:31,718 COME ON, I THINK WE SHOULD GET GOING. 80 00:10:31,761 --> 00:10:34,503 IT'S GETTING LATE. YEAH. 81 00:10:41,553 --> 00:10:44,948 OH, NO. I'LL...PAY THIS TIME. 82 00:11:14,543 --> 00:11:17,938 YOU WERE TAKING FOREVER. 83 00:11:19,679 --> 00:11:22,072 THE OLD BOY THINKS WE SHOULD ALL GO IN MY CAR. 84 00:11:22,116 --> 00:11:24,640 HE SAYS THIS ONE MIGHT GO ALONG THE TRACK. 85 00:11:24,684 --> 00:11:27,208 I'M NOT LEAVING THIS HERE. NO WAY. 86 00:11:27,251 --> 00:11:28,470 I'D LISTEN TO HIM. 87 00:11:28,513 --> 00:11:31,734 THEY HAVE GOOD INSTINCTS ABOUT STUFF LIKE THAT. 88 00:11:36,260 --> 00:11:39,307 THE CAR WILL BE FINE. LET'S JUST GO. 89 00:11:39,350 --> 00:11:41,135 ALL RIGHT. 90 00:11:42,658 --> 00:11:45,530 I HOPE IT'S STILL THERE WHEN I GET BACK. 91 00:11:45,574 --> 00:11:47,794 WHO'S GONNA STEAL IT OUT HERE? 92 00:11:47,837 --> 00:11:49,360 IT'S SAFE ENOUGH. 93 00:11:49,404 --> 00:11:50,622 IT BETTER BE. 94 00:11:50,666 --> 00:11:54,583 YOU OUGHT TO GET YOURSELF ONE OF THESE. 95 00:11:54,626 --> 00:11:56,324 TAKE YOU ANYWHERE YOU WANT. 96 00:11:56,367 --> 00:11:59,283 BUILT LIKE A TANK, SAFE AS HOUSES. 97 00:11:59,327 --> 00:12:02,199 YOU WANT KIDS? PLENTY OF ROOM FOR THE KIDS. 98 00:12:08,249 --> 00:12:10,164 WE'RE ALMOST THERE. 99 00:12:10,207 --> 00:12:12,253 SEE THE RIVER? 100 00:12:12,296 --> 00:12:14,342 DOWN THERE. 101 00:12:44,372 --> 00:12:45,547 WHAT DO YOU THINK? 102 00:12:45,590 --> 00:12:47,201 I THINK IT'S GREAT. 103 00:12:47,244 --> 00:12:48,158 YEAH? YEAH. 104 00:12:48,202 --> 00:12:51,031 YEAH. YEAH, I TRY AND WORK ON IT 105 00:12:51,074 --> 00:12:52,902 EVERY CHANCE I CAN. 106 00:12:53,555 --> 00:12:55,557 WHAT ABOUT THIS LOCATION? 107 00:12:56,732 --> 00:12:59,169 FEEL YOU CAN... YOU CAN REALLY BREATHE. 108 00:12:59,213 --> 00:13:01,041 Woman: WHY DON'T YOU OPEN THE DOOR. 109 00:13:01,084 --> 00:13:02,564 WE CAN SHOW THEM THE INSIDE. 110 00:13:02,607 --> 00:13:03,826 Other woman: GOOD IDEA. 111 00:13:03,870 --> 00:13:05,567 YOU'RE INCAPABLE OF ENJOYING NATURE, 112 00:13:05,610 --> 00:13:07,308 EVEN FOR A MINUTE, AREN'T YOU? 113 00:13:07,351 --> 00:13:09,571 Woman: HA HA! THANK YOU. 114 00:13:09,614 --> 00:13:12,792 I THINK WE'RE GOING TO GET SICK OF IT. 115 00:13:24,020 --> 00:13:26,936 HERE, TAKE IT. WON'T BITE. 116 00:13:31,419 --> 00:13:33,203 LOOK AT THIS BEAUTY. 117 00:13:33,247 --> 00:13:35,118 I GOT THIS LAST YEAR. 118 00:13:35,162 --> 00:13:36,293 FEEL HOW SMOOTH THAT IS. 119 00:13:36,337 --> 00:13:37,686 IF YOU TWO AREN'T GOING TO HELP, 120 00:13:37,729 --> 00:13:40,689 YOU CAN AT LEAST GET OUT OF THE WAY. 121 00:13:47,000 --> 00:13:49,872 SO, WHAT DO YOU THINK OF THE SITTING ROOM? 122 00:13:49,916 --> 00:13:51,047 YOU CONVERTED THIS? 123 00:13:51,091 --> 00:13:55,573 YEAH. YEAH, IT USED TO BE THE STABLES. 124 00:13:56,052 --> 00:14:00,143 YOU STILL THINK THIS IS A CRAZY IDEA? 125 00:14:00,927 --> 00:14:03,277 I'M TELLING YOU, WE SHOULD COME AND LIVE HERE. 126 00:14:03,320 --> 00:14:05,627 WE COULD START A COMPANY AGAIN LIKE WE DID IN LONDON. 127 00:14:05,670 --> 00:14:08,499 OH, ARE YOU GOING TO START TALKING ABOUT WORK AGAIN? 128 00:14:08,543 --> 00:14:13,113 YOU'VE BEEN GOING ON ABOUT THAT ALL WEEK. 129 00:14:13,156 --> 00:14:14,592 WELL, IF IT'S BOTHERING HIM, 130 00:14:14,636 --> 00:14:18,553 THEN HE SHOULD SAY SOMETHING, SHOULDN'T HE? 131 00:14:19,510 --> 00:14:21,208 I'M NOT BOTHERED. I'M... 132 00:14:21,251 --> 00:14:22,513 DID I MISS SOMETHING? 133 00:14:22,557 --> 00:14:26,691 I WAS ABOUT TO FINALLY CONVINCE YOUR HUSBAND... 134 00:14:26,735 --> 00:14:28,345 THAT YOU SHOULD MOVE HERE. 135 00:14:28,389 --> 00:14:32,262 OH. THANK YOU, BUT I THINK I PREFER CIVILIZATION. 136 00:14:32,306 --> 00:14:35,439 OH, YOU, TOO? I SUPPORT THE MOTION. 137 00:14:35,483 --> 00:14:37,746 YOU DON'T WANT TO END UP LIKE THE FAMILY 138 00:14:37,789 --> 00:14:40,444 IN THE LITTLE HOUSE ON THE PRAIRIE, DO YOU? 139 00:14:40,488 --> 00:14:41,663 HA HA HA! 140 00:14:41,706 --> 00:14:43,099 OH, NO. GOD FORBID. 141 00:14:43,143 --> 00:14:48,322 OH, DON'T SAY MY DARLING MICHAEL LANDON HAS GOT ANGRY. 142 00:14:48,365 --> 00:14:51,238 [GLASS BREAKS] 143 00:14:59,246 --> 00:15:03,250 [CRICKETS CHIRPING, OWL HOOTS] 144 00:15:14,130 --> 00:15:15,784 IT'S FREEZING IN HERE. 145 00:15:15,827 --> 00:15:18,743 COME ON, GET UNDER HERE QUICK. 146 00:15:21,616 --> 00:15:23,226 I FEEL AWFUL. 147 00:15:23,270 --> 00:15:24,880 I'M COMPLETELY EXHAUSTED. 148 00:15:24,924 --> 00:15:27,187 YEAH, TOO MANY KILOMETERS. 149 00:15:27,230 --> 00:15:28,405 TOO MUCH PAUL. 150 00:15:28,449 --> 00:15:30,190 AND SHE'S SO NICE. 151 00:15:30,233 --> 00:15:31,365 DON'T BE LIKE THAT. 152 00:15:31,408 --> 00:15:34,759 YOU KNOW HE'S INVESTED A LOT IN THIS PLACE. 153 00:15:34,803 --> 00:15:37,066 OH... 154 00:15:37,110 --> 00:15:38,415 OH, THAT'S BETTER. 155 00:15:38,459 --> 00:15:40,896 IT FEELS SO GOOD LAYING DOWN. 156 00:15:42,506 --> 00:15:44,987 SOUNDS LIKE THEY'VE MADE IT UP. 157 00:15:45,031 --> 00:15:46,249 JUST AS WELL. 158 00:15:46,293 --> 00:15:48,860 I COULDN'T TAKE ANOTHER SUPPER LIKE THAT ONE. 159 00:15:48,904 --> 00:15:50,775 SHALL WE TURN OFF THE LIGHT? 160 00:15:50,819 --> 00:15:52,560 YEAH. 161 00:15:54,431 --> 00:15:55,911 OH... 162 00:15:55,955 --> 00:15:57,304 THINGS WILL BE A BIT BETTER 163 00:15:57,347 --> 00:15:59,784 WHEN WE GET SOME TIME ON OUR OWN. 164 00:15:59,828 --> 00:16:02,396 YEAH. FOR A WEEK. 165 00:16:02,439 --> 00:16:06,095 I DON'T KNOW IF I CAN TAKE ANY MORE DRIVING. 166 00:16:06,139 --> 00:16:07,836 DO YOU REALLY NOT FEEL LIKE IT? 167 00:16:07,879 --> 00:16:10,012 NO, IT'S NOT THAT I DON'T FEEL LIKE IT, 168 00:16:10,056 --> 00:16:12,232 BUT, LOOK, I CAN'T THINK RIGHT NOW. 169 00:16:12,275 --> 00:16:14,974 LET'S TALK ABOUT IT TOMORROW, OK? 170 00:16:15,017 --> 00:16:17,063 YEAH. 171 00:16:19,108 --> 00:16:20,631 LISTEN TO THAT. 172 00:16:22,329 --> 00:16:23,112 HA HA HA! 173 00:16:23,156 --> 00:16:24,896 DON'T. THEY'LL HEAR US. 174 00:16:24,940 --> 00:16:27,029 WHO CAN TELL? 175 00:16:48,224 --> 00:16:53,142 OH, I AM TIRED. I STILL HAVE AN AWFUL HEADACHE. 176 00:16:57,103 --> 00:16:58,191 WHAT'S WRONG? 177 00:16:58,234 --> 00:17:03,152 I DON'T KNOW. I FEEL UNCOMFORTABLE. 178 00:17:15,730 --> 00:17:18,559 I SAID NO! 179 00:17:20,300 --> 00:17:23,259 A CHANGE OF AIR WILL DO US BOTH GOOD. 180 00:17:23,303 --> 00:17:26,828 DO YOU THINK THAT THINGS ARE DIFFERENT BECAUSE WE'RE HERE? 181 00:17:26,871 --> 00:17:28,264 DO YOU FEEL DIFFERENT? 182 00:17:28,308 --> 00:17:29,700 BECAUSE I DON'T. 183 00:17:29,744 --> 00:17:31,659 WHAT DO YOU FEEL? 184 00:17:31,702 --> 00:17:33,313 YOU KNOW HOW I FEEL. 185 00:17:33,356 --> 00:17:37,752 NO, I DON'T. I DON'T KNOW ANYTHING. 186 00:17:47,196 --> 00:17:50,156 WHY DID YOU WALK IN LIKE THAT? 187 00:17:50,199 --> 00:17:51,635 WHAT? 188 00:17:51,679 --> 00:17:53,028 IN THE BAR. 189 00:17:53,072 --> 00:17:55,509 WHY DID YOU WALK IN LIKE THAT? 190 00:17:55,552 --> 00:17:57,772 WHAT DO YOU MEAN? 191 00:17:58,251 --> 00:17:59,513 YOU KNEW THAT IF YOU WALKED IN LIKE THAT, 192 00:17:59,556 --> 00:18:02,211 EVERYONE WOULD LOOK AT YOU AND I'D SEE. 193 00:18:02,255 --> 00:18:04,083 YOU DID IT TO FUCK WITH ME. 194 00:18:04,126 --> 00:18:07,173 ARE YOU SERIOUS? 195 00:18:58,789 --> 00:19:00,704 WHAT TIME IS IT? 196 00:19:00,748 --> 00:19:02,184 6:30. GO BACK TO SLEEP. 197 00:19:02,228 --> 00:19:04,752 WHAT ARE YOU DOING UP AT THIS TIME, NORMAN? 198 00:19:04,795 --> 00:19:06,797 I'M GOING HUNTING WITH PAUL. 199 00:19:06,841 --> 00:19:07,972 HUNTING 200 00:19:09,278 --> 00:19:11,106 Paul: NORMAN, IT'LL BE GETTING DARK AGAIN SOON. 201 00:19:11,150 --> 00:19:12,325 COME ON. 202 00:19:12,368 --> 00:19:14,544 I'M COMING. 203 00:19:41,223 --> 00:19:44,661 Paul: HOW YOU GETTING ON WITH THAT SHOTGUN? 204 00:19:44,705 --> 00:19:45,619 HEAVY. 205 00:19:45,662 --> 00:19:47,795 AH, IT'S GOOD TO FEEL THE WEIGHT. 206 00:19:47,838 --> 00:19:49,405 LETS YOU KNOW IT'S THERE. 207 00:19:49,449 --> 00:19:51,233 YOU USE IT WHEN YOU NEED IT. 208 00:19:51,277 --> 00:19:52,843 YOU SOUND LIKE A PROPER HUNTER. 209 00:19:52,887 --> 00:19:54,105 I AM A PROPER HUNTER. 210 00:19:54,149 --> 00:19:56,238 MY GRANDFATHER FIRST TAUGHT ME WHEN I WAS 9, 211 00:19:56,282 --> 00:19:58,197 AND HE LEARNED HOW TO SHOOT FROM THESE PEOPLE. 212 00:19:58,240 --> 00:20:01,504 YOU STAY ALERT TODAY, EVEN YOU MIGHT BAG SOMETHING. 213 00:20:01,548 --> 00:20:04,028 YEAH. IT'S TAKING ALL MY BLOODY CONCENTRATION 214 00:20:04,072 --> 00:20:06,074 JUST TO HOLD THIS BLOODY THING. 215 00:20:06,117 --> 00:20:07,336 OH, THE HELL WITH THAT. 216 00:20:07,380 --> 00:20:10,209 YOU COME OUT WITH ME, YOU SHOOT. 217 00:20:15,126 --> 00:20:18,042 NOW, YOU SEE THAT PATH DOWN THERE? 218 00:20:18,086 --> 00:20:20,958 THAT'S A GAME PRESERVE. 219 00:20:21,220 --> 00:20:23,047 IT'S ISOLATED AROUND HERE. 220 00:20:23,091 --> 00:20:27,138 CHANCES ARE WE WON'T SEE A SOUL ALL DAY. 221 00:20:30,359 --> 00:20:31,752 ARE YOU HERE, NORMAN? 222 00:20:31,795 --> 00:20:33,406 OR ARE YOU STILL IN BED 223 00:20:33,449 --> 00:20:35,843 PRESSED UP AGAINST YOUR WIFE'S ASS? 224 00:20:35,886 --> 00:20:37,148 I'M JUST THINKING. 225 00:20:37,192 --> 00:20:38,672 WELL, GIVE IT A REST. 226 00:20:38,715 --> 00:20:42,153 YOU THINK HERE, THE PREY GETS AWAY. 227 00:21:00,259 --> 00:21:01,608 THERE YOU ARE. 228 00:21:01,651 --> 00:21:04,959 YOU WERE ASLEEP, AND I WANTED TIME TO MYSELF. 229 00:21:05,002 --> 00:21:06,700 I'LL LEAVE YOU TO IT. 230 00:21:06,743 --> 00:21:08,092 NO, PLEASE, STAY, STAY. 231 00:21:08,136 --> 00:21:11,748 I DON'T WANT TO THINK ANYMORE. 232 00:21:20,714 --> 00:21:23,543 THAT WAS A BIT OF A SCENE YESTERDAY. 233 00:21:23,586 --> 00:21:25,545 DON'T WORRY ABOUT IT. 234 00:21:25,588 --> 00:21:28,678 NO, THANKS. I HAVE A TERRIBLE HEADACHE. 235 00:21:28,722 --> 00:21:33,335 HEH. THAT'S FROM THINKING SO MUCH. 236 00:21:36,686 --> 00:21:39,080 MEN. HEH! 237 00:21:39,123 --> 00:21:42,605 REALLY, IT'S SO EASY TO MAKE THEM HAPPY. 238 00:21:42,649 --> 00:21:43,737 HUH. RIGHT. 239 00:21:43,780 --> 00:21:45,608 I'VE FORGOTTEN HOW TO DO IT. 240 00:21:45,652 --> 00:21:48,742 OR MAYBE I DON'T WANT TO ANYMORE. 241 00:21:48,785 --> 00:21:51,135 IS IT THAT BAD? 242 00:21:52,223 --> 00:21:55,096 HOW DO YOU KNOW THAT IT'S SOMETHING TEMPORARY 243 00:21:55,139 --> 00:21:57,925 OF IF EVERYTHING'S SHOT TO HELL FOR GOOD. 244 00:21:57,968 --> 00:21:59,143 HMM. 245 00:21:59,187 --> 00:22:05,193 I THINK YOU NEVER KNOW UNTIL IT HAPPENS. 246 00:22:05,759 --> 00:22:08,544 I THINK IT'S HAPPENING. 247 00:22:14,420 --> 00:22:17,510 I'M TELLING YOU... 248 00:22:17,553 --> 00:22:18,554 THEY'RE HAPPY. 249 00:22:18,598 --> 00:22:22,732 THEY DON'T GO OVER THINGS SO MUCH. 250 00:22:24,255 --> 00:22:27,737 THAT DOESN'T HELP MY HEADACHE SO MUCH. 251 00:22:30,436 --> 00:22:32,568 SINCE I MET PAUL, 252 00:22:32,612 --> 00:22:35,092 NOT A SINGLE NIGHT HAS GONE BY 253 00:22:35,136 --> 00:22:39,358 WITHOUT THINKING IT MIGHT BE THE LAST ONE TOGETHER... 254 00:22:39,401 --> 00:22:43,753 OR THE FIRST OF THE REST OF OUR LIVES. 255 00:22:44,232 --> 00:22:47,322 AND HERE WE ARE, 3 YEARS LATER. 256 00:22:47,366 --> 00:22:49,368 HEH HEH! 257 00:22:49,629 --> 00:22:53,328 DO YOU REALLY WANT TO GET RID OF THAT HEADACHE? 258 00:22:54,155 --> 00:22:56,200 COME ON, FOLLOW ME. 259 00:22:56,244 --> 00:22:57,158 WHAT ARE YOU DOING? 260 00:22:57,201 --> 00:23:00,074 WE'RE GOING TO HAVE A SWIM. 261 00:23:00,117 --> 00:23:02,381 YOU'RE CRAZY. THE WATER MUST BE FREEZING. 262 00:23:02,424 --> 00:23:04,470 WHAT DOES IT TAKE TO GET YOU 263 00:23:04,513 --> 00:23:06,428 TO STOP WORRYING ABOUT EVERYTHING? 264 00:23:06,472 --> 00:23:08,125 WHAT IF SOMEONE SEES US? 265 00:23:08,169 --> 00:23:09,518 WE ARE ALONE. 266 00:23:09,562 --> 00:23:11,999 AND IF ANYONE DOES TURN UP, 267 00:23:12,042 --> 00:23:14,784 WE'LL BRIGHTEN HIS DAY. 268 00:23:16,264 --> 00:23:17,700 AH! 269 00:23:18,919 --> 00:23:20,094 WAA-HA-HA! 270 00:23:29,320 --> 00:23:31,366 ALL RIGHT. 271 00:23:32,280 --> 00:23:34,282 WE'RE GONNA TAKE A BREAK. 272 00:23:34,325 --> 00:23:36,763 OVER THERE. 273 00:23:38,199 --> 00:23:41,245 LESTER, YOU BASTARD, COME HERE! 274 00:23:52,822 --> 00:23:53,693 DO YOU KNOW... 275 00:23:53,736 --> 00:23:57,479 AS SOON AS YOU SHOOT A BOAR... 276 00:23:57,523 --> 00:24:01,788 YOU HAVE TO CUT HIS BOLLOCKS OFF. 277 00:24:01,831 --> 00:24:06,140 OTHERWISE, THE MEAT TASTES BAD. 278 00:24:07,620 --> 00:24:10,361 LESTER. 279 00:24:13,800 --> 00:24:16,933 Look, look. 280 00:24:23,113 --> 00:24:25,768 NOW, BEFORE YOU AIM... 281 00:24:26,595 --> 00:24:30,164 YOU HAVE TO TAKE A DEEP BREATH. 282 00:24:31,252 --> 00:24:34,951 ENOUGH TO LAST UNTIL YOU FIRE. 283 00:24:45,484 --> 00:24:47,790 RIGHT NOW... 284 00:24:48,835 --> 00:24:52,186 THERE'S JUST HIM... 285 00:24:52,229 --> 00:24:55,102 AND ME. 286 00:24:55,929 --> 00:24:59,541 NOTHING ELSE EXISTS. 287 00:25:24,827 --> 00:25:28,309 THERE ARE HUNTERS AND PREY, NORMAN. 288 00:25:30,311 --> 00:25:34,184 IT'S THE ONLY FUCKING TRUTH IN THIS WORLD. 289 00:25:43,585 --> 00:25:45,239 WHERE ARE THEY? 290 00:25:45,282 --> 00:25:47,067 I CAN'T FIND MY KNICKERS. 291 00:25:47,110 --> 00:25:49,025 ARE YOU SURE YOU WERE WEARING THEM? 292 00:26:07,870 --> 00:26:09,176 Norman: I THOUGHT SHORTCUTS 293 00:26:09,219 --> 00:26:10,743 WERE SUPPOSED TO MAKE THE JOURNEY SHORTER? 294 00:26:10,786 --> 00:26:13,397 WELL, THE WAY BACK'S ALWAYS HARDER. 295 00:26:13,441 --> 00:26:15,399 ALMOST THERE. 296 00:26:15,443 --> 00:26:17,184 DEFINE ALMOST. 297 00:26:17,227 --> 00:26:19,186 WHAT? 298 00:26:21,188 --> 00:26:23,886 WHAT'S THAT? 299 00:26:24,147 --> 00:26:26,367 LOOKS LIKE A HOUSE. TAKE A LOOK. 300 00:26:26,410 --> 00:26:30,545 YEAH, MAYBE THEY CAN TELL US WHERE THE HELL WE ARE. 301 00:26:37,639 --> 00:26:40,294 LOOKS LIKE IT'S ABANDONED. 302 00:26:40,337 --> 00:26:42,165 LET'S HAVE A NOSE INSIDE. 303 00:26:42,209 --> 00:26:45,125 LET'S JUST GO. WE'RE ALREADY LOST. 304 00:26:45,168 --> 00:26:46,082 I'M KNACKERED. 305 00:26:46,126 --> 00:26:48,041 WE ARE NOT FUCKING LOST. 306 00:26:48,084 --> 00:26:49,608 THE RIVER'S BEHIND THOSE TREES. 307 00:26:49,651 --> 00:26:51,827 ALL WE'VE GOT TO DO IS FOLLOW IT. 308 00:26:51,871 --> 00:26:53,133 I'M STAYING HERE. 309 00:26:53,176 --> 00:26:54,700 WELL, THAT'S TYPICAL OF YOU. 310 00:26:54,743 --> 00:26:57,746 ALWAYS ON THE OUTSIDE LOOKING IN. 311 00:28:00,287 --> 00:28:02,289 NORMAN! 312 00:28:02,332 --> 00:28:03,682 WHAT? 313 00:28:03,725 --> 00:28:05,727 COME HERE! 314 00:28:12,255 --> 00:28:14,083 WHAT IS IT? 315 00:28:14,127 --> 00:28:16,738 THERE'S SOMETHING IN HERE. 316 00:28:16,782 --> 00:28:18,522 YEAH, IT'S PROBABLY A TRAPPED ANIMAL. 317 00:28:18,566 --> 00:28:21,612 WHA...AN ANIMAL DOESN'T LOCK ITSELF IN, DOES IT? 318 00:28:21,656 --> 00:28:24,354 CAN'T WE JUST GET OUT OF HERE? IT STINKS. 319 00:28:24,398 --> 00:28:27,183 COME HERE. COME HERE! 320 00:28:27,923 --> 00:28:29,055 LISTEN. 321 00:28:30,796 --> 00:28:32,754 YOU HEAR THAT? 322 00:28:32,798 --> 00:28:34,538 IT SOUNDS LIKE MUSIC. 323 00:28:34,582 --> 00:28:38,107 THERE'S SOMEONE IN HERE. 324 00:29:02,436 --> 00:29:04,090 OH... 325 00:29:05,134 --> 00:29:08,181 KEEP AN EYE ON THAT DOG. 326 00:29:52,921 --> 00:29:54,096 FUCK! 327 00:29:55,794 --> 00:29:59,536 JESUS CHRIST. 328 00:30:11,418 --> 00:30:14,943 NORMAN, GET OVER HERE! 329 00:30:20,296 --> 00:30:23,169 OH, MY GOD. 330 00:30:25,867 --> 00:30:27,173 THERE, YOU SEE THIS? 331 00:30:27,216 --> 00:30:28,087 WHAT? 332 00:30:28,130 --> 00:30:31,177 SEE THE DOG BOWL WITH THE FOOD? 333 00:30:42,579 --> 00:30:45,060 JESUS! 334 00:30:45,104 --> 00:30:46,061 AAH! 335 00:30:46,105 --> 00:30:50,283 Paul: THE DOLL, MAN! GET THE DOLL! 336 00:30:55,418 --> 00:30:56,724 YOU'RE ALL RIGHT. 337 00:30:56,767 --> 00:30:57,856 I'M BLEEDING. 338 00:30:57,899 --> 00:31:01,468 THE DOLL. GIVE HER THE DOLL. 339 00:31:11,695 --> 00:31:13,784 GET MY COAT. 340 00:31:14,960 --> 00:31:15,830 THE COAT! 341 00:31:17,701 --> 00:31:19,225 SHH! 342 00:31:21,662 --> 00:31:22,489 HEY. 343 00:31:24,230 --> 00:31:25,405 WE SHOULD GET HER HOME. 344 00:31:25,448 --> 00:31:26,797 I DON'T THINK THAT'S A GOOD IDEA. 345 00:31:26,841 --> 00:31:28,408 WELL, WE CAN'T LEAVE HER HERE. 346 00:31:28,451 --> 00:31:30,236 LET'S JUST PUT HER BACK IN THERE 347 00:31:30,279 --> 00:31:31,280 AND GO AND GET HELP. 348 00:31:31,324 --> 00:31:33,108 WE CAN'T JUST PUT HER BACK IN THERE! 349 00:31:33,152 --> 00:31:34,675 CAN'T JUST LEAVE HERE HERE! 350 00:31:34,718 --> 00:31:35,632 I DON'T MEAN THAT! 351 00:31:35,676 --> 00:31:37,547 WELL, WHAT DO YOU MEAN? 352 00:31:37,591 --> 00:31:38,722 I'M JUST TRYING TO THINK. 353 00:31:38,766 --> 00:31:40,899 DON'T THINK. LET ME THINK FOR BOTH OF US. 354 00:31:40,942 --> 00:31:44,163 WE GET HER OUT OF HERE, AND THEN WE GET HELP. 355 00:31:44,206 --> 00:31:45,207 OK? 356 00:31:45,251 --> 00:31:47,079 YEAH. YEAH. 357 00:31:47,122 --> 00:31:49,168 NOW GRAB THE GEAR. 358 00:32:06,837 --> 00:32:09,318 I'M BITTEN ALL OVER. 359 00:32:13,018 --> 00:32:14,236 IT'S GETTING DARK. 360 00:32:14,280 --> 00:32:16,847 WE SHOULD GO OUT AND LOOK FOR THEM. 361 00:32:16,891 --> 00:32:17,979 WHERE? 362 00:32:18,023 --> 00:32:20,851 THERE'S NO POINT IN US GETTING LOST, TOO. 363 00:32:22,070 --> 00:32:25,552 WHEN HE COMES BACK, I'M GOING TO KILL HIM. 364 00:32:31,514 --> 00:32:32,776 HA! 365 00:32:32,820 --> 00:32:33,821 HERE THEY ARE. 366 00:32:33,864 --> 00:32:36,258 THEY RECOVER. THEY ALWAYS COME BACK. 367 00:32:36,302 --> 00:32:38,217 HERE THEY ARE. 368 00:32:40,784 --> 00:32:43,091 WHAT'S HAPPENED? 369 00:32:43,135 --> 00:32:45,180 DON'T SAY ANYTHING. 370 00:32:45,224 --> 00:32:47,661 WHAT'S GOING ON? 371 00:32:47,704 --> 00:32:48,531 AHH. 372 00:32:48,575 --> 00:32:50,229 WE FOUND HER IN THE FOREST. 373 00:32:50,272 --> 00:32:52,666 LOOK AT HER. 374 00:32:52,709 --> 00:32:55,408 POOR LITTLE THING. 375 00:32:55,974 --> 00:32:58,106 Paul: SHE WAS IN AN ABANDONED HOUSE. 376 00:32:58,150 --> 00:32:59,412 WHAT? 377 00:32:59,455 --> 00:33:01,805 WE THINK SHE'S BEEN LEFT THERE FOR A LONG TIME. 378 00:33:18,866 --> 00:33:20,128 YEAH. 379 00:33:20,172 --> 00:33:21,825 HER PARENTS MUST BE LOOKING FOR HER. 380 00:33:21,869 --> 00:33:24,045 YEAH. BUT THE IMPORTANT THING IS, 381 00:33:24,089 --> 00:33:27,179 SHE ISN'T LOCKED UP ANYMORE. 382 00:33:27,222 --> 00:33:30,182 WE HAVE TO GET HER TO THE POLICE. 383 00:33:39,017 --> 00:33:40,801 POOR THING. 384 00:33:40,844 --> 00:33:42,803 WE SHOULD CLEAN HER UP. 385 00:33:42,846 --> 00:33:45,414 LUCY, RUN THE BATH. 386 00:33:45,458 --> 00:33:46,328 YOU ALL RIGHT? 387 00:33:46,372 --> 00:33:48,765 YEAH, FINE. YEAH. 388 00:33:54,032 --> 00:33:55,468 HERE. 389 00:34:36,030 --> 00:34:37,858 LUCY, HOLD HER FOR A MINUTE. 390 00:34:37,901 --> 00:34:42,036 WE'LL TAKE THE NIGHTDRESS OFF ONCE SHE'S IN THE WATER. 391 00:34:42,950 --> 00:34:48,173 GO ON, FOR GOD'S SAKE. SHE'S JUST A CHILD. 392 00:34:54,788 --> 00:34:56,920 TAKE HER. I'M GOING OUTSIDE FOR A WHILE. 393 00:34:56,964 --> 00:34:59,009 YOU OK? 394 00:35:03,405 --> 00:35:05,973 SHE'S SCARED TO DEATH! 395 00:35:09,324 --> 00:35:11,413 SHH! SHH! 396 00:35:11,457 --> 00:35:13,502 SHH. SHH. 397 00:35:13,546 --> 00:35:16,114 SHH. 398 00:35:32,217 --> 00:35:34,044 YOU KNOW, WHOEVER WAS KEEPING HER, 399 00:35:34,088 --> 00:35:35,350 SOONER OR LATER, 400 00:35:35,394 --> 00:35:37,657 THEY'RE GONNA COME BACK AND REALIZE SHE'S GONE. 401 00:35:39,398 --> 00:35:41,748 FUCKING ANIMALS. 402 00:35:43,141 --> 00:35:45,621 Woman: SOMEONE IN THE VILLAGE MUST KNOW WHO SHE IS. 403 00:35:45,665 --> 00:35:47,232 WE SHOULD ASK THEM. 404 00:35:47,275 --> 00:35:49,321 Paul: IT'S MY BET WHOEVER LOCKED HER UP'S FROM THE VILLAGE. 405 00:35:49,364 --> 00:35:52,193 THIS IS A MATTER FOR THE POLICE. 406 00:35:52,237 --> 00:35:55,153 Norman: I THINK PAUL'S RIGHT. 407 00:35:55,414 --> 00:35:57,155 WE NEED TO GET A MOVE-ON. 408 00:35:57,198 --> 00:35:58,678 BE AS QUICK AS YOU CAN, YEAH? 409 00:35:58,721 --> 00:36:00,462 I'LL WAIT FOR YOU IN THE CAR. 410 00:36:18,480 --> 00:36:20,482 YOU DON'T HAVE TO GO SO FAST. 411 00:36:20,526 --> 00:36:22,832 IT'S VERY DARK HERE. 412 00:36:23,442 --> 00:36:24,617 YOU'LL HAVE SOME STORY TO TELL 413 00:36:24,660 --> 00:36:25,966 WHEN YOU GET BACK TO LONDON. 414 00:36:26,009 --> 00:36:28,142 I MEAN IT. SLOW DOWN. 415 00:36:28,186 --> 00:36:30,231 WHO'D DO SOMETHING LIKE THIS? 416 00:36:30,275 --> 00:36:32,799 IT'S PRETTY CLEAR WHY THEY MUST HAVE DONE IT. 417 00:36:32,842 --> 00:36:34,279 DOES THAT MAKE IT ALL RIGHT? 418 00:36:34,322 --> 00:36:37,238 NO, OF COURSE NOT, BUT IT EXPLAINS WHY. 419 00:36:37,282 --> 00:36:39,240 SOME PEOPLE OUGHT TO BE ASHAMED. 420 00:36:39,284 --> 00:36:40,676 DO YOU THINK THAT'S NORMAL? 421 00:36:40,720 --> 00:36:43,288 I WAS JUST POINTING OUT WHAT THE REASON PROBABLY IS. 422 00:36:43,331 --> 00:36:46,856 WE ALL THINK THE SAME, DON'T WE? 423 00:36:52,297 --> 00:36:54,168 WHAT IF IT WERE YOUR DAUGHTER? 424 00:36:54,212 --> 00:36:55,213 WHY ARE YOU ASKING ME THAT? 425 00:36:55,256 --> 00:36:56,910 ARE YOU BLOODY STUPID? 426 00:36:56,953 --> 00:36:58,259 OH, PLEASE! 427 00:36:58,303 --> 00:36:59,217 WHAT'S WRONG WITH YOU? 428 00:36:59,260 --> 00:37:01,044 I'M FINE. WHAT'S WRONG WITH YOU? 429 00:37:01,088 --> 00:37:02,481 OH, PACK IT IN, WILL YOU? 430 00:37:02,524 --> 00:37:03,960 IF I HAD KNOWN YOU WERE GONNA BE LIKE THIS, 431 00:37:04,004 --> 00:37:05,527 I'D HAVE LEFT YOU AT THE FUCKING HOUSE. 432 00:37:05,571 --> 00:37:06,572 WATCH OUT! 433 00:37:06,615 --> 00:37:07,573 OH, SHIT! 434 00:37:13,318 --> 00:37:14,101 YOU ALL RIGHT? 435 00:37:14,144 --> 00:37:15,407 IS SHE OK? 436 00:37:15,450 --> 00:37:17,104 I THINK SHE'S FINE. 437 00:37:17,147 --> 00:37:19,237 I DON'T THINK ANYONE IS HURT. 438 00:37:19,280 --> 00:37:20,368 WHAT HAPPENED? 439 00:37:20,412 --> 00:37:22,370 FUCKING TREE IN THE MIDDLE OF THE ROAD. 440 00:37:22,414 --> 00:37:24,546 SHIT! 441 00:37:31,727 --> 00:37:32,902 BOLLOCKS. 442 00:37:36,341 --> 00:37:38,995 OH, FUCK ME. 443 00:37:41,346 --> 00:37:44,218 THE AXLE'S FUCKED. 444 00:37:44,262 --> 00:37:45,437 I CAN'T FIX IT. 445 00:37:45,480 --> 00:37:46,699 ARE YOU ALL RIGHT? 446 00:37:46,742 --> 00:37:49,441 I HIT MY HEAD, BUT IT'S NOTHING. DON'T WORRY. 447 00:37:49,484 --> 00:37:52,400 HAD IT BEEN YOUR CAR, WE WOULD HAVE BEEN KILLED. 448 00:37:52,444 --> 00:37:54,097 NOW WHAT ARE WE GONNA DO? 449 00:37:54,141 --> 00:37:58,754 I RECKON WE'RE ABOUT A HALF-AN-HOUR WALK FROM THE HOUSE. 450 00:37:58,798 --> 00:37:59,886 ARE WE GOING BACK? 451 00:37:59,929 --> 00:38:01,191 WE CAN'T ALL WALK TO THE POLICE STATION. 452 00:38:01,235 --> 00:38:02,105 IT'S A LONG WAY. 453 00:38:02,149 --> 00:38:04,194 WELL, WHAT DO YOU WANT TO DO? 454 00:38:04,238 --> 00:38:07,241 SOONER WE START, THE SOONER WE GET THERE. 455 00:38:08,155 --> 00:38:09,069 LET ME TAKE HER. 456 00:38:09,112 --> 00:38:10,636 NO, NO. SHE'S CALM NOW. 457 00:38:10,679 --> 00:38:13,291 I'LL KEEP HOLD OF HER. 458 00:38:16,729 --> 00:38:21,342 Paul: STAY TOGETHER. MIND WHERE YOU WALK. 459 00:38:25,259 --> 00:38:27,827 Norman: HEY. 460 00:38:36,618 --> 00:38:38,620 WHAT'S WRONG WITH HER? 461 00:38:38,664 --> 00:38:42,320 I THINK IT'S THE MOON. 462 00:38:42,798 --> 00:38:46,498 MAYBE SHE'S NEVER SEEN IT BEFORE. 463 00:38:55,898 --> 00:38:58,118 COME ON. 464 00:39:47,820 --> 00:39:49,299 HEY. 465 00:39:49,343 --> 00:39:51,301 HUH. 466 00:39:51,345 --> 00:39:54,435 DOG WOKE ME. 467 00:39:56,176 --> 00:39:58,221 HE'S UNEASY. 468 00:40:06,491 --> 00:40:08,623 YOU ALL RIGHT, NORMAN? 469 00:40:09,929 --> 00:40:11,670 WELL, I'M A BIT WORRIED ABOUT THIS KID. 470 00:40:11,713 --> 00:40:14,020 NO, I DON'T MEAN THAT. 471 00:40:16,326 --> 00:40:19,112 I MEAN YOU AND LUCY. 472 00:40:19,895 --> 00:40:23,377 I THINK THAT'S PRETTY OBVIOUS, ISN'T IT? 473 00:40:27,250 --> 00:40:29,557 WHAT IS IT, THE BABY? 474 00:40:34,954 --> 00:40:38,044 SHE JUST CAN'T GET OVER IT. 475 00:40:38,087 --> 00:40:40,568 CAN'T OR WON'T? 476 00:40:40,612 --> 00:40:41,569 I DON'T KNOW. 477 00:40:41,613 --> 00:40:43,963 SHE WON'T EVEN TALK TO ME ABOUT IT. 478 00:40:46,226 --> 00:40:47,923 OHH. 479 00:40:49,229 --> 00:40:52,275 YOU EVER CONSIDER TRYING FOR ANOTHER? 480 00:40:53,581 --> 00:40:56,454 I WISH IT WAS THAT EASY. 481 00:40:58,151 --> 00:40:59,195 WHAT IS IT? 482 00:41:04,984 --> 00:41:06,638 PAUL, WHAT IS IT? 483 00:41:10,206 --> 00:41:11,599 WHAT IS IT? WHAT CAN YOU HEAR? 484 00:41:11,643 --> 00:41:13,122 SHH. SHH. SHH. 485 00:41:16,691 --> 00:41:18,214 LESTER. 486 00:41:20,260 --> 00:41:21,217 LESTER! 487 00:41:21,261 --> 00:41:22,436 LESTER! 488 00:41:22,480 --> 00:41:24,307 LESTER! 489 00:41:33,360 --> 00:41:34,274 LESTER? 490 00:41:38,147 --> 00:41:40,498 WHERE IS HE? 491 00:41:44,197 --> 00:41:46,112 GO BACK INSIDE. 492 00:41:48,506 --> 00:41:51,030 WHAT ABOUT THE DOG? 493 00:41:51,073 --> 00:41:53,075 HE'LL COME BACK. 494 00:42:22,496 --> 00:42:24,367 Lucy: GOOD MORNING. 495 00:42:24,411 --> 00:42:26,544 THERE'S COFFEE THERE IF YOU WANT IT. 496 00:42:26,587 --> 00:42:27,632 WHERE ARE YOU GOING? 497 00:42:27,675 --> 00:42:28,633 I WORKED IT OUT. 498 00:42:28,676 --> 00:42:30,069 IF I TAKE THE GIRL, 499 00:42:30,112 --> 00:42:31,418 WE'LL BE AT THE POLICE STATION IN A COUPLE OF HOURS. 500 00:42:31,461 --> 00:42:33,812 WELL, LET ME COME WITH YOU. 501 00:42:33,855 --> 00:42:35,248 NO. NO. 502 00:42:35,291 --> 00:42:36,554 FASTER ON MY OWN. 503 00:42:36,597 --> 00:42:39,121 NORMAN, YOU STAY HERE WITH THE WOMEN. 504 00:42:45,127 --> 00:42:47,129 Lucy: WHO IS IT? 505 00:44:37,152 --> 00:44:38,327 Norman: WHAT ARE YOU DOING? 506 00:44:38,371 --> 00:44:39,720 THOSE PEOPLE ARE FROM THE BAR, AREN'T THEY? 507 00:44:39,764 --> 00:44:42,462 GO UPSTAIRS AND CHECK ON THE KID AND KEEP HER QUIET. 508 00:44:42,505 --> 00:44:44,072 ARE THEY LOOKING FOR HER? 509 00:44:44,116 --> 00:44:46,074 OH, SHIT, PAUL. WHAT ARE WE GONNA DO? 510 00:44:46,118 --> 00:44:48,424 MAYBE WE SHOULD GIVE HER TO THEM. 511 00:44:48,468 --> 00:44:50,426 WE CAN'T DO THAT. 512 00:44:50,470 --> 00:44:53,429 GO UPSTAIRS. 513 00:44:54,300 --> 00:44:56,737 LUCY, PLEASE, JUST GO UPSTAIRS. 514 00:44:56,781 --> 00:44:58,696 PLEASE. 515 00:45:02,177 --> 00:45:05,659 IT'S THAT BASTARD FROM THE BAR, ISN'T IT? 516 00:45:05,703 --> 00:45:07,879 THEY MUSTN'T FIND OUT SHE'S HERE. 517 00:45:07,922 --> 00:45:09,184 I'M GONNA COME WITH THEM. 518 00:45:09,228 --> 00:45:12,144 IT'S THE ONLY WAY TO MAKE SURE THAT THEY LEAVE. 519 00:45:12,187 --> 00:45:14,363 PAUL, THEY KNOW SHE'S HERE. 520 00:45:14,407 --> 00:45:15,625 CALM DOWN. 521 00:45:15,669 --> 00:45:16,888 CALM DOWN AND LISTEN. 522 00:45:16,931 --> 00:45:18,150 I'M GONNA GO WITH THEM. I'M GONNA HEAD NORTH. 523 00:45:18,193 --> 00:45:19,978 YOU TAKE THE KID, GO DOWN THROUGH THE FOREST 524 00:45:20,021 --> 00:45:21,283 TO THE MAIN ROAD. 525 00:45:21,327 --> 00:45:23,285 YOU'LL BE AT THE POLICE STATION IN TWO HOURS. 526 00:45:23,329 --> 00:45:24,112 TWO HOURS? 527 00:45:24,156 --> 00:45:25,853 LEAVE ISABEL AND LUCY HERE. 528 00:45:25,897 --> 00:45:27,115 YOU'LL BE FASTER ON YOUR OWN. 529 00:45:27,159 --> 00:45:28,726 I'LL COME BACK FOR THEM. 530 00:45:28,769 --> 00:45:30,423 NO. I DON'T FEEL GREAT ABOUT LEAVING THEM HERE ON THEIR OWN. 531 00:45:30,466 --> 00:45:31,293 IT'S FINE. 532 00:45:31,337 --> 00:45:32,512 THEY CAN LOCK EVERYTHING UP. 533 00:45:32,555 --> 00:45:35,733 WE'LL MEET UP WITH YOU AT THE POLICE STATION. 534 00:45:36,255 --> 00:45:37,996 OH, THIS IS INSANE. 535 00:45:38,039 --> 00:45:41,347 HEY, I CAN HANDLE THESE PEOPLE. 536 00:45:41,390 --> 00:45:42,304 I WON'T BE LONG. 537 00:45:42,348 --> 00:45:46,526 TELL THE GIRLS TO GET READY. HMM? 538 00:48:22,073 --> 00:48:24,292 PAUL WILL BE BACK SOON. 539 00:48:29,254 --> 00:48:30,298 NORMAN, 540 00:48:30,342 --> 00:48:33,432 I THINK I OWE YOU AN EXPLANATION. 541 00:48:33,475 --> 00:48:36,130 I'M SORRY ABOUT ALL THIS. 542 00:48:36,174 --> 00:48:38,219 ABOUT WHAT? 543 00:48:38,263 --> 00:48:40,308 BEING SO STUPID RECENTLY. 544 00:48:40,352 --> 00:48:43,964 I SWEAR I'M NOT DOING IT ON PURPOSE. 545 00:48:44,008 --> 00:48:46,010 DON'T WORRY. 546 00:48:46,053 --> 00:48:48,490 IF THERE'S ANYTHING YOU WANT TO TALK TO ME ABOUT, 547 00:48:48,534 --> 00:48:51,232 YOU...CAN. 548 00:48:51,276 --> 00:48:52,625 JUST IGNORE ME. 549 00:48:52,668 --> 00:48:55,367 I'M JUST A BIT MOODY, THAT'S ALL. 550 00:49:00,720 --> 00:49:02,591 HEY. 551 00:49:02,635 --> 00:49:04,158 GOOD MORNING. 552 00:49:04,202 --> 00:49:05,464 WHERE'S PAUL? 553 00:49:05,507 --> 00:49:07,596 HE'S GONE TO GET HELP. 554 00:49:07,640 --> 00:49:10,208 WHY DIDN'T ANYONE WAKE ME UP? 555 00:49:10,251 --> 00:49:11,992 HAS HE GONE ON HIS OWN? 556 00:49:12,036 --> 00:49:14,647 YOU KNOW WHAT HE'S LIKE. HE WOULDN'T WAIT. 557 00:49:14,690 --> 00:49:17,563 WITHOUT SAYING ANYTHING TO ME? 558 00:49:17,606 --> 00:49:19,217 I THINK THAT'S VERY ODD. 559 00:49:19,260 --> 00:49:21,784 PAUL WOULDN'T GO OFF WITHOUT TELLING ME. 560 00:49:21,828 --> 00:49:24,744 DON'T WORRY. HE'LL BE BACK SOON. 561 00:49:25,353 --> 00:49:26,528 WELL.. 562 00:49:26,572 --> 00:49:28,313 I HOPE HE'S TAKEN LESTER WITH HIM 563 00:49:28,356 --> 00:49:31,185 BECAUSE THAT GUY'S CAPABLE OF GETTING LOST. 564 00:49:31,229 --> 00:49:35,407 THE DOG'S WITH HIM. EVERYTHING'S FINE. 565 00:49:39,150 --> 00:49:41,717 I'M GOING TO TAKE A BATH. 566 00:49:52,163 --> 00:49:54,600 WHAT IF HE DOESN'T COME BACK? 567 00:49:54,643 --> 00:49:57,603 DON'T BE SILLY. WHY WOULDN'T HE COME BACK? 568 00:49:57,646 --> 00:50:00,040 WHEN HE DOES, HE CAN EXPLAIN IT TO HER. 569 00:50:00,084 --> 00:50:02,912 I DON'T KNOW WHAT'S GOING ON. 570 00:50:02,956 --> 00:50:05,176 I DON'T UNDERSTAND WHY WE CAN'T TAKE THE CHILD 571 00:50:05,219 --> 00:50:07,134 AND GO AND LOOK FOR THE POLICE. 572 00:50:07,178 --> 00:50:09,180 MIGHT BE THE TIME TO DO IT. 573 00:50:09,223 --> 00:50:12,444 LET'S JUST WAIT HERE FOR PAUL. 574 00:50:12,487 --> 00:50:14,533 IT'S WHAT HE ASKED ME TO DO. 575 00:50:14,576 --> 00:50:17,275 SO WE HAVE TO DO WHAT THE BOSS ORDERS? 576 00:50:17,318 --> 00:50:20,365 YOU'RE NOT AT WORK NOW, NORMAN. 577 00:50:20,408 --> 00:50:22,584 OK. WHAT DO YOU WANT TO DO? 578 00:50:22,628 --> 00:50:24,151 WE'RE IN THE MIDDLE OF NOWHERE. 579 00:50:24,195 --> 00:50:25,413 WE'RE GONNA WAIT HERE OR HIM, 580 00:50:25,457 --> 00:50:26,588 AND THAT'S ALL THERE IS TO IT. 581 00:50:26,632 --> 00:50:29,069 WE SHOULD HAVE NEVER COME HERE. 582 00:50:29,113 --> 00:50:32,116 OK. GO UPSTAIRS AND GET THE GIRL. WE'LL GO. 583 00:50:32,159 --> 00:50:34,161 NO, COME ON! YOU LEAD THE WAY. 584 00:50:34,205 --> 00:50:35,162 WE'RE NOT SOLVING ANYTHING 585 00:50:35,206 --> 00:50:36,468 BY SHUTTING OURSELVES IN HERE. 586 00:50:36,511 --> 00:50:39,775 AND IF WE GO RUNNING AROUND THE FOREST, WE WILL? 587 00:50:39,819 --> 00:50:42,082 OH, JESUS! 588 00:50:42,126 --> 00:50:43,388 WHAT ARE YOU DOING? 589 00:50:43,431 --> 00:50:46,173 WHAT ARE YOU DOING, NORMAN? 590 00:50:47,914 --> 00:50:51,831 I'M GOING OUTSIDE TO SEE IF I CAN SEE PAUL. 591 00:50:53,093 --> 00:50:55,791 NOT SOLVING ANYTHING IN HERE. 592 00:52:47,512 --> 00:52:48,861 GIVE IT UP. 593 00:52:48,904 --> 00:52:50,297 I TRIED BEFORE, BUT YOU CAN'T GET ANYTHING DECENT. 594 00:52:50,341 --> 00:52:54,823 AND PLEASE DON'T PLAY LEONARD COHEN TAPE AGAIN. 595 00:53:07,358 --> 00:53:10,230 I'M WORRIED ABOUT THE CHILD. 596 00:53:10,274 --> 00:53:13,277 I FEEL SO SORRY FOR HER. 597 00:53:13,755 --> 00:53:17,106 MAYBE I'LL GO UP AND SEE HOW SHE IS. 598 00:53:17,150 --> 00:53:18,325 DON'T WORRY. 599 00:53:18,369 --> 00:53:21,067 A WHILE AGO, SHE WAS CURLED UP IN A CORNER. 600 00:53:23,852 --> 00:53:26,638 I'M GOING TO SEE HOW SHE IS. 601 00:54:35,272 --> 00:54:37,491 NORMAN? 602 00:54:41,321 --> 00:54:43,192 GOOD MORNING. 603 00:55:35,549 --> 00:55:37,638 THEY KNOW ABOUT THE GIRL. 604 00:55:37,682 --> 00:55:38,683 WE'RE GONNA HAVE TO TELL THEM. 605 00:55:38,726 --> 00:55:40,075 SO THAT THEY CAN TIE HER UP AGAIN? 606 00:55:40,119 --> 00:55:42,817 BRING THEIR COFFEE SO THAT THEY CAN LEAVE. 607 00:55:42,861 --> 00:55:45,080 I HOPE YOU'RE RIGHT. 608 00:55:53,915 --> 00:55:56,222 NO SUGAR. 609 00:56:41,223 --> 00:56:43,574 TELL THEM TO LEAVE. 610 00:57:18,260 --> 00:57:21,786 ♪ I SAID, "FATHER, CHANGE MY NAME"... ♪ 611 00:57:33,493 --> 00:57:38,106 ♪ YES, AND LOVER, LOVER, LOVER, LOVER, LOVER, LOVER... ♪ 612 00:57:43,416 --> 00:57:49,857 ♪ LOVER, LOVER, LOVER, LOVER, COME BACK TO ME... ♪ 613 00:57:53,774 --> 00:57:57,474 ♪ I MEAN IT AS A KIND OF TRIAL... ♪ 614 00:58:10,835 --> 00:58:12,445 PAUL? 615 00:59:01,276 --> 00:59:05,933 ♪ YES, AND LOVER, LOVER, LOVER, LOVER, LOVER, LOVER ♪ 616 00:59:05,977 --> 00:59:09,110 ♪ LOVER, COME BACK TO ME... 617 01:01:12,277 --> 01:01:14,409 HE'S GOING TO TAKE THE KNIFE AWAY. 618 01:01:14,453 --> 01:01:19,110 PLEASE LET HIM FINISH, AND THEY'LL GO AWAY. 619 01:04:24,861 --> 01:04:26,123 OOH! 620 01:04:47,927 --> 01:04:52,105 THERE IS NO POINT IN ASKING YOU WHAT TO DO, IS THERE? 621 01:04:53,150 --> 01:04:54,281 JUST LET ME THINK. 622 01:04:54,325 --> 01:04:57,937 WE HAVE NO TIME. A FUCKING DEAD BODY. 623 01:05:11,124 --> 01:05:14,127 HIDING IT WON'T FIX ANYTHING. 624 01:05:19,002 --> 01:05:20,133 WE CAN'T STAY HERE. 625 01:05:20,177 --> 01:05:23,310 THE OTHERS WILL BE HERE SOON. 626 01:05:23,354 --> 01:05:24,921 WHERE ARE WE GONNA GO? 627 01:05:24,964 --> 01:05:29,099 WE'RE GONNA FIND THE POLICE. 628 01:05:29,708 --> 01:05:32,450 AND WHAT ARE WE GONNA TELL 'EM? 629 01:05:32,493 --> 01:05:34,408 THE TRUTH. 630 01:05:34,452 --> 01:05:35,888 WHAT'S THE TRUTH? 631 01:05:35,932 --> 01:05:39,805 JESUS CHRIST, NORMAN. THE BASTARD TRIED TO RAPE ME. 632 01:05:39,848 --> 01:05:42,982 AND I SHOT HIM. I KILLED HIM. 633 01:05:43,026 --> 01:05:44,462 THAT'S WHAT HAPPENED. 634 01:05:44,505 --> 01:05:46,725 IT WAS SELF-DEFENSE. 635 01:05:46,768 --> 01:05:48,292 WAS IT? 636 01:05:48,335 --> 01:05:52,296 LUCY, WHAT HAVE I DONE? 637 01:05:52,339 --> 01:05:55,516 LET'S JUST THINK ABOUT IT, LUCE, BEFORE WE DO ANYTHING, OK? 638 01:05:55,560 --> 01:05:56,953 THINK ABOUT WHAT? 639 01:05:56,996 --> 01:05:58,041 WE'LL WAIT FOR PAUL. 640 01:05:58,084 --> 01:06:00,086 HE'LL KNOW WHAT TO DO. 641 01:06:00,130 --> 01:06:01,305 PAUL? 642 01:06:01,348 --> 01:06:03,220 WE'RE NOT IN ENGLAND. 643 01:06:03,263 --> 01:06:04,656 THINGS ARE DIFFERENT HERE. 644 01:06:04,699 --> 01:06:06,136 WHAT ARE YOU TALKING ABOUT? 645 01:06:06,179 --> 01:06:08,312 THEY HAD A LITTLE GIRL LOCKED UP, AND THEY ATTACKED US. 646 01:06:08,355 --> 01:06:10,096 IS THAT LEGAL AROUND HERE? 647 01:06:10,140 --> 01:06:12,098 CAN WE PROVE HOW HE DIED? 648 01:06:12,142 --> 01:06:13,404 THEY COULD SAY ANYTHING. 649 01:06:13,447 --> 01:06:15,884 YOU'RE JUST PANICKING. NOW RELAX, FOR GOD'S SAKE. 650 01:06:15,928 --> 01:06:18,539 I JUST NEED TO GET IT CLEAR IN MY HEAD WHAT HAPPENED. 651 01:06:18,583 --> 01:06:19,801 WE HAVE TO MOVE. 652 01:06:19,845 --> 01:06:22,108 WHERE THE HELL IS PAUL? 653 01:06:24,545 --> 01:06:27,113 I WANT AN ANSWER. 654 01:06:28,462 --> 01:06:31,161 PAUL'S WITH THE PEOPLE FROM THE VILLAGE. 655 01:06:31,204 --> 01:06:34,164 HE'S HELPING THEM LOOK FOR THE CHILD. 656 01:06:34,207 --> 01:06:36,122 WHAT? 657 01:06:36,514 --> 01:06:40,170 BUT SHE'S HERE. HE KNOWS SHE'S HERE. 658 01:06:40,213 --> 01:06:42,085 HE'S PRETENDING TO LOOK. 659 01:06:42,128 --> 01:06:46,132 IT WAS HIS IDEA. I'M SURE HE'S FINE. 660 01:06:46,176 --> 01:06:48,178 FINE 661 01:06:48,221 --> 01:06:51,094 PAUL CAN LOOK AFTER HIMSELF. 662 01:06:55,185 --> 01:06:58,101 WE HAVE TO GET OUT OF HERE. 663 01:06:58,710 --> 01:07:01,713 OK. GET THE CHILD, AND WE'LL GO. 664 01:07:01,756 --> 01:07:03,323 I'M NOT LEAVING WITHOUT PAUL. 665 01:07:03,367 --> 01:07:05,064 IT'S NOT SAFE TO STAY HERE. 666 01:07:05,108 --> 01:07:10,330 AND LETTING HIM GO OFF ALONE WITH THOSE PEOPLE WAS COMPLETELY SAFE? 667 01:07:11,157 --> 01:07:13,333 CAN WE GET TO OUR CAR? 668 01:07:14,378 --> 01:07:17,120 YEAH. YEAH, LET'S GO. 669 01:08:26,189 --> 01:08:27,755 OH! 670 01:09:51,274 --> 01:09:55,234 WE CAN'T GO ANY FARTHER. WHERE THE HELL IS THE CAR? 671 01:09:55,278 --> 01:09:57,541 THIS IS THE RIGHT WAY, I'M SURE. 672 01:09:57,584 --> 01:09:59,543 EVERYTHING LOOKS THE SAME FOR ME. 673 01:09:59,586 --> 01:10:02,154 THIS LOUSY RAIN. 674 01:10:02,850 --> 01:10:04,112 I'M DOING THE BEST I CAN. 675 01:10:04,156 --> 01:10:08,160 IF YOU ARGUE WITH ME, I CAN'T CONCENTRATE. 676 01:11:13,834 --> 01:11:15,227 AAH! 677 01:11:19,840 --> 01:11:21,320 AAH! 678 01:11:58,314 --> 01:11:59,750 AAH! 679 01:13:08,906 --> 01:13:11,125 SHE'S GOING TO CATCH PNEUMONIA. 680 01:13:12,344 --> 01:13:13,214 TAKE THIS. 681 01:13:13,258 --> 01:13:14,738 HERE, COME HERE. I'LL TAKE HER. 682 01:13:14,781 --> 01:13:17,480 QUICKER IF I CARRY HER. COME ON! 683 01:13:17,523 --> 01:13:19,090 COME ON! COME ON. 684 01:13:19,133 --> 01:13:23,137 LEAVE HER BE. DON'T YOU SEE SHE DOESN'T WANT TO BE WITH YOU? 685 01:13:27,098 --> 01:13:29,361 WE HAVE TO KEEP GOING. 686 01:13:50,513 --> 01:13:51,470 DON'T MOVE... 687 01:13:51,514 --> 01:13:55,735 OR I'LL BLOW YOUR FUCKIN' HEAD OFF. 688 01:13:56,475 --> 01:13:58,738 WHERE ARE THE OTHERS? 689 01:15:36,575 --> 01:15:39,360 DID YOU HEAR THAT? 690 01:15:39,404 --> 01:15:43,103 IT SOUNDED LIKE A SHOT. 691 01:15:45,410 --> 01:15:46,629 WHAT IF IT'S PAUL? 692 01:15:46,672 --> 01:15:50,154 WHAT IF HE'S TRYING TO FIND US? 693 01:15:52,243 --> 01:15:55,768 NORMAN, WE HAVE TO FIND OUT. 694 01:15:56,334 --> 01:15:57,509 WHAT ARE YOU DOING? 695 01:15:57,553 --> 01:16:02,732 I'M SORRY, BUT WE'VE GOT TO GET HELP. 696 01:16:35,199 --> 01:16:37,114 ANY IDEAS? 697 01:16:38,115 --> 01:16:39,725 WHAT DOES THAT MEAN? 698 01:16:39,769 --> 01:16:41,727 THERE. 699 01:16:43,250 --> 01:16:45,426 IS THAT THE VILLAGE WHERE WE STOPPED? 700 01:16:45,470 --> 01:16:47,341 Isabel: NO, THIS IS A DIFFERENT ONE. 701 01:16:47,385 --> 01:16:50,127 WE NEED HELP, NORMAN. 702 01:16:50,170 --> 01:16:51,345 I DON'T KNOW. 703 01:16:51,389 --> 01:16:54,131 THEY MAY HAVE A TELEPHONE. GIVE ME THE GIRL. 704 01:18:20,608 --> 01:18:22,698 THERE ARE NO PHONES IN THE WHOLE VILLAGE. 705 01:18:22,741 --> 01:18:24,134 OH, GREAT. 706 01:18:24,177 --> 01:18:25,396 WHAT DO WE DO NOW? 707 01:18:25,439 --> 01:18:28,704 BUT WE'VE GOT TO GO. WE NEED TO GET TO A PHONE. 708 01:18:28,747 --> 01:18:31,097 IT'LL BE DARK IN A FEW HOURS. 709 01:18:32,272 --> 01:18:37,103 WHY DON'T WE STAY HERE? SHE'S ASKED US TO STAY. 710 01:18:40,063 --> 01:18:41,194 I DON'T TRUST HER. 711 01:18:41,238 --> 01:18:43,153 A YOUNG GIRL. COME ON, NORMAN, LOOK AT US. 712 01:18:43,196 --> 01:18:46,156 WE CAN'T GO ON ANYMORE. WE'RE EXHAUSTED AND SOAKED. 713 01:18:46,199 --> 01:18:48,114 WE NEED TO REST. 714 01:18:50,551 --> 01:18:52,118 SHE INSISTS. 715 01:18:52,945 --> 01:18:55,339 I DON'T CARE. I DO. 716 01:19:57,923 --> 01:20:01,318 Isabel: YOU'D BETTER LEAVE THE SHOTGUN OVER THERE. 717 01:20:37,789 --> 01:20:39,095 PERHAPS HE COULD TAKE US TO THE-- 718 01:20:39,138 --> 01:20:42,098 WE HAVE TO GET OUT OF THIS PLACE. 719 01:20:43,055 --> 01:20:45,057 Lucy: YOU CAN LEAVE IF YOU WANT, BUT I WON'T. 720 01:20:45,101 --> 01:20:47,930 I CAN'T GO ON WALKING THROUGH THE FOREST ALL NIGHT LONG. 721 01:20:47,973 --> 01:20:49,932 DON'T YOU UNDERSTAND? 722 01:20:49,975 --> 01:20:52,064 WHAT ARE YOU THINKING OF? 723 01:20:52,108 --> 01:20:53,849 WE'VE GOT TO GET OUT OF HERE. 724 01:20:53,892 --> 01:20:57,200 I THINK YOU SHOULD CALM DOWN. 725 01:20:57,243 --> 01:21:02,118 THANK THEM FOR EVERYTHING, BUT WE'RE LEAVING AS SOON AS WE CAN. 726 01:21:10,430 --> 01:21:12,563 COME ON, LET'S GO. 727 01:21:18,134 --> 01:21:22,225 ACTUALLY, THIS ISN'T SO AWFUL. 728 01:21:22,268 --> 01:21:25,489 RIGHT. YOU MEAN THE HOUSE? 729 01:21:25,532 --> 01:21:27,621 I DON'T KNOW. 730 01:21:27,665 --> 01:21:30,102 EVERYTHING. 731 01:21:31,582 --> 01:21:34,106 PAUL WAS RIGHT. 732 01:21:35,064 --> 01:21:37,414 THIS PLACE IS LOVELY. 733 01:21:37,457 --> 01:21:40,808 YES, IT'S LOVELY. 734 01:21:45,161 --> 01:21:46,771 LUCY. 735 01:21:46,814 --> 01:21:48,164 YEAH. 736 01:21:48,207 --> 01:21:49,774 DO YOU LOVE ME? 737 01:21:49,817 --> 01:21:52,124 WHAT? 738 01:21:55,127 --> 01:21:57,086 ANSWER ME, PLEASE. 739 01:22:02,395 --> 01:22:03,962 I SHOULD GET SOME REST. 740 01:22:04,006 --> 01:22:08,749 MAYBE AFTERWARDS WE'LL BE ABLE TO SEE CLEARLY. 741 01:22:25,114 --> 01:22:28,595 YEAH, WELL, WHEN I SAW THAT MAN ON TOP OF YOU, 742 01:22:28,639 --> 01:22:30,249 AND I FIRED... 743 01:22:30,293 --> 01:22:35,124 I FELT LIKE I WAS DOING IT MORE FOR ME THAN FOR YOU. 744 01:22:36,734 --> 01:22:39,171 YOU KNOW WHAT, AFTER I KILLED HIM, 745 01:22:39,215 --> 01:22:42,087 I DIDN'T FEEL ANY RELIEF. 746 01:22:45,264 --> 01:22:47,092 I STILL DON'T. 747 01:22:47,832 --> 01:22:51,227 WHY CAN'T YOU TAKE A REST? 748 01:22:53,272 --> 01:22:56,319 I CAN'T. 749 01:23:49,633 --> 01:23:51,243 LUCY! WAKE UP! 750 01:23:51,287 --> 01:23:53,593 I TOLD YOU WE SHOULD HAVE KEPT GOING. 751 01:23:53,637 --> 01:23:55,160 GET THE GIRL. 752 01:23:55,204 --> 01:23:57,075 YOU'RE SCARING ME, NORMAN. 753 01:23:57,119 --> 01:23:59,121 JUST DO IT! 754 01:24:04,300 --> 01:24:06,041 THERE'S ONLY 2 OF THEM OUT THERE. 755 01:24:06,084 --> 01:24:08,130 WHERE ARE THE OTHERS? 756 01:24:14,005 --> 01:24:15,485 WE'RE LEAVING. 757 01:24:15,528 --> 01:24:16,747 WHAT'S WRONG? 758 01:24:16,790 --> 01:24:18,096 HURRY! 759 01:24:20,011 --> 01:24:20,925 LET'S GO. 760 01:24:20,968 --> 01:24:23,971 NO. TELL US WHAT'S GOING ON. 761 01:24:24,015 --> 01:24:25,712 THE TWO RAT BASTARDS ARE OUT THERE. 762 01:24:25,756 --> 01:24:28,106 WE'VE GOT TO GET OUT OF HERE. 763 01:24:29,281 --> 01:24:30,108 COME ON! 764 01:24:30,152 --> 01:24:31,544 WHERE'S PAUL? 765 01:24:31,588 --> 01:24:33,764 IS HE WITH THEM? 766 01:24:54,698 --> 01:24:56,091 COME HERE. 767 01:24:56,134 --> 01:24:57,570 COME ON. 768 01:25:02,097 --> 01:25:04,316 ARE YOU COMING OR NOT? 769 01:25:20,767 --> 01:25:23,770 THE BACK DOOR. WHERE'S THE BACK DOOR? 770 01:25:45,531 --> 01:25:48,143 WHERE'S PAUL? 771 01:25:50,188 --> 01:25:51,755 PAUL! 772 01:26:49,291 --> 01:26:51,771 WE'RE GONNA GO ACROSS THE SQUARE. 773 01:26:51,815 --> 01:26:54,165 OK? NOT A SOUND. 774 01:26:54,209 --> 01:26:55,732 SHH! 775 01:27:07,309 --> 01:27:10,225 DON'T WORRY. WE'LL GET TO THE CAR. 776 01:27:10,268 --> 01:27:13,140 WE'LL GET YOU OUT OF HERE. 777 01:27:27,242 --> 01:27:28,765 AAH! 778 01:28:27,040 --> 01:28:29,129 NORMAN, DON'T DO IT. 779 01:28:35,222 --> 01:28:36,746 OW! 780 01:29:56,434 --> 01:29:58,784 THAT'S IT, NORMAN. 781 01:29:59,611 --> 01:30:02,092 PUT THE GUN DOWN, PLEASE. IT'S OVER. 782 01:30:06,531 --> 01:30:08,228 FOR GOD'S SAKE, NORMAN! 783 01:30:08,272 --> 01:30:10,796 STOP ALL THIS NOW! 784 01:30:11,971 --> 01:30:14,757 WHAT'S WRONG WITH YOU? 785 01:30:15,932 --> 01:30:18,108 PLEASE, I'M BEGGING YOU. 786 01:30:21,633 --> 01:30:25,115 HAVEN'T ENOUGH PEOPLE DIED ALREADY? 787 01:30:28,205 --> 01:30:29,467 IT'S ALL OVER, NORMAN. 788 01:30:29,511 --> 01:30:33,732 DON'T YOU UNDERSTAND? IT'S ALL OVER! 789 01:30:34,429 --> 01:30:37,127 OF COURSE I UNDERSTAND. 790 01:32:22,928 --> 01:32:25,757 EVERYTHING ALL RIGHT, LUCY. 791 01:32:43,427 --> 01:32:46,517 ♪ THERE IS A WAR BETWEEN THE RICH AND POOR ♪ 792 01:32:46,561 --> 01:32:51,130 ♪ A WAR BETWEEN THE MAN AND THE WOMAN ♪ 793 01:32:52,218 --> 01:32:55,482 ♪ AND THERE IS A WIFE BETWEEN THE ONES WHO SAY THERE IS A WAR ♪ 794 01:32:55,526 --> 01:32:59,138 ♪ AND THE ONES WHO SAY THERE ISN'T ♪ 795 01:33:00,749 --> 01:33:04,796 ♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪ 796 01:33:04,840 --> 01:33:07,712 ♪ THAT'S RIGHT, GET IN IT 797 01:33:08,974 --> 01:33:12,151 ♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪ 798 01:33:12,195 --> 01:33:15,720 ♪ IT'S JUST BEGINNING 799 01:33:16,982 --> 01:33:20,029 ♪ WELL, I LIVE HERE WITH A WOMAN AND A CHILD ♪ 800 01:33:20,072 --> 01:33:24,120 ♪ THE SITUATION MAKES ME KIND OF NERVOUS ♪ 801 01:33:25,730 --> 01:33:27,297 ♪ YES, I RISE UP FROM HER ARMS 802 01:33:27,340 --> 01:33:32,737 ♪ SHE SAYS, "I GUESS YOU CALL THIS LOVE", I CALL IT SERVICE ♪ 803 01:33:33,999 --> 01:33:37,176 ♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪ 804 01:33:37,220 --> 01:33:40,745 ♪ DON'T BE A TOURIST 805 01:33:42,225 --> 01:33:49,145 ♪ WHY DON'T YOU COME ON BACK TO THE WAR BEFORE IT HURTS US? ♪ 806 01:33:50,363 --> 01:33:53,105 ♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪ 807 01:33:53,149 --> 01:33:57,109 ♪ LET'S ALL GET NERVOUS 808 01:33:58,458 --> 01:34:00,330 ♪ YOU CANNOT STAND WHAT I'VE BECOME ♪ 809 01:34:00,373 --> 01:34:05,117 ♪ YOU MUCH PREFER THE GENTLEMAN I WAS BEFORE ♪ 810 01:34:06,641 --> 01:34:11,428 ♪ I WAS SO EASY TO DEFEAT, I WAS SO EASY TO CONTROL ♪ 811 01:34:11,471 --> 01:34:16,172 ♪ I DIDN'T EVEN KNOW THERE WAS A WAR ♪ 812 01:34:17,260 --> 01:34:20,742 ♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪ 813 01:34:20,785 --> 01:34:23,745 ♪ DON'T BE EMBARRASSED 814 01:34:24,963 --> 01:34:28,097 ♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪ 815 01:34:28,140 --> 01:34:31,100 ♪ YOU CAN STILL GET MARRIED 816 01:34:33,102 --> 01:34:36,061 ♪ THERE IS A WAR BETWEEN THE RICH AND POOR ♪ 817 01:34:36,105 --> 01:34:40,109 ♪ A WAR BETWEEN THE MAN AND THE WOMAN ♪ 818 01:34:41,588 --> 01:34:44,156 ♪ THERE IS A WAR BETWEEN THE LEFT AND RIGHT ♪ 819 01:34:44,200 --> 01:34:46,376 ♪ A WAR BETWEEN THE BLACK AND WHITE ♪ 820 01:34:46,419 --> 01:34:50,380 ♪ A WAR BETWEEN THE ODD AND THE EVEN ♪ 821 01:34:52,034 --> 01:34:55,341 ♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪ 822 01:34:55,385 --> 01:34:58,693 ♪ PICK UP YOUR TINY BURDEN 823 01:35:00,085 --> 01:35:03,436 ♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪ 824 01:35:03,480 --> 01:35:06,048 ♪ LET'S ALL GET EVEN...