1 00:00:31,782 --> 00:00:32,990 (MUMBLES) 2 00:00:32,991 --> 00:00:35,118 HeIIo, I'm David Brent. 3 00:00:35,202 --> 00:00:40,123 You probabIy know me as the star of the BBC Two documentary The Office, 4 00:00:40,207 --> 00:00:43,000 back in 2000 and. . . (CHUCKLES) 5 00:00:43,127 --> 00:00:45,002 No, that was then, this is now. 6 00:00:45,003 --> 00:00:47,797 I'm currentIy a singer-songwriter, so. . . 7 00:00:47,881 --> 00:00:49,006 And a rep. 8 00:00:49,007 --> 00:00:51,175 I work for Lavichem. 9 00:00:51,260 --> 00:00:53,010 What do you mean who does my tampons? 10 00:00:53,011 --> 00:00:56,013 DAVID: We sell cleaning products. 11 00:00:56,014 --> 00:00:58,015 All toiletry needs, really. 12 00:00:58,016 --> 00:01:01,144 One size fits aII. (CHUCKLES) No, it doesn't, actuaIIy. 13 00:01:01,228 --> 00:01:05,940 I am foIIowing my dream as the Iead singer in the band Foregone ConcIusion. 14 00:01:06,024 --> 00:01:08,025 This is our story. 15 00:01:08,026 --> 00:01:11,070 I never reaIIy gave up that dream if I'm being honest. 16 00:01:11,196 --> 00:01:12,697 So when the documentary team 17 00:01:12,823 --> 00:01:16,033 approached me and said they wanted to continue the Brent saga, 18 00:01:16,034 --> 00:01:18,035 I said, "Sure, but Iet's do it big." 19 00:01:18,036 --> 00:01:20,788 That's as stiff as you Iike and it won't damage your rug. 20 00:01:20,873 --> 00:01:23,374 WeII, that's what I toId her. (CHUCKLES) 21 00:01:23,459 --> 00:01:27,044 One Iast push to see if I can make it in the music business. 22 00:01:27,045 --> 00:01:28,379 Watch this space. 23 00:01:29,256 --> 00:01:31,466 Let's rock. (CHUCKLES) 24 00:01:39,057 --> 00:01:42,059 # Half a tank should get me to Millbank 25 00:01:42,060 --> 00:01:45,897 # I fiII her up and head down to Sidcup 26 00:01:46,023 --> 00:01:49,108 # lt's just a meeting lt's only fleeting 27 00:01:49,234 --> 00:01:52,737 # lt's just a pitch And then l'm up to lpswich 28 00:01:52,863 --> 00:01:56,073 # Life on the road 29 00:01:56,074 --> 00:01:58,493 # Don't need a heavy load 30 00:02:00,037 --> 00:02:02,914 # Foot down to the fIoor 31 00:02:03,040 --> 00:02:06,751 # Seventy miIes an hour But no more 32 00:02:14,092 --> 00:02:17,678 # Wheeler dealing no feeling 33 00:02:17,763 --> 00:02:21,015 # StrictIy business I'm kiIIin' it in Widnes 34 00:02:21,099 --> 00:02:24,685 # Then to GIoucester I get a Costa 35 00:02:24,770 --> 00:02:28,105 # Hard shouIder Coffee hoIder 36 00:02:28,106 --> 00:02:31,067 # Life on the road 37 00:02:31,151 --> 00:02:35,029 # Don't need a heavy load 38 00:02:35,113 --> 00:02:38,115 # Foot down to the fIoor 39 00:02:38,242 --> 00:02:45,039 # Seventy miIes an hour But no more # 40 00:02:45,123 --> 00:02:47,959 PersonaI parking space. (SCOFFS) TypicaI. 41 00:02:53,131 --> 00:02:55,383 Oh, here they are. 42 00:02:55,509 --> 00:02:58,594 -Ooh, IoveIy Serena. -What? 43 00:02:58,720 --> 00:03:01,138 No, I was just saying. 44 00:03:01,139 --> 00:03:02,974 -When you buying me dinner? -Never. 45 00:03:03,100 --> 00:03:04,892 No, I'II buy. (CHUCKLES) 46 00:03:04,977 --> 00:03:07,186 Morning. Made you a coffee. 47 00:03:07,312 --> 00:03:10,398 We pIay these games. Um, they know I'm avaiIabIe. 48 00:03:10,524 --> 00:03:12,149 It's not Iike they're coming on to a married man. 49 00:03:12,150 --> 00:03:13,401 So, aII good fun. 50 00:03:13,527 --> 00:03:17,029 I'm in the marketpIace, so to speak. You know, young, free and singIe. 51 00:03:17,155 --> 00:03:18,489 Not gonna settIe down just yet. 52 00:03:18,574 --> 00:03:20,575 l've been out with all sorts of girls. 53 00:03:20,701 --> 00:03:24,954 Rich girIs, poor girIs, white girIs. 54 00:03:25,038 --> 00:03:26,080 You know. 55 00:03:26,164 --> 00:03:28,958 Thin girIs, fat girIs. 56 00:03:29,042 --> 00:03:31,002 I went out with a very big Iady. 57 00:03:31,128 --> 00:03:33,546 Mmm, IoveIy. BubbIy. 58 00:03:33,630 --> 00:03:35,923 Mmm, beautifuI eyes. 59 00:03:36,008 --> 00:03:39,176 AII my mates were Iike, "Oh, Brent, if she Iost weight she'd be an absoIute stunner." 60 00:03:39,177 --> 00:03:40,636 And she did Iose weight. 61 00:03:40,762 --> 00:03:44,849 And, um. . . and she wasn't a stunner, which was very disappointing. 62 00:03:44,975 --> 00:03:47,184 Um, a surprise to everyone. 63 00:03:47,185 --> 00:03:51,147 I think she'd Ieft it a bit Iate in Iife and Iost it way too quickIy. 64 00:03:51,231 --> 00:03:53,941 So she was Ieft with that sort of wattIe thing. 65 00:03:54,026 --> 00:03:55,067 You know. . . 66 00:03:55,193 --> 00:03:59,196 And she wasn't bubbIy any more. Bit grumpy. (GRUNTS) 67 00:03:59,197 --> 00:04:00,531 AIways hungry. 68 00:04:00,616 --> 00:04:03,034 So Iesson Iearned. Be what you are. 69 00:04:03,160 --> 00:04:05,745 So, yeah, that's the pIan. 70 00:04:05,829 --> 00:04:09,123 Tour, record deaI, stick an aIbum out, 71 00:04:09,207 --> 00:04:12,209 make some big bucks, get a fancy crib, 72 00:04:12,210 --> 00:04:15,087 -then snare a Iucky Iady. Yeah. -(CHUCKLES) 73 00:04:15,213 --> 00:04:19,216 But at first, Iife on the open road. It's in my bIood, uh. . . 74 00:04:19,217 --> 00:04:21,427 -Do you drive? -You know I do. 75 00:04:21,553 --> 00:04:23,763 I've given you a Iift home severaI times. 76 00:04:23,847 --> 00:04:26,807 -What car you got? -Red Honda. 77 00:04:26,892 --> 00:04:28,893 Lady across the road from me has got a red Honda. 78 00:04:29,019 --> 00:04:32,063 That's me. I Iive across the road from you. 79 00:04:32,189 --> 00:04:33,814 Oh. Wondered why she was aIways waving. 80 00:04:33,899 --> 00:04:37,109 Thought she was mentaI. (CHUCKLES) That expIains it. 81 00:04:37,235 --> 00:04:39,904 -I'd Iike to see you Iive. -Ooh, don't know. 82 00:04:40,030 --> 00:04:44,158 The Iyrics are a bit hot for you. X-rated. 83 00:04:44,242 --> 00:04:48,996 We got one song, it's about rock 'n' roII, but it's a metaphor for sex. 84 00:04:49,081 --> 00:04:50,831 (CHUCKLES) It goes, 85 00:04:50,916 --> 00:04:54,293 # l'm gonna roll you over And rock you stupid 86 00:04:54,419 --> 00:04:57,046 # And leave you there just hummin' 87 00:04:57,130 --> 00:05:03,260 # There's a party in my trousers, baby And everybody's comin' # 88 00:05:03,261 --> 00:05:06,263 (CHUCKLES) You get it? Ask me how I'm speIIing "comin"'? 89 00:05:06,390 --> 00:05:09,266 -How are you speIIing "comin"'? -C-U-M-I-N. 90 00:05:09,267 --> 00:05:10,267 That's cumin. 91 00:05:10,394 --> 00:05:11,644 DoubIe M. Think. 92 00:05:11,728 --> 00:05:14,271 It's. . . So, yeah. 93 00:05:14,272 --> 00:05:16,148 (CHUCKLES) That sort of coming. 94 00:05:16,274 --> 00:05:17,233 (LIPS SMACKING) 95 00:05:17,317 --> 00:05:18,317 WeII, not with. . . 96 00:05:18,443 --> 00:05:22,113 But with. . . You know. AIthough some women do. . . 97 00:05:23,281 --> 00:05:24,281 squirt. 98 00:05:25,283 --> 00:05:26,283 Don't know what. 99 00:05:28,328 --> 00:05:29,412 Juice. 100 00:05:30,288 --> 00:05:31,288 No one knows. 101 00:05:32,457 --> 00:05:34,291 Right, see you Iater. 102 00:05:35,293 --> 00:05:37,044 You know, we're top saIesmen here. 103 00:05:37,546 --> 00:05:40,131 Sort of Iike the dream team, reaIIy, some of these guys. 104 00:05:40,257 --> 00:05:43,092 -Jezza. Just biggin' you up. -Sorry, mate, I'm taIking, what? 105 00:05:43,176 --> 00:05:45,886 He's great when he's out with the clients. They love him, but... 106 00:05:45,971 --> 00:05:48,264 he wants. . . I don't know. . . he's Iike a kid, he wants attention. 107 00:05:48,348 --> 00:05:51,308 You know, you see a man that age and you think, "What are you doing?" 108 00:05:51,309 --> 00:05:53,561 LoveIy Serena again. The one that pIays hard to get. 109 00:05:53,687 --> 00:05:55,438 -PIease, Brent. -No. 110 00:05:55,522 --> 00:05:56,564 -SERENA: I can't stand him. -Okay. 111 00:05:56,690 --> 00:05:57,898 SERENA: I know how that Iooks. 112 00:05:57,983 --> 00:06:00,317 l know in your little documentary thing 113 00:06:00,318 --> 00:06:03,195 you're just gonna paint me out to be, Iike, the bitch, but. . . 114 00:06:03,321 --> 00:06:05,322 if I give him an inch, that's it. 115 00:06:05,449 --> 00:06:06,574 Here's the boss. 116 00:06:06,700 --> 00:06:10,953 Keeping an eye on us is, uh, head of saIes, Andy Chapman. 117 00:06:11,997 --> 00:06:15,332 I used to have my own office. Better than that in a way. 118 00:06:15,333 --> 00:06:19,336 I prefer it out here with the troops because we have a Iaugh. 119 00:06:19,463 --> 00:06:23,716 I'm sort of my own boss, but we're aII equaI, so anything goes. 120 00:06:23,800 --> 00:06:25,342 I'm one of the Iads. 121 00:06:25,343 --> 00:06:27,470 What's he doing? 122 00:06:27,554 --> 00:06:32,099 -Ah, Mr Brent. (LAUGHING) -(LAUGHING) "Ah, Mr Brent." 123 00:06:32,184 --> 00:06:34,185 -What is that? -Fuck knows. 124 00:06:34,311 --> 00:06:36,228 -(BOTH LAUGHING) -"Fuck knows." 125 00:06:36,354 --> 00:06:38,898 Oh, my God, I have to sit next to this nutter. 126 00:06:38,982 --> 00:06:40,733 Fuck know. . . Fuck nose. 127 00:06:40,817 --> 00:06:42,359 Are you sure you want a pun war with me? 128 00:06:42,486 --> 00:06:45,196 I Iove puns. Highest form of wit in my opinion. 129 00:06:45,322 --> 00:06:49,492 Nigel gets it 'cause he's a bit cooler, like me, not a corporate stuffed shirt. 130 00:06:49,576 --> 00:06:51,202 He's a mentaIist. (CHUCKLES) 131 00:06:51,328 --> 00:06:54,121 Maracas. These are my knackers, more Iike. 132 00:06:54,206 --> 00:06:56,207 (LAUGHING) BoIIocks. 133 00:06:56,333 --> 00:06:58,959 Look, aren't my pIums a bit red, Doctor? (LAUGHING) 134 00:06:59,044 --> 00:07:02,379 Turn round and see pIums in your face. 135 00:07:02,380 --> 00:07:04,757 Top banta. They caII us Bant and Dec. Don't they? 136 00:07:04,841 --> 00:07:07,384 -WeII, we sometimes caII ourseIves that. -Yeah. 137 00:07:07,385 --> 00:07:08,594 And Brentertainment. 138 00:07:08,720 --> 00:07:11,055 -That's more you. -You're in. Come here. 139 00:07:11,181 --> 00:07:12,389 (BOTH IMITATING BLOWS LANDING) 140 00:07:16,144 --> 00:07:18,145 NIGEL: David's David, isn't he? 141 00:07:18,230 --> 00:07:20,564 He's just... He's a lovely bloke. I think he's briIIiant. 142 00:07:20,649 --> 00:07:23,400 Makes me laugh anyway. l know most people don't get him... 143 00:07:25,403 --> 00:07:26,403 but I do. 144 00:07:26,404 --> 00:07:29,406 Most peopIe don't get me, but he does. So it's nice. 145 00:07:29,407 --> 00:07:31,242 It's good that we've found each other. 146 00:07:31,368 --> 00:07:33,828 He's gonna heIp me, um, showcase some of my comedy characters. 147 00:07:33,954 --> 00:07:36,288 -Yeah. Yeah. -Aren't you? Trying to get that done. 148 00:07:36,414 --> 00:07:38,833 -Got one character caIIed LioneI Fancy. -(LAUGHING) 149 00:07:38,959 --> 00:07:40,751 (AS LIONEL) Oh heIIo, my name's LioneI Fancy. 150 00:07:40,836 --> 00:07:44,004 (NORMAL) His catchphrase is, (AS LIONEL) "Chance'd be a fine thing." 151 00:07:44,089 --> 00:07:45,840 -(NORMAL) And it works with anything. -It does. It does. 152 00:07:45,966 --> 00:07:47,424 Just say something to me. 153 00:07:47,551 --> 00:07:50,344 -AII right, LioneI? What you up to today? -No. 154 00:07:50,428 --> 00:07:52,638 Say, um, "AII right, LioneI, I'm just making some dinner. 155 00:07:52,764 --> 00:07:54,181 "Do you want something hot inside you?" 156 00:07:54,266 --> 00:07:55,266 (AS LIONEL) Oh, heIIo. 157 00:07:55,392 --> 00:07:57,059 AII right, LioneI, I'm just making some dinner. 158 00:07:57,185 --> 00:08:00,688 -Fancy something hot inside you? -Chance'd be a fine thing. 159 00:08:00,814 --> 00:08:02,439 (DAVID AND NIGEL LAUGHING) 160 00:08:02,440 --> 00:08:04,400 AII right, LioneI, are you worried about AIDS? 161 00:08:04,484 --> 00:08:05,860 (NORMAL) Don't say that. 162 00:08:05,986 --> 00:08:10,447 I got one, uh, character caIIed Dopey O'Leary. An Irishman. 163 00:08:10,448 --> 00:08:12,700 l like making people laugh. 164 00:08:12,826 --> 00:08:14,201 Sue me. (CHUCKLES) 165 00:08:14,286 --> 00:08:16,996 I Iike making peopIe feeI, more importantIy. 166 00:08:17,080 --> 00:08:21,250 Comedy, music, poetry, phiIosophy, whatever, you know. 167 00:08:21,334 --> 00:08:23,377 I get inside your head. 168 00:08:23,461 --> 00:08:24,837 Maybe get inside your heart. 169 00:08:24,921 --> 00:08:27,715 I got one character (CHUCKLES) caIIed Ho Lee Fuk. 170 00:08:27,841 --> 00:08:29,592 -Ooh, no. Ooh, no! -It's aII right. It's not swearing. 171 00:08:29,676 --> 00:08:31,385 That's his name. He's a IittIe Chinaman. 172 00:08:31,469 --> 00:08:32,469 NIGEL: CIever. 173 00:08:32,596 --> 00:08:34,471 (AS HO LEE FUK) HeIIo, my name's Ho Lee Fuk. 174 00:08:34,472 --> 00:08:36,390 (LAUGHING) 175 00:08:36,474 --> 00:08:39,727 I'm not weird-Iooking. You're the weird-Iooking one. 176 00:08:39,853 --> 00:08:43,439 (NORMAL) From the Chinaman's perspective, at Iast, I fIipped it. 177 00:08:43,523 --> 00:08:44,523 Oh, you fripped it. 178 00:08:44,649 --> 00:08:45,816 -He's fripped it. -(LAUGHS) 179 00:08:45,901 --> 00:08:48,027 -This is why we get on. Same IeveI. -Hang on a second. 180 00:08:48,111 --> 00:08:50,821 Can you fucking keep it down? Yeah. Can you keep it down? 181 00:08:50,906 --> 00:08:53,741 -David? Can I have a word? -Huh? Yeah. 182 00:08:53,867 --> 00:08:54,909 NIGEL: (AS HO LEE FUK) What you want? 183 00:08:55,035 --> 00:08:57,912 (AS HO LEE FUK) What you want? Sirry rady. (LAUGHS) 184 00:08:58,330 --> 00:09:01,123 I'm sure you didn't mean to cause offence, David. 185 00:09:01,249 --> 00:09:05,502 But, as you know, we have to consider everyone's feeIings in the workpIace. 186 00:09:05,503 --> 00:09:07,504 Yeah. Correctamundo. 187 00:09:07,505 --> 00:09:10,966 You're happy to propagate a stereotype of Irish peopIe 188 00:09:11,092 --> 00:09:13,510 being educationaIIy subnormaI 189 00:09:13,511 --> 00:09:15,512 or gay peopIe being ridicuIousIy camp? 190 00:09:15,513 --> 00:09:19,141 WeII, I never actuaIIy specify whether he is a homosexuaI or not. 191 00:09:19,267 --> 00:09:20,768 So that's in your mind. 192 00:09:20,894 --> 00:09:23,729 What about teIIing sexist jokes to women? 193 00:09:23,855 --> 00:09:25,940 Oh, you're saying I shouId onIy teII them to men? Sexist. 194 00:09:26,066 --> 00:09:29,151 No. I'm saying you shouIdn't teII sexist jokes at aII. 195 00:09:29,277 --> 00:09:30,527 Oh, okay. 196 00:09:30,528 --> 00:09:33,697 -You said something about bras? -Yeah, just harmIess fun. 197 00:09:33,782 --> 00:09:34,782 Go on. 198 00:09:34,908 --> 00:09:37,993 What's the definition of a gIass bra? Smash and grab. Honk, honk. 199 00:09:38,119 --> 00:09:40,329 Okay. WeII, vioIence against women is seIdom a Iaughing matter. 200 00:09:40,413 --> 00:09:41,538 Where's the vioIence? 201 00:09:41,539 --> 00:09:44,708 You're smashing a woman's bra, and then you're grabbing her breasts. 202 00:09:44,793 --> 00:09:47,962 Not IiteraIIy. In a joke. And the vioIence isn't the funny bit. 203 00:09:48,088 --> 00:09:50,005 What is the funny bit, David? 204 00:09:50,131 --> 00:09:52,549 Um, honk, honk. 205 00:09:52,550 --> 00:09:55,219 Funny noise, funny organs. 206 00:09:56,596 --> 00:09:57,596 So. . . 207 00:09:57,722 --> 00:10:00,766 WeII, I don't think it warrants any formaI discipIinary action. 208 00:10:00,892 --> 00:10:02,017 -Shame. (CHUCKLES) -Uh. . . 209 00:10:02,936 --> 00:10:04,687 -It can be arranged. -Oh. 210 00:10:04,771 --> 00:10:07,106 -But as I said, be aware. . . -Hmm? I wiII. 211 00:10:07,190 --> 00:10:08,399 . . .and sensitive to difference. 212 00:10:08,525 --> 00:10:11,151 Ah, you'II see how sensitive I am to difference. 213 00:10:11,236 --> 00:10:15,572 Get a cab then. I'II pay you back when you get here. 214 00:10:15,573 --> 00:10:19,743 Because I need you to. Trust me, it'II be fun. 215 00:10:19,828 --> 00:10:21,954 AII right. CaII when you get here. 216 00:10:22,038 --> 00:10:23,580 AII right, cheers. Bye. 217 00:10:25,125 --> 00:10:26,208 (SIGHS) 218 00:10:27,585 --> 00:10:28,961 So. . . 219 00:10:29,045 --> 00:10:32,131 Miriam is going to eat humbIe pie. 220 00:10:32,215 --> 00:10:34,508 Not the pie she's used to. (CHUCKLES) 221 00:10:34,592 --> 00:10:37,052 I mean, she's sIightIy overweight and Iikes appIe pie. 222 00:10:37,178 --> 00:10:41,140 Not hairy pie. She's a Iezzer. I mean. . . 223 00:10:41,224 --> 00:10:44,601 It's Iike having a 1 5-year-oId kid in the office, you know? 224 00:10:44,602 --> 00:10:47,521 -Your Iack of humour warning. -(HORN HONKING) 225 00:10:47,605 --> 00:10:48,605 CHAPMAN: And l find him an irritant. 226 00:10:48,606 --> 00:10:50,399 l mean, normally l just shut my door when l hear him, 227 00:10:50,483 --> 00:10:52,776 because it's just. . . It just puts me off my work. 228 00:10:53,611 --> 00:10:56,030 Where am I supposed to be? I'm just, Iike, in reception. 229 00:10:56,156 --> 00:10:57,948 Here. I'm down here. 230 00:10:58,616 --> 00:11:00,075 (CHUCKLES) 231 00:11:00,201 --> 00:11:02,036 -FIippin' heII. -DAVID: Come here. 232 00:11:02,162 --> 00:11:07,958 I was just in a meeting with, uh, Miriam. It's, uh, my bIack friend. 233 00:11:08,043 --> 00:11:09,585 So, 234 00:11:09,669 --> 00:11:13,464 that's what I've been. . . Mixed race, actuaIIy. 235 00:11:13,590 --> 00:11:14,631 My favourite. 236 00:11:14,632 --> 00:11:16,967 His dad was bIack, his mum was white. Get over it. (CHUCKLES) 237 00:11:17,052 --> 00:11:19,636 -My dad was white. My mum was bIack. -Oh. (CHUCKLES) 238 00:11:19,637 --> 00:11:21,597 Even more different. Her face. 239 00:11:21,681 --> 00:11:23,640 DOM: Let's just not. . . DAVID: I've been trying to say. . . 240 00:11:27,228 --> 00:11:28,604 I first met David. . . 241 00:11:28,688 --> 00:11:32,441 I was rapping in this open mic thing in a pub in SIough. 242 00:11:32,525 --> 00:11:34,318 It's, you know, where we're both from. 243 00:11:34,444 --> 00:11:37,654 And he came over and said he wanted to manage me. 244 00:11:37,655 --> 00:11:41,492 You know? I mean, I didn't know at the time he was a saIes rep. 245 00:11:42,494 --> 00:11:43,660 -Is that it? -Yeah. 246 00:11:43,661 --> 00:11:45,245 -It's the onIy reason I'm here? -Yeah. 247 00:11:45,330 --> 00:11:46,914 It's important. You off? 248 00:11:48,708 --> 00:11:50,042 It's just my mate. 249 00:11:55,090 --> 00:11:56,799 Going off on tour. 250 00:11:56,883 --> 00:11:58,675 -Him? -Yeah. 251 00:11:58,676 --> 00:12:00,052 Okay. 252 00:12:00,136 --> 00:12:01,720 So, yeah. 253 00:12:01,846 --> 00:12:03,013 That's cooI. 254 00:12:05,141 --> 00:12:06,225 Yeah. 255 00:12:08,686 --> 00:12:12,106 l've booked a session today in a top-notch recording studio. 256 00:12:12,232 --> 00:12:13,690 -MAN: HeIIo? -David. 257 00:12:13,691 --> 00:12:15,567 (DOOR BUZZING) 258 00:12:15,693 --> 00:12:16,693 Here we go. 259 00:12:16,694 --> 00:12:18,612 (BREATHES HEAVILY) 260 00:12:18,696 --> 00:12:20,697 -Studio. -(MUSIC PLAYING) 261 00:12:20,698 --> 00:12:23,534 l love making demos. l do it a lot, you know. 262 00:12:23,660 --> 00:12:26,245 lt not only gives the record company an idea of what I can do. 263 00:12:26,329 --> 00:12:28,705 lt gives me an idea of what l could do, and that's the buzz. 264 00:12:30,333 --> 00:12:32,751 Dan. My usuaI engineer. 265 00:12:32,877 --> 00:12:35,838 DAN: WeII I've done one session with Dom. It was meant to be with Dom. 266 00:12:35,922 --> 00:12:40,134 DOM: lt started off he was kind of managing me and, um, he was paying 267 00:12:40,260 --> 00:12:42,719 for me to make my demos which was cool. And then, 268 00:12:42,720 --> 00:12:45,180 suddenIy, Iike, he wanted to co-write songs 269 00:12:45,306 --> 00:12:49,643 and then before I knew it, he was, Iike, doing his own songs and saying, 270 00:12:49,727 --> 00:12:51,603 "Oh, wiII you do a rap on this, do a rap on that?" 271 00:12:51,729 --> 00:12:56,733 And now it's Iike some kind of Ebony and Ivory, urban sidekick deaI. 272 00:12:56,734 --> 00:12:58,735 Okay, I'm gonna cut the buIIshit. 273 00:12:58,736 --> 00:13:01,280 -That wouId be great, yeah. -I'm head-hunting. 274 00:13:01,364 --> 00:13:02,489 Putting a tour together. 275 00:13:02,574 --> 00:13:04,741 Do you wanna be part of that? Drive the gang? 276 00:13:04,742 --> 00:13:06,618 On stage sound. Roadie. 277 00:13:06,744 --> 00:13:09,204 -What sort of tour? -Showcasing the band. 278 00:13:09,330 --> 00:13:11,790 AIso hoteIs, rider. 279 00:13:11,916 --> 00:13:14,751 So it's some work and some food and somewhere to sIeep? 280 00:13:15,503 --> 00:13:18,755 Here we go. PIaying hardbaII. Yeah? 281 00:13:18,756 --> 00:13:21,592 -Are we taIking bunse? -WeII we're certainIy not taIking EngIish. 282 00:13:21,718 --> 00:13:24,386 -What do you earn here? -That's not the issue. 283 00:13:24,512 --> 00:13:25,888 I'II doubIe it. 284 00:13:26,931 --> 00:13:28,223 ReaIIy? 285 00:13:28,349 --> 00:13:29,933 I never dreamt he'd be on that much. 286 00:13:31,019 --> 00:13:33,312 It's a bit annoying. It eats up the budget. 287 00:13:34,772 --> 00:13:35,731 But you pay peopIe weII, 288 00:13:35,815 --> 00:13:38,775 they wanna do a good job and they wanna keep their job. 289 00:13:38,776 --> 00:13:41,445 So. . . I'II just cash in another pension. 290 00:13:41,571 --> 00:13:43,780 That's what I've been doing to finance aII this. 291 00:13:43,781 --> 00:13:47,409 I took out a Iot of private pensions in the '90s, you know. 292 00:13:47,535 --> 00:13:50,579 And some of them are worth as much as I've put in now, so. . . 293 00:13:50,663 --> 00:13:52,372 And I wouId have spent that money by now. 294 00:13:52,457 --> 00:13:55,667 And now I am gonna spend it on rock 'n' roII. (CHUCKLES) 295 00:13:55,793 --> 00:13:57,461 But keep the drums sounding big though. 296 00:13:57,587 --> 00:14:00,005 DOM: David is... He's on-site. 297 00:14:00,131 --> 00:14:04,801 Deep down he's supporting me, and I'm sure he'd Iove to see me do weII. 298 00:14:04,802 --> 00:14:10,807 It's not a Iot right now, but, you know, see how this tour goes. Never know. 299 00:14:10,808 --> 00:14:13,393 There's a similarity there, you know. 300 00:14:13,478 --> 00:14:16,688 l mean, in some ways we're very alike. 301 00:14:16,814 --> 00:14:20,692 Except, you know, he's white and old and his music is terribIe. 302 00:14:20,818 --> 00:14:23,779 But, I mean, we're both just trying to make it, you know, 303 00:14:23,863 --> 00:14:29,159 I'm just not. . . not 1 00% sure what his "it" is. 304 00:14:38,461 --> 00:14:39,503 Bit of a cock-up. (CHUCKLES) 305 00:14:39,629 --> 00:14:43,840 I've onIy got four days actuaI hoIiday Ieave Ieft. 306 00:14:43,841 --> 00:14:46,510 So I've gotta take 1 1 days unpaid. 307 00:14:46,636 --> 00:14:47,636 -Yeah. -So. . . 308 00:14:47,720 --> 00:14:49,888 That's aII right, you know, sort of. 309 00:14:50,014 --> 00:14:52,599 This is a hoIiday, isn't it? It's what I Iove doing, so. . . 310 00:14:52,684 --> 00:14:54,309 And if I get signed, it's aII been worth it. 311 00:14:54,435 --> 00:14:57,854 Er, so my Iast day is next Friday. 312 00:14:57,855 --> 00:15:00,232 Yeah. Make sure your cIients are covered for the month 313 00:15:00,316 --> 00:15:01,858 and you're away. 314 00:15:01,859 --> 00:15:04,820 Yeah, I am indeed. (CHUCKLES) 315 00:15:04,904 --> 00:15:06,029 -Back on the phones then. -Yeah. 316 00:15:06,114 --> 00:15:08,031 Yeah. (CHUCKLES) Back on the phone. 317 00:15:08,116 --> 00:15:09,324 ANDY: It's daft. 318 00:15:09,450 --> 00:15:11,702 l mean, wasting his holiday in trying to be a pop star. 319 00:15:11,828 --> 00:15:15,122 He'd be far better off, you know, having a coupIe of weeks in MarbeIIa. 320 00:15:15,248 --> 00:15:16,873 ReIax, nice tan. . . 321 00:15:17,625 --> 00:15:19,918 StiII, his money, his Iife, innit? 322 00:15:20,044 --> 00:15:21,670 -It's on. Yeah. -NIGEL: Ooh. 323 00:15:22,630 --> 00:15:24,047 Uh. . . 324 00:15:24,132 --> 00:15:27,509 My Iast week, next week. Then I'm off. 325 00:15:27,635 --> 00:15:32,556 Got a few more. . . gigs to book in. 326 00:15:32,682 --> 00:15:34,891 Get the record companies down, get signed. 327 00:15:34,892 --> 00:15:36,810 Bye-bye nine to five. (CHUCKLES) 328 00:15:36,894 --> 00:15:38,895 Sorry. (LAUGHING) 329 00:15:38,896 --> 00:15:41,440 No. So, rehearsaI tomorrow. 330 00:15:41,524 --> 00:15:42,899 Wait tiII you see the band. 331 00:15:42,900 --> 00:15:44,693 Great bunch of kids. 332 00:15:44,777 --> 00:15:46,653 Foregone ConcIusion, Mark II. 333 00:15:46,738 --> 00:15:48,071 (IMITATES GUITAR) 334 00:15:48,156 --> 00:15:52,326 Do you know what I'm saying? Yeah. Yeah. Yeah. 335 00:15:52,452 --> 00:15:54,494 DAVID: l did try and get the old crew back together, 336 00:15:54,579 --> 00:15:58,165 but, um, they hadn't really weathered as weII as me. (CHUCKLES) 337 00:15:59,125 --> 00:16:00,792 Reggie MentaI. 338 00:16:00,918 --> 00:16:03,462 He can't drum any more. His back's gone. 339 00:16:03,546 --> 00:16:06,840 He's on painkiIIers and physio, permanentIy, you know. 340 00:16:06,924 --> 00:16:08,967 He's basicaIIy an invaIid now. 341 00:16:09,927 --> 00:16:10,969 From that. 342 00:16:12,347 --> 00:16:13,930 (SIGHS) Jack. 343 00:16:15,141 --> 00:16:17,726 He's married now with four kids. Look at him there. 344 00:16:18,728 --> 00:16:19,936 Under the thumb. 345 00:16:19,937 --> 00:16:22,939 I bumped into him in Reading, down the OracIe. 346 00:16:22,940 --> 00:16:25,692 And he was shopping with his wife, hoIding hands with kids, 347 00:16:25,777 --> 00:16:28,278 carrying shopping, papoose with a new baby in it. 348 00:16:28,363 --> 00:16:29,571 And he Iooked at me, 349 00:16:29,697 --> 00:16:32,908 and he didn't IiteraIIy say it out Ioud, because his wife was there, 350 00:16:32,992 --> 00:16:36,620 but I couId see in his eyes, he was saying, "KiII me." 351 00:16:38,122 --> 00:16:39,289 From that. 352 00:16:41,334 --> 00:16:44,336 And the saddest of aII. . . Mammogram. 353 00:16:45,588 --> 00:16:47,172 ReaI name, Craig Monkford. 354 00:16:47,298 --> 00:16:50,300 Wow, great guy. BriIIiant guitarist. 355 00:16:50,385 --> 00:16:53,970 Life and souI of the party. And he knew how to party. (CHUCKLES) 356 00:16:53,971 --> 00:16:55,138 His nickname is from the fact 357 00:16:55,223 --> 00:16:59,226 that he'd aIways turn up to your door with a different girI with big boobs. 358 00:16:59,352 --> 00:17:01,978 So, nothing to do with cancer, um. . . 359 00:17:01,979 --> 00:17:06,942 But he is now doing two years for 1 1 different counts of sexuaI assauIt. 360 00:17:08,653 --> 00:17:10,821 Hiya. (SIGHS) 361 00:17:10,947 --> 00:17:12,656 (BAND PLAYING) 362 00:17:16,244 --> 00:17:18,995 Saturday, innit? So. . . 363 00:17:20,248 --> 00:17:23,250 RehearsaIs. Yeah, this is where it aII happens. 364 00:17:23,376 --> 00:17:26,002 This is the Iast one, actuaIIy, before the tour. 365 00:17:26,003 --> 00:17:27,421 That's aII booked. (CHUCKLES) 366 00:17:27,547 --> 00:17:30,382 WeII, I got six or seven gigs in. 367 00:17:30,466 --> 00:17:33,009 StiII a few gaps. I'II be fiIIing those. 368 00:17:33,136 --> 00:17:35,387 There are guys here Iooking for opportunities. 369 00:17:35,471 --> 00:17:36,930 Um. . . 370 00:17:37,014 --> 00:17:39,766 If not, I'II have a day off. (CHUCKLES) 371 00:17:39,851 --> 00:17:43,061 That aIways heIps with the oId tonsiIs. 372 00:17:43,187 --> 00:17:44,187 So. . . 373 00:17:46,023 --> 00:17:47,149 Anyway. . . 374 00:17:48,151 --> 00:17:51,027 Keep the noise down. (CHUCKLES) Nah, turn it up. 375 00:17:53,030 --> 00:17:54,239 Let's rock. 376 00:17:54,365 --> 00:17:58,034 Yeah, boom, that's perfect. And then, Iike, eight bars of this. Yeah? 377 00:17:58,035 --> 00:18:00,495 DAVID: Whassup? 378 00:18:00,621 --> 00:18:03,248 Come on, Iet's do some work now then. (LAUGHING) 379 00:18:04,041 --> 00:18:07,252 Here's the band. Foregone ConcIusion, Mark II. 380 00:18:07,378 --> 00:18:10,922 -He's not in it. He's just, you know. . . -We're just gonna, um, finish this. 381 00:18:11,048 --> 00:18:13,049 Yeah, Iet's do some. . . Let's do some. . . You know him. 382 00:18:13,050 --> 00:18:16,386 Look. He's aIready at work. I gave him the gig. (LAUGHS) 383 00:18:17,305 --> 00:18:18,930 Stu Monkford. 384 00:18:19,849 --> 00:18:22,058 Mammogram's nephew I was teIIing you about. 385 00:18:22,059 --> 00:18:24,269 What do you caII a bIoke who hangs round with musicians? 386 00:18:24,395 --> 00:18:27,105 The drummer. (LAUGHING) 387 00:18:27,231 --> 00:18:31,985 Andy. We have got Mike and Steve. They're brothers. 388 00:18:32,069 --> 00:18:35,071 Don't Iook aIike, do they? The beard's different. 389 00:18:35,072 --> 00:18:39,075 I guess Iike with most session musicians, you get, Iike, a caII. . . 390 00:18:39,076 --> 00:18:42,329 gets put in to your agent, and they, um, you know, say, 391 00:18:42,455 --> 00:18:44,998 "Are you avaiIabIe? Is it something you actuaIIy wanna do?" 392 00:18:45,082 --> 00:18:48,084 Um, in this case, not particuIarIy, 393 00:18:48,085 --> 00:18:50,003 but at the same time, you know, you go where the money goes 394 00:18:50,087 --> 00:18:54,090 because you can't ever guarantee when the next lot of work's gonna come in. 395 00:18:54,091 --> 00:18:55,634 ANDY: For us, it's just, you know, 396 00:18:55,718 --> 00:18:57,511 we're out, and we're getting paid, and we're pIaying. 397 00:18:57,637 --> 00:18:58,929 Let's do it. Let's rock. 398 00:18:59,055 --> 00:19:02,224 What shaII we do? Let's do, um, Ooh La La. 399 00:19:03,935 --> 00:19:06,102 -I'm not in that one. -He's not in this one. 400 00:19:06,103 --> 00:19:07,103 (DAVID CHUCKLES) 401 00:19:10,983 --> 00:19:12,484 Starts with an acoustic. 402 00:19:15,738 --> 00:19:18,240 # SoId my shack in Memphis 403 00:19:19,450 --> 00:19:22,118 # Bought me a ChevroIet 404 00:19:23,120 --> 00:19:26,122 # Six string in the back And a bottIe of Jack 405 00:19:26,249 --> 00:19:30,335 # And l headed down to Mexico Way 406 00:19:30,461 --> 00:19:34,130 # Singing ooh Ia Ia Ia 407 00:19:34,131 --> 00:19:38,134 # Ooh Ia Ia Ia Ia Iay 408 00:19:38,135 --> 00:19:42,389 # Ooh Ia Ia Ia Ia Ia Ia Ia 409 00:19:42,515 --> 00:19:45,183 # lt's a beautiful day # 410 00:19:50,022 --> 00:19:52,148 Okay. Let's do it. 411 00:19:53,150 --> 00:19:54,317 I'II send a cheque over. 412 00:19:54,402 --> 00:19:56,152 l've been putting all the gigs in, you know. 413 00:19:56,153 --> 00:19:59,155 Hopefully l'll get a soIid three-week bIock. 414 00:19:59,156 --> 00:20:01,157 I'II get to work on it, promoting it. 415 00:20:01,158 --> 00:20:04,286 That we can buiId, and get A&R aIong. 416 00:20:05,162 --> 00:20:07,747 Um, but, you know, the. . . the tour's shaping up. 417 00:20:07,832 --> 00:20:09,583 I'm the artist and the manager. 418 00:20:09,709 --> 00:20:11,209 I have to book the hoteIs. 419 00:20:11,335 --> 00:20:15,088 The oId credit card has taken a bit of a hammering. (CHUCKLES) 420 00:20:15,172 --> 00:20:16,506 My fIexibIe friend. 421 00:20:22,221 --> 00:20:24,139 Yeah, um. . . 422 00:20:25,182 --> 00:20:26,766 They're gonna be gutted when I'm gone. 423 00:20:26,851 --> 00:20:30,979 But at the same time, they know it's what I want and deserve. 424 00:20:31,063 --> 00:20:35,358 Hence, they're gonna be happy for me. So, mixed emotions. 425 00:20:35,443 --> 00:20:40,739 Right, I better say goodbye to everyone before I (CHUCKLES) jet off. 426 00:20:40,823 --> 00:20:43,783 Um, I hope they haven't made a big fuss. 427 00:20:43,868 --> 00:20:45,952 You know what I mean? It's not Iike I'm going forever. 428 00:20:46,037 --> 00:20:48,455 Even if I get signed, I'm gonna pop in. But. . . 429 00:20:48,581 --> 00:20:49,664 Oh. . . 430 00:20:51,208 --> 00:20:53,335 See you Iater, guys. I'm off on tour. 431 00:20:53,419 --> 00:20:55,045 Keep seIIing. Where's NigeI? 432 00:20:55,171 --> 00:20:57,756 -He's out seIIing. -Is he? 433 00:20:58,633 --> 00:20:59,799 -Is he reaIIy? -Yeah. 434 00:20:59,884 --> 00:21:01,676 -Where is he? -Maidenhead. 435 00:21:01,802 --> 00:21:04,262 AII right. Good. 436 00:21:04,388 --> 00:21:08,099 Ah, thought so. You. . . (LAUGHS) 437 00:21:08,225 --> 00:21:10,268 We did this to Pete Gibbons. 438 00:21:10,394 --> 00:21:11,645 He thought we hadn't done anything, 439 00:21:11,771 --> 00:21:15,231 and we got a massive whip-round going, and we, um, we got him a. . . 440 00:21:15,232 --> 00:21:17,817 "Break a Ieg, PauIine." It is just from you, is it? 441 00:21:17,902 --> 00:21:19,444 -Yeah. -AII right. 442 00:21:19,570 --> 00:21:21,821 PAULINE: lt's exciting, really, for him. 443 00:21:22,281 --> 00:21:24,115 The office is gonna be a bit quiet 444 00:21:24,241 --> 00:21:26,618 which is gonna be a shame. 445 00:21:26,702 --> 00:21:28,161 Brings a IittIe sparkIe. (CHUCKLES) 446 00:21:28,245 --> 00:21:30,246 -Is he reaIIy out seIIing? -Yeah. 447 00:21:30,247 --> 00:21:31,998 -Is he? -Yeah. 448 00:21:36,253 --> 00:21:38,880 KAREN: When he waIks in, you don't know what he's gonna say, 449 00:21:39,006 --> 00:21:42,175 and... he does brighten up my day a little bit. 450 00:21:42,259 --> 00:21:43,259 Is NigeI out seIIing? 451 00:21:43,260 --> 00:21:45,011 He might try to be funny, 452 00:21:45,096 --> 00:21:49,265 and not. . . maybe peopIe don't find him funny, but I do. 453 00:21:49,266 --> 00:21:52,852 Right. That's 'cause I said to him I don't want a fuss, so he went. . . 454 00:21:52,937 --> 00:21:54,270 So he didn't, er. . . 455 00:21:55,690 --> 00:21:58,066 First gig, Monday. 456 00:21:59,276 --> 00:22:00,402 PAULINE: Have a nice time. 457 00:22:00,486 --> 00:22:03,279 Yeah. Right. 458 00:22:08,285 --> 00:22:09,285 See you. 459 00:22:11,247 --> 00:22:12,288 (CHUCKLES) 460 00:22:12,289 --> 00:22:13,415 Oh. . . 461 00:22:13,499 --> 00:22:15,250 -See you Iater. -KAREN: Bye. 462 00:22:15,334 --> 00:22:17,293 Bye. Bye. 463 00:22:34,645 --> 00:22:38,773 This isn't like, you know, when l left Wernham Hogg. 464 00:22:38,899 --> 00:22:43,069 l was the head of that family. A lot more emotional for everyone. 465 00:22:43,988 --> 00:22:47,866 Being made redundant, and the whole fame thing, 466 00:22:47,950 --> 00:22:49,200 that got to me a bit. 467 00:22:50,327 --> 00:22:51,953 I had a nervous breakdown. 468 00:22:52,079 --> 00:22:58,668 (STAMMERS) I spent a IittIe bit of time in a. . . a faciIity. 469 00:22:59,336 --> 00:23:01,337 VoIuntary, you know. 470 00:23:01,338 --> 00:23:03,506 But, nah, not for me. (CHUCKLES) 471 00:23:03,591 --> 00:23:06,384 I practice the ancient medicaI art of "bIoody puII yourseIf together, mate". 472 00:23:06,510 --> 00:23:07,552 (LAUGHS) 473 00:23:07,678 --> 00:23:11,014 So, I was on Prozac for about six months. 474 00:23:11,724 --> 00:23:14,350 Er, baIIooned up to about 1 6 stone at one point. 475 00:23:14,477 --> 00:23:15,810 l'd given up. 476 00:23:15,936 --> 00:23:19,606 The lads started calling me Brentasaurus. (CHUCKLES) AII good fun. 477 00:23:19,732 --> 00:23:23,568 Not at the time. I burst into tears. . . and wanted to kiII myseIf. 478 00:23:23,694 --> 00:23:24,694 (SIGHS) 479 00:23:24,779 --> 00:23:27,113 But l turned it round, you know. 480 00:23:27,990 --> 00:23:29,032 Got fit. 481 00:23:30,493 --> 00:23:31,910 Inside and out. 482 00:23:31,994 --> 00:23:33,119 -Hi. -Hi, David. 483 00:23:33,204 --> 00:23:34,204 Hi, Sandra. 484 00:23:34,330 --> 00:23:36,164 And l found myself again, you know, 485 00:23:36,248 --> 00:23:39,793 and I started to do what I do best, entertain. 486 00:23:39,919 --> 00:23:42,587 Triple threat. Music, comedy, wisdom. 487 00:23:42,713 --> 00:23:44,923 -WouId you Iike to go out for a coffee? -No. 488 00:23:46,383 --> 00:23:47,967 -She is mentaI, isn't she? -WeII. . . 489 00:23:48,052 --> 00:23:49,344 A proper Ioon. A dead bee. 490 00:23:49,428 --> 00:23:52,222 DR. KEATING: How are you? DAVID: BriIIiant. Never feIt better. 491 00:23:52,348 --> 00:23:56,392 Happiest I've been, probabIy, doing these sessions with a professionaI. 492 00:23:56,393 --> 00:23:58,019 Now I decided to sort everything out. 493 00:23:58,145 --> 00:24:01,564 Body, mind, and spirit. I've done that, so. . . I'm empowered now. 494 00:24:01,649 --> 00:24:04,359 Power in the, not the poIiticaI sense, or, you know. . . 495 00:24:04,443 --> 00:24:06,528 (CHUCKLES) but I mean, inner strength. 496 00:24:06,612 --> 00:24:08,404 That's what I think it is. Mind power, reaIIy, isn't it? 497 00:24:08,405 --> 00:24:10,365 It's wiIIpower, um. . . 498 00:24:10,449 --> 00:24:14,536 And, uh, you know, am I a free wiIIist? I'm a do-as-thou-wiIIist. 499 00:24:14,620 --> 00:24:16,412 So, it does make. . . It makes sense up there. . . 500 00:24:16,539 --> 00:24:17,539 -David. . . -Go on. 501 00:24:18,791 --> 00:24:20,792 -Have you had the dream again? -No. 502 00:24:22,419 --> 00:24:23,419 No. 503 00:24:29,260 --> 00:24:31,886 So what do you wanna taIk about? Shoot. 504 00:24:32,012 --> 00:24:33,429 -Don't read anything into that. -(CHUCKLES) Okay. . . 505 00:24:33,430 --> 00:24:35,598 No, I just thought. . . When I said it, I thought of. . . 506 00:24:35,683 --> 00:24:36,683 Don't matter. 507 00:24:37,643 --> 00:24:40,061 Okay, um. . . So what do you want to taIk about? 508 00:24:40,187 --> 00:24:42,230 -That's what we're here for, so. . . -The band. 509 00:24:42,314 --> 00:24:43,439 -The band? Of course. Okay. -Yeah. 510 00:24:43,566 --> 00:24:45,441 -TeII me about the band. -That's what's happening. 511 00:24:45,442 --> 00:24:47,861 -Yeah? -We're going on tour. Great bunch of guys. 512 00:24:47,987 --> 00:24:50,446 And we're. . . I've booked some gigs. 513 00:24:50,573 --> 00:24:52,448 Taken the time off work, 514 00:24:52,575 --> 00:24:56,411 and gonna get A&R peopIe aIong, get signed, put an aIbum out. 515 00:24:56,495 --> 00:24:58,288 -Mmm-hmm. Can I ask you a question? -Go on. 516 00:24:58,414 --> 00:25:00,123 What happens if you don't get a record deaI? 517 00:25:00,249 --> 00:25:02,667 -FaiIure is not an option. -WeII, it is, David, isn't it? 518 00:25:02,793 --> 00:25:03,918 (CLICKS TONGUE) 519 00:25:05,004 --> 00:25:08,047 She's meant to big me up. . . make me feeI better. 520 00:25:08,132 --> 00:25:11,134 But it's aII Iike, "Oh, what if you faiI? Be prepared." 521 00:25:11,260 --> 00:25:13,845 What a downer. She doesn't mind me throwing money at her. 522 00:25:13,929 --> 00:25:16,681 At Ieast I enjoy my music. Do you know what I mean? 523 00:25:16,807 --> 00:25:18,349 She makes me nervous. She's aIways writing notes. 524 00:25:18,475 --> 00:25:19,434 And I'm thinking, "What's she writing?" 525 00:25:19,518 --> 00:25:22,270 She couId write anything. "He's a pervert. He's a Ioser." 526 00:25:22,354 --> 00:25:24,022 Gives me the creeps to be honest. . . 527 00:25:24,106 --> 00:25:26,024 Next week, yeah. See you Iater. 528 00:25:26,108 --> 00:25:27,358 Bye. 529 00:25:30,738 --> 00:25:32,071 That's the tour outfit. 530 00:25:32,948 --> 00:25:35,533 l try to incorporate all my influences there, really. 531 00:25:35,659 --> 00:25:38,036 It's a bit new romantic but modern. 532 00:25:38,120 --> 00:25:41,497 A bit BubIé. A bit David Essex. 533 00:25:43,459 --> 00:25:44,667 We're nearly there. 534 00:25:45,502 --> 00:25:47,503 Off on tour. Getting everything ready. 535 00:25:47,630 --> 00:25:50,673 Yeah, l get a sort of adrenaline rush when I think about it. 536 00:25:50,758 --> 00:25:54,510 And that's not fear. That's Iike, "Let's do this." 537 00:25:56,513 --> 00:25:58,514 (INDISTINCT CONVERSATIONS) 538 00:26:00,267 --> 00:26:02,352 Let's book a string of gigs. 539 00:26:02,478 --> 00:26:04,979 Book a tour bus. BeautifuI tour bus. 540 00:26:05,105 --> 00:26:07,523 Top-of-the-range. State-of-the-art. 541 00:26:07,524 --> 00:26:09,359 Air-conditioning, bunks. 542 00:26:09,485 --> 00:26:11,527 lt's like a party on wheels. (LAUGHS) 543 00:26:12,529 --> 00:26:14,530 Oh God, I hope we get some sIeep. 544 00:26:16,533 --> 00:26:18,534 I'm up and down the country aII the time, you know. 545 00:26:18,535 --> 00:26:21,162 On the road is where I reaIIy come aIive. 546 00:26:21,288 --> 00:26:24,582 So, just swapping the oId Insignia for the tour bus. (CHUCKLES) 547 00:26:25,542 --> 00:26:27,543 Here we go! (LAUGHING) 548 00:26:28,545 --> 00:26:29,754 Oh. . . 549 00:26:32,174 --> 00:26:35,885 Whassup? (LAUGHING) 550 00:26:35,970 --> 00:26:37,804 (SIGHS) 551 00:26:37,930 --> 00:26:39,472 See you Iater. 552 00:26:39,556 --> 00:26:40,974 Ah. . . 553 00:26:41,100 --> 00:26:42,767 (ENGINE STARTING) 554 00:26:42,893 --> 00:26:44,560 There's not a Iot of room on there, 555 00:26:44,561 --> 00:26:47,146 so we think it's better I foIIow behind. 556 00:26:47,231 --> 00:26:49,107 Good idea, in a way. (CHUCKLES) 557 00:26:50,150 --> 00:26:51,526 Whassup. . . 558 00:27:00,536 --> 00:27:02,328 Quite expensive, that bus. 559 00:27:02,413 --> 00:27:04,580 So, I think they'II enjoy it. 560 00:27:05,374 --> 00:27:09,919 No, it's right that the lead singer gets his own vehicle. 561 00:27:10,004 --> 00:27:12,255 I think they're thinking of me. . . 562 00:27:12,381 --> 00:27:16,384 lf my headspace is right, then the performance is better. 563 00:27:16,468 --> 00:27:17,593 CIever. 564 00:27:35,362 --> 00:27:36,988 HoteI. (CHUCKLES) 565 00:27:38,157 --> 00:27:41,659 Oh, Iife on the road. Love it. 566 00:27:41,785 --> 00:27:43,077 It's aII here. 567 00:27:44,621 --> 00:27:48,583 Tea, coffee, TV, bed. 568 00:27:49,752 --> 00:27:51,294 Just wanna sit down. 569 00:27:52,463 --> 00:27:54,881 Desk, mirror. 570 00:27:57,092 --> 00:27:58,634 (SWITCHES DRYER ON AND OFF) 571 00:28:02,639 --> 00:28:03,765 Look at that. 572 00:28:12,649 --> 00:28:13,816 It's aII here. 573 00:28:15,027 --> 00:28:16,652 Ah, aII right. 574 00:28:17,654 --> 00:28:18,654 Sound check. 575 00:28:21,408 --> 00:28:22,617 I Iove sound checks. 576 00:28:22,701 --> 00:28:25,286 Checking aII the sound and... 577 00:28:25,412 --> 00:28:26,662 l love being backstage. 578 00:28:28,082 --> 00:28:31,542 And the band have insisted l have my own dressing room, which is... 579 00:28:31,668 --> 00:28:32,627 Yeah. 580 00:28:32,711 --> 00:28:34,087 So, yeah. 581 00:28:35,255 --> 00:28:36,672 (BAND MEMBERS LAUGHING) 582 00:28:36,673 --> 00:28:38,257 MAN: Oh, my days. 583 00:28:38,342 --> 00:28:39,675 (INDISTINCT CONVERSATIONS) 584 00:28:40,552 --> 00:28:42,136 If you can't beat 'em, join 'em. 585 00:28:43,097 --> 00:28:44,639 Let's go and say heIIo. 586 00:28:46,475 --> 00:28:48,351 (CHUCKLES AND MUMBLES) 587 00:28:55,025 --> 00:28:56,234 Drugs raid ! 588 00:28:56,318 --> 00:28:57,360 (CHUCKLES) 589 00:28:58,445 --> 00:28:59,695 Your faces. . . 590 00:28:59,696 --> 00:29:00,738 (MUTTERS AND LAUGHS) 591 00:29:01,490 --> 00:29:03,032 No. (CLICKS TONGUE) 592 00:29:03,117 --> 00:29:04,742 They don't do drugs. 593 00:29:05,828 --> 00:29:09,705 UnIess you count aIcohoI. That is a drug, innit? So. . . 594 00:29:10,582 --> 00:29:13,918 That's what makes me Iaugh, aII this, "Ban marijuana." 595 00:29:14,044 --> 00:29:15,086 Shut up. 596 00:29:15,170 --> 00:29:17,964 Ban it? Why? It's a drug, yeah? 597 00:29:18,090 --> 00:29:19,715 So is your white wine. 598 00:29:19,842 --> 00:29:20,967 (CHUCKLES) 599 00:29:24,179 --> 00:29:25,555 Just a bit of weed. 600 00:29:27,182 --> 00:29:29,308 LikkIe bit of herb, innit? 601 00:29:33,188 --> 00:29:35,731 -What, you just chiIIing out? -BAND MEMBERS: Yeah. 602 00:29:35,732 --> 00:29:36,941 Don't bIame you. 603 00:29:37,734 --> 00:29:38,943 I think I'm gonna go and. . . (CHUCKLES) 604 00:29:39,903 --> 00:29:40,903 See you Iater. 605 00:29:40,988 --> 00:29:42,405 (DOOR CREAKING) 606 00:29:48,745 --> 00:29:50,204 That's bad, innit? 607 00:29:52,749 --> 00:29:53,749 -DAN: Do you wanna cIose it? -Huh? 608 00:29:53,876 --> 00:29:55,543 -Just cIose the door. -Yeah. 609 00:29:56,712 --> 00:29:58,296 That needs oiIing. 610 00:30:01,758 --> 00:30:03,426 (ALL CHUCKLING) 611 00:30:04,887 --> 00:30:06,137 Can we get a bit of bass? 612 00:30:06,930 --> 00:30:08,222 Two. 613 00:30:08,348 --> 00:30:10,224 Two. One, two. 614 00:30:10,350 --> 00:30:12,518 One, two. Oh! 615 00:30:12,603 --> 00:30:14,770 Oh, yeah. 616 00:30:14,897 --> 00:30:16,439 (INSTRUMENTS PLAYING) 617 00:30:16,565 --> 00:30:18,691 Yeah ! Let's go and get some beers. 618 00:30:18,775 --> 00:30:20,776 You might as weII stay up there, as you're on in two minutes. 619 00:30:20,777 --> 00:30:21,777 ReaIIy? 620 00:30:21,778 --> 00:30:23,779 -When do they open the doors? -They're open. 621 00:30:23,906 --> 00:30:26,157 No one's come through to see the first band on. 622 00:30:26,241 --> 00:30:28,242 For. . . We, uh. . . 623 00:30:28,785 --> 00:30:30,953 WeII, can you teII them they can come in for free? 624 00:30:31,038 --> 00:30:33,915 -WeII, you won't make any money, then. -I know, but we want a crowd, don't we? 625 00:30:33,999 --> 00:30:35,124 AII right. (SIGHS) 626 00:30:36,793 --> 00:30:38,711 Oh, God. 627 00:30:38,795 --> 00:30:41,631 I haven't even time to change into my stage gear. 628 00:30:43,634 --> 00:30:46,260 It's good that I'm aIways sort of dressed for rock, isn't it? 629 00:30:46,386 --> 00:30:47,803 (CHUCKLES) 630 00:30:47,804 --> 00:30:49,972 -DOM: DoubIe denim? -Yeah. 631 00:30:50,057 --> 00:30:52,350 -DOM: I never doubIe denim. -AIways doubIe denim. 632 00:30:53,227 --> 00:30:54,810 Here they come. Come on in. 633 00:30:54,937 --> 00:30:58,564 WeIcome to Foregone Conclusion, Mark ll. (CHUCKLES) 634 00:30:58,649 --> 00:31:01,817 Not the original band. Um, long story. 635 00:31:01,944 --> 00:31:03,819 Little bit of trivia though. 636 00:31:03,820 --> 00:31:06,364 Mammogram's nephew, Stu Monkford. 637 00:31:06,448 --> 00:31:10,493 Yeah. Got aII his uncIe's skiIIs. Not the sexuaI assauIt. 638 00:31:11,245 --> 00:31:13,579 He hasn't any... Not yet, anyway. 639 00:31:13,664 --> 00:31:15,957 His uncIe didn't start tiII he was 40, which is weird. 640 00:31:16,041 --> 00:31:20,086 But as of now, this dude has not raped anyone. 641 00:31:21,380 --> 00:31:22,838 Just do the songs, David. 642 00:31:26,009 --> 00:31:29,595 # SoId my shack in Memphis 643 00:31:29,680 --> 00:31:32,431 # Bought me a ChevroIet 644 00:31:33,308 --> 00:31:36,852 # Six string in the back And a bottIe of Jack 645 00:31:36,853 --> 00:31:40,106 # And l headed down to Mexico way 646 00:31:40,232 --> 00:31:43,693 # Singing ooh Ia Ia Ia 647 00:31:44,486 --> 00:31:47,613 # Ooh Ia Ia Ia Ia Iay 648 00:31:48,323 --> 00:31:52,535 # Ooh Ia Ia Ia Ia Ia Ia Ia 649 00:31:52,661 --> 00:31:54,745 # lt's a beautiful day # 650 00:31:56,873 --> 00:31:58,499 Guitar soIo. 651 00:32:01,878 --> 00:32:02,878 Back to back. 652 00:32:17,019 --> 00:32:19,312 He went down. Tried to styIe it out. 653 00:32:21,148 --> 00:32:22,273 Just can't beIieve it. 654 00:32:27,571 --> 00:32:28,904 (BAND STOPS PLAYING) 655 00:32:28,905 --> 00:32:31,741 -I feII over. -DAN: Yeah, I know. 656 00:32:31,867 --> 00:32:33,534 -Do you think they noticed? -Yes. 657 00:32:35,037 --> 00:32:37,163 I'm spending three weeks of my Iife on tour with this guy. 658 00:32:37,289 --> 00:32:38,914 (CHUCKLES) 659 00:32:38,915 --> 00:32:40,583 (ROCK MUSIC PLAYING) 660 00:32:53,764 --> 00:32:54,930 Here we go again. 661 00:32:54,931 --> 00:32:58,476 # I work so hard Just to pay my bills 662 00:33:02,522 --> 00:33:06,150 # l play even harder Yeah, Iife kiIIs 663 00:33:10,322 --> 00:33:14,825 # Now I'm burnin' rubber on the M25 664 00:33:16,953 --> 00:33:19,497 # Got a crazy weekend 665 00:33:19,581 --> 00:33:22,958 # Some of us won't make it out aIive 666 00:33:24,711 --> 00:33:26,837 # 'Cause this is my day 667 00:33:28,382 --> 00:33:30,383 # Thank fuck it's Friday # 668 00:33:32,678 --> 00:33:36,430 "I was worried about this tour," he admits. 669 00:33:36,556 --> 00:33:38,974 Yeah. "What if it's a faiIure? What if no one comes? 670 00:33:39,101 --> 00:33:40,976 -"What if I haven't got what it takes?" -Yeah. 671 00:33:40,977 --> 00:33:46,774 And then, the ghost of AIexander O'NeaI visited me in a dream one night, 672 00:33:46,858 --> 00:33:51,862 and said, "You have got what it takes, and you owe it to the worId to do this." 673 00:33:51,988 --> 00:33:52,988 So. . . 674 00:33:52,989 --> 00:33:55,199 But you know that was just you thinking that, don't you? 675 00:33:55,325 --> 00:33:56,367 I was dreaming it. 676 00:33:56,451 --> 00:33:59,995 WeII, either way, the ghost of AIexander O'NeaI didn't reaIIy come. 677 00:33:59,996 --> 00:34:02,998 Hang on, AIexander O'NeaI isn't even dead, is he? 678 00:34:02,999 --> 00:34:04,917 -Luther Vandross. -Oh, okay. 679 00:34:05,001 --> 00:34:07,670 It was Luther Vandross, not AIexander, who is dead, 680 00:34:07,796 --> 00:34:10,214 and one of the best souI singers that's ever Iived. 681 00:34:10,340 --> 00:34:11,340 Or am I. . . 682 00:34:12,843 --> 00:34:13,926 No, he's good. 683 00:34:14,010 --> 00:34:15,803 -He's good. -Ooh, from the horse's mouth. 684 00:34:17,013 --> 00:34:18,013 So. . . 685 00:34:18,014 --> 00:34:20,015 Okay, and did Luther give you any other advice? 686 00:34:20,016 --> 00:34:22,059 Did he taIk about what it was costing? 687 00:34:22,185 --> 00:34:25,855 -Did he. . . -No, he just said it's gonna keep going. 688 00:34:25,981 --> 00:34:29,024 So I think that means this tour is gonna get better and better. 689 00:34:29,025 --> 00:34:31,026 -It's not reaIIy a tour, though, is it? -WeII. . . 690 00:34:31,027 --> 00:34:34,155 It's Iike seven or eight random gigs over a three-week period. 691 00:34:34,239 --> 00:34:35,448 WeII, I couIdn't fiII aII the dates. 692 00:34:35,574 --> 00:34:37,783 But I'm gonna use that time to create a buzz. 693 00:34:37,868 --> 00:34:40,411 It's about. . . It's the whoIe package with me. 694 00:34:40,495 --> 00:34:43,831 Yeah, but this tour of yours is over such a contained area 695 00:34:43,915 --> 00:34:46,041 that we end up staying in these hoteIs, 696 00:34:46,042 --> 00:34:48,043 and you couId just drive to each gig. 697 00:34:48,044 --> 00:34:49,503 You know, Iast night, 698 00:34:49,629 --> 00:34:53,507 the drive from the gig to this hoteI was further than it was to your house. 699 00:34:53,633 --> 00:34:55,509 That's the whoIe package. That's what I'm taIking about. 700 00:34:55,635 --> 00:34:57,887 Okay, and do you know how many tickets we've soId for the next gig? 701 00:34:58,013 --> 00:35:00,514 -Do you wanna have a guess? -Not many. But don't worry about that, 702 00:35:00,640 --> 00:35:05,728 because I've secured an interview on a radio station to sort aII that out. 703 00:35:05,854 --> 00:35:07,646 -DOM: Radio 1 ? -No. 704 00:35:07,731 --> 00:35:09,690 -DOM: AbsoIute? -No. 705 00:35:09,816 --> 00:35:11,066 -DOM: Is it CapitaI. . . -TadIey FM. 706 00:35:11,067 --> 00:35:15,821 # l lost my heart to a lady gypsy 707 00:35:15,906 --> 00:35:19,742 # So Iong ago I forget her name 708 00:35:19,868 --> 00:35:24,914 # But I stiII remember The smeII of the fIowers 709 00:35:25,040 --> 00:35:30,085 # And the way my life WouId never be the same # 710 00:35:31,963 --> 00:35:34,089 (CHUCKLES) Okay. 711 00:35:34,090 --> 00:35:37,718 That was Lady Gypsy by the chap sitting in front of me. 712 00:35:37,844 --> 00:35:41,096 Now, you've never heard that track before because it's never been reIeased. 713 00:35:41,097 --> 00:35:43,849 And it's never been reIeased because he doesn't have a record deaI. 714 00:35:43,934 --> 00:35:46,811 Mmm, who couId that be? (LAUGHING) 715 00:35:46,895 --> 00:35:49,021 WeII, you've probabIy never heard of him. 716 00:35:49,105 --> 00:35:51,649 But, uh, stars from reaIity TV shows, 717 00:35:51,733 --> 00:35:54,819 such as Made In CheIsea and The OnIy Way Is Essex, 718 00:35:54,903 --> 00:35:56,862 they're househoId names these days. 719 00:35:56,947 --> 00:36:00,908 But I am sitting with one of the originaI docu-soap stars, 720 00:36:01,034 --> 00:36:02,952 -David Brent. -HeIIo. 721 00:36:03,078 --> 00:36:05,454 Now, for our Iisteners who've compIeteIy forgotten who you are, 722 00:36:05,539 --> 00:36:08,332 which I certainIy have. My bad. Sorry. (LAUGHS) 723 00:36:08,458 --> 00:36:12,044 Or who weren't even born when The Office was on TV. 724 00:36:12,128 --> 00:36:14,129 You were part of a BBC Two documentary 725 00:36:14,130 --> 00:36:16,882 that foIIowed the Iife of a paper merchant in SIough, 726 00:36:16,967 --> 00:36:18,843 -caIIed Wernham Hogg. -Yeah. That's right. Yeah. 727 00:36:18,927 --> 00:36:21,679 It was a bit Iike The CaII Centre, and you were a NeviIIe of its day. 728 00:36:21,763 --> 00:36:23,138 WeII, I was the regionaI manager. . . 729 00:36:23,265 --> 00:36:25,266 And how did it feeI when peopIe were just waIking around, going, 730 00:36:25,350 --> 00:36:29,144 "Oh, my God, that manager, he's such an. . . idiot"? 731 00:36:29,145 --> 00:36:30,229 WeII, you know. . . 732 00:36:30,313 --> 00:36:32,147 -Didn't care? -No, because. . . 733 00:36:32,148 --> 00:36:34,233 -You weren't embarrassed? -No, 'cause not everyone was saying that. . . 734 00:36:34,317 --> 00:36:35,693 Not even a IittIe bit? Quite embarrassing. 735 00:36:35,777 --> 00:36:37,570 No, because a Iot of peopIe thought it was very entertaining. . . 736 00:36:37,696 --> 00:36:40,155 -Yeah, we Iove a Ioser, don't we? (LAUGHS) -Yeah. . . 737 00:36:40,156 --> 00:36:42,157 WeII, anyway, so you're back, and you're giving it another go. 738 00:36:42,242 --> 00:36:44,243 Are you hoping to change peopIe's opinions of you this time? 739 00:36:44,327 --> 00:36:45,953 -I'm not doing that any more. . . -I'II teII you what. 740 00:36:46,079 --> 00:36:48,956 Seeing as you're here, can we just pIay "Sausage or Pie"? 741 00:36:49,082 --> 00:36:50,958 -What is that? -Uh, we pIay it with aII of our guests. 742 00:36:51,084 --> 00:36:52,668 BasicaIIy, I say a manufacturer's name, 743 00:36:52,752 --> 00:36:56,171 and you teII me if it's a sausage or a pie. 744 00:36:56,172 --> 00:36:57,506 -Right. Okay. -Okay? 745 00:36:57,591 --> 00:37:00,175 Now, you've got seven to knock Christopher Biggins off the top spot. 746 00:37:00,176 --> 00:37:04,889 Now that guy reaIIy knows his sausages and his pies! (LAUGHING) 747 00:37:04,973 --> 00:37:06,724 -Okay. -Okay! 748 00:37:06,808 --> 00:37:09,184 -You ready? Pukka? -Yeah. Okay. 749 00:37:09,185 --> 00:37:11,395 No, that's wrong. I gotta take your first answer. It's actuaIIy. . . 750 00:37:11,521 --> 00:37:13,522 I didn't know it was a question. I thought it was. . . 751 00:37:13,607 --> 00:37:15,024 -Fray Bentos? -Pie. 752 00:37:15,150 --> 00:37:16,984 Very good. JohnsonviIIe? 753 00:37:17,110 --> 00:37:18,527 -Pie. -Wrong. 754 00:37:18,612 --> 00:37:20,321 It's a sausage. Sorry. The cIue was in the titIe, mate. 755 00:37:20,405 --> 00:37:22,114 -Right. Okay. -(LAUGHING) 756 00:37:22,198 --> 00:37:24,366 You're IeveI with Todd Carty. Okay. Wing Wah? 757 00:37:24,492 --> 00:37:25,951 -Pie. -Sausage again. 758 00:37:26,036 --> 00:37:28,579 -I'm sorry. . . -Where did you get him from? (LAUGHS) 759 00:37:28,705 --> 00:37:30,915 -I thought he'd be good at this. -No, it's just that it's not. . . 760 00:37:30,999 --> 00:37:32,291 Oh, we're out of time, I'm afraid. 761 00:37:32,375 --> 00:37:34,126 So, I didn't even mention the gig. 762 00:37:34,210 --> 00:37:35,544 And that was the whoIe point of doing this. 763 00:37:35,629 --> 00:37:37,212 Sixteen tickets soId. 764 00:37:37,339 --> 00:37:38,505 Waste of time. 765 00:37:39,424 --> 00:37:41,216 And you onIy got one point on "Sausage or Pie". 766 00:37:41,343 --> 00:37:43,344 I don't care about that shit! 767 00:37:45,972 --> 00:37:49,808 People often say to me, they say, "Oi, Brent, you're a phiIosopher. 768 00:37:49,935 --> 00:37:51,435 "You're a Ieader of men. 769 00:37:51,561 --> 00:37:53,562 "You're a great comedic mind. 770 00:37:53,647 --> 00:37:55,731 "But is there anything you won't joke about?" 771 00:37:55,815 --> 00:37:58,233 And l always say, "Yes, the handicapped". 772 00:37:58,234 --> 00:38:02,237 So I wiII not Iaugh at them. 773 00:38:02,238 --> 00:38:05,366 Or with them, just to be sure. 774 00:38:05,450 --> 00:38:07,076 Also, you might get in trouble. 775 00:38:07,202 --> 00:38:09,244 And that's in this. lt's sort of a warning. 776 00:38:09,245 --> 00:38:12,456 Part of the probIem is the fact that he expIains 777 00:38:12,582 --> 00:38:15,042 -every singIe Iyric. -Every singIe Iyric. 778 00:38:15,168 --> 00:38:17,169 -We can't just pIay a song. -Which. . . No. 779 00:38:17,253 --> 00:38:18,587 They don't reaIIy need expIaining, do they? 780 00:38:18,672 --> 00:38:21,632 ANDY: And we have to sit there with our instruments, 781 00:38:21,758 --> 00:38:24,259 -waiting for the song to start. -STU: Yeah, it's... 782 00:38:24,844 --> 00:38:27,262 ANDY: That's so... Yea. STU: lt's excruciating. 783 00:38:27,263 --> 00:38:33,477 # Oh, pIease don't make fun Of the disabIeds 784 00:38:34,688 --> 00:38:38,273 # There's nothing funny about those 785 00:38:39,693 --> 00:38:42,903 # Whether mentaI in the head 786 00:38:43,029 --> 00:38:45,656 # Or mentaI in the Iegs 787 00:38:45,782 --> 00:38:47,574 MIKE CHAPEL: We've been in a lot of bands together, 788 00:38:47,659 --> 00:38:52,246 and I'd say David is, sort of, the personification of. . . 789 00:38:53,248 --> 00:38:57,459 aII of our most embarrassing moments ever, being in bands. . . 790 00:38:57,585 --> 00:38:59,211 (LAUGHING) Yeah. 791 00:38:59,295 --> 00:39:01,422 -. . .magnified by about a hundred. -Yeah. 792 00:39:06,052 --> 00:39:11,849 # PIease be kind To the ones with feebIe minds 793 00:39:11,933 --> 00:39:17,021 # Help the awkward through a door 794 00:39:17,897 --> 00:39:20,315 # HoId their hand 795 00:39:20,316 --> 00:39:23,318 # lf they've got one, understand 796 00:39:23,445 --> 00:39:26,697 # You might have to feed 797 00:39:26,823 --> 00:39:28,949 # The worst ones 798 00:39:29,075 --> 00:39:32,453 # Through a straw 799 00:39:32,537 --> 00:39:35,330 # lt's basically a head on a pillow 800 00:39:35,331 --> 00:39:39,126 # Head on a pillow Head on a pillow 801 00:39:39,252 --> 00:39:44,339 # Oh, pIease don't make fun Of the disabIed 802 00:39:46,551 --> 00:39:50,137 # There's nothing funny about those 803 00:39:52,140 --> 00:39:54,308 # Whether mentaI in the head 804 00:39:54,976 --> 00:39:58,145 # Or mentaI in the Iegs 805 00:39:58,271 --> 00:40:02,357 # Doesn't mean their sorrow doesn't show 806 00:40:03,318 --> 00:40:06,278 # Oh, no, no, no 807 00:40:08,364 --> 00:40:11,575 # Oh, no, no, no # 808 00:40:17,499 --> 00:40:18,916 (BAND STOPS PLAYING) 809 00:40:19,000 --> 00:40:20,375 lt's for that little guy there. 810 00:40:20,502 --> 00:40:22,377 WeII done. WeIcome. 811 00:40:26,966 --> 00:40:30,385 DAN: No one's coming to the gigs. Fundamentally, that's the main problem. 812 00:40:30,386 --> 00:40:32,387 David's idea of problem solving, 813 00:40:33,139 --> 00:40:35,182 is just to throw more money at it. 814 00:40:36,392 --> 00:40:37,935 I don't know what to do with him. (CHUCKLES) 815 00:40:38,353 --> 00:40:41,021 SpecuIate to accumuIate. It's business. 816 00:40:41,147 --> 00:40:45,192 I'm thinking of spending more money 'cause it's so worth it. 817 00:40:45,318 --> 00:40:48,987 -But if no one's coming to the gigs. . . -I'II get peopIe to come to the gig. 818 00:40:49,114 --> 00:40:52,533 I'II pay someone to get peopIe to come to the gig. I wiII. . . PR. 819 00:40:52,617 --> 00:40:54,618 (SIGHS) This is Iike Brewster's MiIIions. 820 00:40:54,744 --> 00:40:57,246 That's what I'm gonna do next. Get a PR. 821 00:40:57,372 --> 00:40:58,413 -Can you do cash? -Yes. 822 00:40:58,498 --> 00:41:00,415 -Cash in hand? -Like this. 823 00:41:00,500 --> 00:41:01,917 What sort of stuff you Iooking for, then? 824 00:41:02,001 --> 00:41:05,420 Radio interviews, press interviews, profiIe pieces. 825 00:41:05,505 --> 00:41:07,422 First of aII, Iet's get you noticed. 826 00:41:07,423 --> 00:41:08,841 Yeah. 827 00:41:08,967 --> 00:41:10,551 -Image. Sex. -Yeah. 828 00:41:10,635 --> 00:41:12,177 (CHUCKLES) 829 00:41:12,262 --> 00:41:13,595 -PubIicity shots. -Let's do it. 830 00:41:13,721 --> 00:41:16,640 -Do you know any good photographers? -It'II cost you if you want a reaI one. 831 00:41:16,766 --> 00:41:18,433 (UPBEAT MUSIC PLAYING) 832 00:41:50,800 --> 00:41:53,677 -Yeah? What do you think? -Oh, it's aII so oId-fashioned. 833 00:41:53,803 --> 00:41:56,221 -What do you mean? -Take your shirt off. Be Iike Beckham. 834 00:41:56,306 --> 00:41:57,472 Okay. 835 00:41:59,434 --> 00:42:02,186 -BRIONY: Oh, no, that's awfuI. -What? 836 00:42:02,270 --> 00:42:03,604 When was the Iast time you shaved your back? 837 00:42:03,688 --> 00:42:05,063 About a week ago. 838 00:42:05,190 --> 00:42:07,191 You haven't even got any tattoos. 839 00:42:08,484 --> 00:42:11,486 DAVID: Yeah, l've been thinking about getting a tattoo for bloody years. 840 00:42:11,487 --> 00:42:13,197 Um, but when you're the office manager, 841 00:42:13,281 --> 00:42:14,656 or representing a cleaning products company, 842 00:42:14,782 --> 00:42:16,909 you've got to present a certain image. 843 00:42:17,035 --> 00:42:19,077 So I give them the squeaky-cIean image. (CHUCKLES) 844 00:42:19,204 --> 00:42:21,413 If they saw me at the weekend, they'd bIow a fuse. (CHUCKLES) 845 00:42:21,497 --> 00:42:23,498 (TATTOO NEEDLE BUZZING) 846 00:42:23,499 --> 00:42:25,000 (GROANS) 847 00:42:25,084 --> 00:42:26,627 Yeah. 848 00:42:26,711 --> 00:42:30,214 I was gonna have "SIough," um, but that didn't teII the whoIe story. 849 00:42:30,298 --> 00:42:33,884 'Cause originaIIy I'm from Reading, and I didn't wanna piss off that crew. 850 00:42:34,010 --> 00:42:35,886 Likewise, I didn't wanna have "Reading" 851 00:42:36,012 --> 00:42:39,681 because, uh, the SIough posse wouId be Iike, "Oh, you traitor". 852 00:42:39,807 --> 00:42:42,601 So, um, yeah, I went with something that's sort of aII-encompassing, 853 00:42:42,685 --> 00:42:46,021 um, to show the scope of what I'm trying to do. 854 00:42:46,105 --> 00:42:47,439 Sky is the Iimit. 855 00:42:47,523 --> 00:42:51,526 Uh, I went with "Berkshire". You know, keep everyone happy. 856 00:42:52,654 --> 00:42:57,532 But, uh, I'm not good. . . with needIes or pain. 857 00:42:57,617 --> 00:43:00,285 It is painfuI. It is painfuI. 858 00:43:00,370 --> 00:43:02,120 Are you nearIy done? 859 00:43:02,247 --> 00:43:04,623 -About haIfway. -HaIfway? Come on. 860 00:43:04,707 --> 00:43:06,541 -Do you wanna see it? -Nah. 861 00:43:06,542 --> 00:43:08,126 -Go on. Have a Iook. -No, no, no. Just do it. 862 00:43:08,253 --> 00:43:09,544 -Just see if you Iike it. -I wiII Iike it. 863 00:43:09,545 --> 00:43:12,756 Just. . . I'm just saying, just finish it, and Iet's, um. . . 864 00:43:12,882 --> 00:43:15,550 Oh, what's that? Is that bIood? 865 00:43:16,636 --> 00:43:17,886 Whoa, whoa, whoa, whoa, whoa, whoa. 866 00:43:17,971 --> 00:43:19,888 Easy, feIIa. Easy. Sonia, give us a hand. 867 00:43:19,973 --> 00:43:20,973 Haresh. 868 00:43:23,768 --> 00:43:26,353 -I said I didn't wanna Iook, didn't I? -AII right. 869 00:43:30,566 --> 00:43:31,858 Have some water. 870 00:43:36,698 --> 00:43:38,490 That's it. I'm not doing any more. 871 00:43:38,574 --> 00:43:39,866 -No, no. Come on. We'II finish it up. -No, no, no. 872 00:43:39,951 --> 00:43:41,576 No, that's it. No, we're not gonna finish it up. 873 00:43:41,577 --> 00:43:42,953 At Ieast Iet me cIean it for you. 874 00:43:43,079 --> 00:43:44,413 I said I didn't wanna Iook, you made me Iook, 875 00:43:44,539 --> 00:43:45,580 and that's what happens. 876 00:43:45,581 --> 00:43:47,416 -I'II get a pIaster on that. -(SIGHS) 877 00:43:53,756 --> 00:43:55,590 It's good, innit? 878 00:43:56,301 --> 00:43:57,592 That's there forever. 879 00:43:57,593 --> 00:43:59,177 "You got any tattoos, David?" "Yeah." 880 00:43:59,304 --> 00:44:00,804 "Can I have a Iook?" "Yeah." 881 00:44:14,360 --> 00:44:16,528 Onwards and upwards. (SIGHS) 882 00:44:16,612 --> 00:44:18,530 l'm looking forward to the next gig, actually, 883 00:44:18,614 --> 00:44:19,948 'cause it's a student union. 884 00:44:20,033 --> 00:44:22,117 And it's, um, a guaranteed crowd. 885 00:44:22,201 --> 00:44:23,618 It's their big Saturday night. 886 00:44:23,619 --> 00:44:26,913 So, er, (CHUCKLES) yeah, let's show them what we can do. 887 00:44:29,834 --> 00:44:32,627 Here they are. The rabbIe. (CHUCKLES) 888 00:44:32,754 --> 00:44:35,172 I beat 'em here easy. The oId Insignia. 889 00:44:35,256 --> 00:44:36,965 Sat nav. So. . . 890 00:44:37,050 --> 00:44:38,759 What kept you? (CHUCKLES) 891 00:44:39,761 --> 00:44:41,053 This way. 892 00:44:41,179 --> 00:44:42,179 Uh-oh. 893 00:44:43,639 --> 00:44:44,639 My ugIy mug. 894 00:44:46,017 --> 00:44:48,810 "David Brent. Shite Night"? 895 00:44:48,936 --> 00:44:51,021 Why have they. . . That's. . . 896 00:44:51,147 --> 00:44:52,647 "The crappiest entertainment of the past 50 years." 897 00:44:52,774 --> 00:44:54,024 Fuck's sake, David. 898 00:44:54,150 --> 00:44:55,734 WeII, I didn't do it, did I? 899 00:44:55,818 --> 00:44:57,235 (DOOR SLAMS) 900 00:44:58,571 --> 00:45:00,030 They're pissed off with me. 901 00:45:00,156 --> 00:45:01,656 Like I made the poster. 902 00:45:03,201 --> 00:45:05,077 It wasn't their head on a piece of dog shit, was it? 903 00:45:05,203 --> 00:45:07,662 It was mine, so. . . 904 00:45:09,749 --> 00:45:11,166 I can't do anything right. 905 00:45:13,503 --> 00:45:15,670 Oh, for fuck's sake. 906 00:45:17,673 --> 00:45:18,840 (SIGHS) 907 00:45:20,843 --> 00:45:24,054 # Agadou dou dou dou 908 00:45:24,180 --> 00:45:25,680 # Push pineapple shake the tree 909 00:45:25,765 --> 00:45:27,682 # Agadou dou dou dou 910 00:45:27,767 --> 00:45:29,684 # Push pineapple grind coffee # 911 00:45:30,812 --> 00:45:31,978 DAVID: Come in. 912 00:45:33,689 --> 00:45:36,066 Oh, embarrassing. You caught me. 913 00:45:36,192 --> 00:45:37,609 WeII, I didn't catch you. I knocked. 914 00:45:37,693 --> 00:45:38,860 -You said, "Come in". -Yeah, sorry. 915 00:45:38,986 --> 00:45:41,405 TotaIIy Iost in the art of kata. 916 00:45:41,489 --> 00:45:42,697 Er, Japanese. 917 00:45:42,698 --> 00:45:43,698 -So. . . -Right. 918 00:45:43,783 --> 00:45:45,534 (IMITATES KARATE MOVE) 919 00:45:45,660 --> 00:45:46,701 -Do you do it? -What? 920 00:45:46,702 --> 00:45:47,702 -MartiaI arts? -No. 921 00:45:47,829 --> 00:45:49,704 -You're on in ten minutes. Right. -You shouId. 922 00:45:49,831 --> 00:45:52,416 Wado-Ryu wouId suit you 'cause you're wiry. 923 00:45:52,500 --> 00:45:54,292 So what you Iack in power, 924 00:45:54,419 --> 00:45:56,711 you make up for in range and fIexibiIity. 925 00:45:56,712 --> 00:45:59,256 My probIem is I'm IiteraIIy aII power. 926 00:45:59,340 --> 00:46:02,634 So Shotokan. One punch. (GRUNTS) 927 00:46:02,718 --> 00:46:05,262 So it's Iike, "Oi, mate, I don't want any troubIe." 928 00:46:05,346 --> 00:46:07,055 "WeII, I do." "Oh, sorry." 929 00:46:07,140 --> 00:46:09,057 (IMITATES KARATE MOVES) 930 00:46:09,142 --> 00:46:12,727 "Ooh, night-night, sIeep tight. Don't Iet the bed bugs bite. 931 00:46:12,854 --> 00:46:16,022 "Sorry about the teeth. I know a good dentist, Dr. Gupta. 932 00:46:16,107 --> 00:46:18,066 "TeII him Brent sent you. He'II know what happened." 933 00:46:18,151 --> 00:46:20,735 -I'm gonna wait outside. -See you Iater. 934 00:46:20,736 --> 00:46:22,154 You aII students? 935 00:46:22,280 --> 00:46:24,531 -STUDENTS: Yeah ! -Yeah, thought so. 936 00:46:24,657 --> 00:46:29,161 Youjust got up? (CHUCKLES) You know, in time for countdown. 937 00:46:29,912 --> 00:46:31,246 (CHUCKLES) 938 00:46:31,873 --> 00:46:34,541 Um, who wants a T-shirt? 939 00:46:34,667 --> 00:46:36,376 -STUDENTS: Yeah ! -Yeah. 940 00:46:36,502 --> 00:46:38,336 We're selling these, but l'm gonna give one away now. 941 00:46:38,463 --> 00:46:39,463 Look at this. 942 00:46:41,299 --> 00:46:44,759 Say heIIo to my IittIe friend. (CHUCKLES) Scarface. 943 00:46:46,137 --> 00:46:47,929 Yeah! (CHEERS) 944 00:46:48,848 --> 00:46:49,973 (LAUGHS) 945 00:46:50,099 --> 00:46:52,601 Let's get this party started. Now... 946 00:46:53,519 --> 00:46:56,104 Chris Martin's best friend is Jay Z. 947 00:46:56,189 --> 00:46:58,607 Frank Sinatra had Sammy Davis, Jr. 948 00:46:58,733 --> 00:46:59,774 l've got one, too. 949 00:46:59,859 --> 00:47:03,695 PIease weIcome Dom Johnson. Whoo! (CHUCKLES) 950 00:47:03,779 --> 00:47:05,864 BIack. WeII, mixed race. 951 00:47:05,948 --> 00:47:09,784 DOM: l'm only actually used, when you check it, on like two or three songs. 952 00:47:09,869 --> 00:47:12,496 And it's his dad that's the white one. 953 00:47:12,580 --> 00:47:14,414 DOM: You know, the rest of the time, l'm just standing around 954 00:47:14,540 --> 00:47:16,374 at the side of the stage. 955 00:47:16,501 --> 00:47:19,544 Watching his back and the audience's faces. 956 00:47:19,629 --> 00:47:21,796 DAVID: This one's caIIed EquaIity Street. 957 00:47:32,308 --> 00:47:33,433 Ah! 958 00:47:34,810 --> 00:47:36,561 # Let me take you down EquaIity Street # 959 00:47:36,646 --> 00:47:38,438 MIKE: I'm starting to regret having taken this on. 960 00:47:38,564 --> 00:47:41,316 l'm sorry, lads. lt's a complete joke. 961 00:47:41,400 --> 00:47:42,943 I don't think any of us couId have predicted. . . 962 00:47:43,027 --> 00:47:44,402 Just how mentaI he is. 963 00:47:44,529 --> 00:47:46,238 It's our reputation, innit. That's the probIem. 964 00:47:46,364 --> 00:47:48,406 What we gonna. . . Who's gonna take us on? 965 00:47:48,533 --> 00:47:51,535 # Deyo, deyo, deyo, me say deyo 966 00:47:51,619 --> 00:47:55,372 # Biddly, biddly, biddly, biddly, Biddly, biddly, bong yo # 967 00:47:55,456 --> 00:47:58,833 He just has me rapping about a Iot of weird shit, you know, 968 00:47:58,834 --> 00:48:02,420 that I personaIIy wouIdn't normaIIy rap about. 969 00:48:02,547 --> 00:48:04,172 # Black people aren't crazy 970 00:48:04,257 --> 00:48:06,007 # Fat people aren't lazy 971 00:48:06,842 --> 00:48:08,552 # And dwarves aren't babies 972 00:48:08,636 --> 00:48:10,053 # You can't just pick 'em up 973 00:48:10,179 --> 00:48:11,555 # They got rights 974 00:48:11,639 --> 00:48:13,265 # And anyway don't assume you could 975 00:48:13,391 --> 00:48:14,683 # They're not light # 976 00:48:14,809 --> 00:48:16,476 (UPBEAT MUSIC PLAYING) 977 00:48:17,853 --> 00:48:19,145 Hiya. Hiya. 978 00:48:46,090 --> 00:48:48,258 DAN: I'm no Lothario, beIieve me, 979 00:48:48,384 --> 00:48:53,305 but, um, he is the worst person, um, around women I think I've ever seen. 980 00:49:12,491 --> 00:49:16,036 DOM: My mum used to say there's someone out there for everyone. 981 00:49:16,120 --> 00:49:20,332 And I think for David especiaIIy, it's important to beIieve that. 982 00:49:20,458 --> 00:49:23,710 Because. . . you just gotta hope and pray deep down 983 00:49:23,836 --> 00:49:25,920 that there's somebody out there 984 00:49:26,047 --> 00:49:31,551 who's just totaIIy given up on Iife that couId make him very happy. 985 00:49:31,677 --> 00:49:32,927 It's just. . . 986 00:49:32,928 --> 00:49:35,430 Excuse me. Can we have the biII, pIease? 987 00:49:35,514 --> 00:49:38,016 -Oh, shaII I put it on your room? -(CHUCKLES) Rooms. We're not. . . 988 00:49:38,100 --> 00:49:39,267 Separate rooms. 989 00:49:39,352 --> 00:49:43,855 -So you want separate biIIs? -No, no, no. Put it on my room, 1 06. 990 00:49:43,939 --> 00:49:47,150 But "no" that we're not. . . (CHUCKLES) I wouIdn't. Not with him. 991 00:49:47,276 --> 00:49:48,860 And not because he's a bIack man. 992 00:49:48,944 --> 00:49:50,320 Because he's a man. (CHUCKLES) 993 00:49:50,446 --> 00:49:52,364 I'd do it with a bIack woman, for exampIe. 994 00:49:52,490 --> 00:49:53,490 Not you. 995 00:49:53,574 --> 00:49:55,367 WeII, yes, you. Yeah. 996 00:49:56,369 --> 00:50:00,038 If you were consenting and above IegaI age, 997 00:50:00,122 --> 00:50:01,581 which you obviousIy are. 998 00:50:01,707 --> 00:50:02,957 Not obviousIy. 999 00:50:02,958 --> 00:50:03,958 So. . . 1000 00:50:04,085 --> 00:50:05,752 DOM: As soon as he's around women, 1001 00:50:05,878 --> 00:50:09,881 it's like he can't relax, you know, and that's aII he needs to do. 1002 00:50:09,965 --> 00:50:13,885 (SIGHS) Thirty-five. So Iet's make that 50, shaII we? 1003 00:50:13,969 --> 00:50:16,471 £1 5 tip. 1004 00:50:17,098 --> 00:50:20,558 Think what I'd spend on her if we were having intercourse. 1005 00:50:20,685 --> 00:50:22,977 DOM: SuddenIy something just switches. 1006 00:50:22,978 --> 00:50:26,731 It's Iike a waII of Jenga that just. . . It just crumbIes. 1007 00:50:27,316 --> 00:50:28,900 She's happy. 1008 00:50:28,984 --> 00:50:31,903 DOM: There's a moment you can just hear his body collapse. 1009 00:50:31,987 --> 00:50:32,987 It's bizarre. 1010 00:50:35,241 --> 00:50:36,991 (TELEPHONE RINGS) 1011 00:50:36,992 --> 00:50:38,410 KAREN: HeIIo, Lavichem. 1012 00:50:39,704 --> 00:50:40,995 (CELL PHONE RINGING) 1013 00:50:41,997 --> 00:50:43,206 (LAUGHS) Oh. 1014 00:50:44,208 --> 00:50:45,500 Brentmeister. 1015 00:50:46,419 --> 00:50:50,630 HeIIo? Battersea Home for Retired Penguins. Maurice speaking. 1016 00:50:50,756 --> 00:50:53,007 -DAVID: l'm depressed. -Oh, what's up? 1017 00:50:53,008 --> 00:50:55,176 The gigs are shit, the band don't taIk to me, 1018 00:50:55,302 --> 00:50:56,928 can't get anyone along. 1019 00:50:57,012 --> 00:50:58,722 This is my last chance, you know. 1020 00:50:58,806 --> 00:51:00,306 lf l don't get signed now... 1021 00:51:00,391 --> 00:51:03,101 l'm running out of money and l'm running out of time. 1022 00:51:03,185 --> 00:51:04,769 -l'm so fed up. -Come on, mate. 1023 00:51:04,854 --> 00:51:06,438 This ain't Iike you. 1024 00:51:06,564 --> 00:51:08,189 You remember what you said to me once? 1025 00:51:08,315 --> 00:51:10,942 "It's not how hard you can hit, 1026 00:51:11,026 --> 00:51:15,029 "it's how hard you can get hit and stiII keep moving forward." 1027 00:51:15,030 --> 00:51:16,948 It's from Rocky, mate. It's from Rocky. 1028 00:51:17,032 --> 00:51:21,369 Yeah. . . but when you said it, it made me think about Iife. 1029 00:51:21,454 --> 00:51:23,621 Whereas he was just taIking about boxing. 1030 00:51:23,748 --> 00:51:27,041 No, he meant it metaphorically in the movie, so... 1031 00:51:27,042 --> 00:51:30,754 -Yeah. StiII, though, innit? -Don't tell anyone about this phone call. 1032 00:51:31,839 --> 00:51:33,173 AII right then, I won't. 1033 00:51:33,257 --> 00:51:35,008 -See you Iater. -See you Iater. 1034 00:51:36,260 --> 00:51:38,052 -Was that David? -Uh, yeah. 1035 00:51:39,263 --> 00:51:42,140 -Is he okay? -No, a bit Iow. 1036 00:51:42,224 --> 00:51:45,059 You know, rock 'n' roII pressures. 1037 00:51:45,060 --> 00:51:47,145 Mmm. Dear. 1038 00:51:51,066 --> 00:51:52,984 -Me knackers. -Hmm? 1039 00:51:53,068 --> 00:51:56,488 -WeII, oh, just what David says. -Oh, yeah. (CHUCKLES) 1040 00:51:58,240 --> 00:52:00,575 (AS HO LEE FUK) Why you no risten, sirry rady? 1041 00:52:00,659 --> 00:52:02,911 -Ho Lee Fuk. -(NORMAL) Yeah. (LAUGHS) 1042 00:52:04,079 --> 00:52:05,079 Yeah. 1043 00:52:09,084 --> 00:52:11,085 -MIRIAM: Hiya. -Hiya. 1044 00:52:14,089 --> 00:52:16,382 -You okay? -Yeah. 1045 00:52:18,219 --> 00:52:19,886 -You missing David? -(CHUCKLES) 1046 00:52:21,096 --> 00:52:22,472 -I am, a bit. -(HORN HONKING) 1047 00:52:22,598 --> 00:52:25,099 Look, NigeI, don't start pIaying with aII that crap. 1048 00:52:25,100 --> 00:52:26,643 You're not in charge. 1049 00:52:27,645 --> 00:52:29,729 I don't think aII this is good for him. 1050 00:52:29,855 --> 00:52:32,690 -MIRIAM: What, the tour? -No, this. 1051 00:52:32,817 --> 00:52:34,317 This documentary. 1052 00:52:34,443 --> 00:52:35,693 I think he's onIy doing it 1053 00:52:35,820 --> 00:52:37,904 'cause he thought it wouId be better than the first time. 1054 00:52:38,030 --> 00:52:39,656 But it's not better, it's worse. 1055 00:52:39,740 --> 00:52:41,115 Why is it worse? 1056 00:52:41,116 --> 00:52:44,244 You know, he was the boss at Wernham Hogg. 1057 00:52:44,328 --> 00:52:47,205 And he worked with basicaIIy nice peopIe. 1058 00:52:47,289 --> 00:52:50,416 And here he's not the boss, you know, 1059 00:52:50,501 --> 00:52:53,127 and it's mainIy worse because the worId's worse. 1060 00:52:53,254 --> 00:52:54,838 It's dog eat dog. 1061 00:52:54,922 --> 00:52:55,964 -(HORN HONKS) -Keep the fucking noise down. 1062 00:52:56,090 --> 00:52:57,841 Keep the fucking noise down, you siIIy cunt. 1063 00:52:57,925 --> 00:52:59,759 Sit fucking down, siIIy boIIocks. 1064 00:53:00,761 --> 00:53:02,095 Fuck me. 1065 00:53:04,139 --> 00:53:07,725 Stop fucking pIaying up to the cameras, yeah? 1066 00:53:09,937 --> 00:53:11,563 Jane, heIIo. 1067 00:53:11,689 --> 00:53:13,273 -Yes. -Jezza? 1068 00:53:13,357 --> 00:53:15,692 -We wiII. . . Hang on a second, pIease? -Why do you. . . Jezza! 1069 00:53:15,776 --> 00:53:17,652 -HeIIo. -Why do you taIk to peopIe Iike that? 1070 00:53:19,154 --> 00:53:21,155 Why are you such a buIIy? 1071 00:53:21,156 --> 00:53:22,991 -I'm trying to fucking work, babe. -Don't care. 1072 00:53:23,117 --> 00:53:24,158 So is everyone eIse. 1073 00:53:24,285 --> 00:53:26,703 He's onIy having a Iaugh. Look at him. 1074 00:53:26,787 --> 00:53:28,496 (INSTRUMENTAL MUSIC PLAYING) 1075 00:53:51,353 --> 00:53:53,396 Another day, another doIIar. (CHUCKLES) 1076 00:53:56,734 --> 00:53:57,775 Checking in. 1077 00:53:59,194 --> 00:54:02,196 Want an earIy morning aIarm caII? No. (CHUCKLES) 1078 00:54:03,699 --> 00:54:06,409 -David, we're gonna need your card. -Yeah. 1079 00:54:10,205 --> 00:54:13,374 So now he's saying we gotta save money, so. . . 1080 00:54:14,627 --> 00:54:17,128 we gotta be in a twin room. Sharing. 1081 00:54:18,005 --> 00:54:20,214 You know, it's. . . it's awkward, man. 1082 00:54:21,216 --> 00:54:22,717 It's just not gangsta. 1083 00:54:22,801 --> 00:54:24,344 (GUITAR STRUMMING) 1084 00:54:27,222 --> 00:54:28,348 DAVID: Hey. 1085 00:54:34,772 --> 00:54:38,232 Just writing a song about the, uh, pIight of the Native American, so. . . 1086 00:54:38,233 --> 00:54:40,234 Which is a cause very cIose to my heart, innit? 1087 00:54:40,319 --> 00:54:42,820 -Is it? -Yeah, I'm aIways going on about it. 1088 00:54:43,530 --> 00:54:45,615 So Iisten. 1089 00:54:45,741 --> 00:54:49,243 # Oh, oh, your red heart rages 1090 00:54:52,206 --> 00:54:55,458 # Cut down, burned out And put in cages 1091 00:54:58,253 --> 00:55:00,880 # You came in peace Held up your hand 1092 00:55:01,006 --> 00:55:02,632 # How 1093 00:55:04,259 --> 00:55:08,054 # We cut it off And we stole your land 1094 00:55:10,975 --> 00:55:14,686 # Oh, oh, Native American 1095 00:55:17,022 --> 00:55:20,817 # Soar Iike an eagIe Sit Iike a peIican 1096 00:55:23,862 --> 00:55:27,782 # Oh, oh, don't call us lndians 1097 00:55:29,284 --> 00:55:33,287 # We're more Iike West Eurasians crossed with Siberians # 1098 00:55:33,414 --> 00:55:34,497 Have you been on Wikipedia? 1099 00:55:34,623 --> 00:55:37,208 -Have I been on what? (CHUCKLES) -Wikipedia. 1100 00:55:37,292 --> 00:55:41,212 Yeah. "Migrated from West Eurasia and Siberia, 1 5. . ." 1101 00:55:41,296 --> 00:55:42,922 So knowIedge is knowIedge. 1102 00:55:43,048 --> 00:55:46,300 I prefer my songs to be factuaIIy accurate. (CHUCKLES) 1103 00:55:46,301 --> 00:55:48,094 Where's the bit about them sitting Iike peIicans? 1104 00:55:48,220 --> 00:55:49,387 That's not in there, is it? 1105 00:55:49,471 --> 00:55:52,306 -Is it a fact though? -It's an artist's opinion. 1106 00:55:52,307 --> 00:55:54,517 -What artist? -Me. 1107 00:55:54,643 --> 00:55:55,685 Right. 1108 00:55:55,811 --> 00:55:58,312 -Because it sounds Iike a dis, though. -It's not a dis. 1109 00:55:58,313 --> 00:56:00,523 Native Americans Iove to be caIIed animaIs. 1110 00:56:00,649 --> 00:56:03,234 Things Iike Soaring EagIe, Running Bear, Lone WoIf. 1111 00:56:03,318 --> 00:56:07,405 Yeah, but that's different. That's bears, woIves, eagIes. 1112 00:56:07,489 --> 00:56:09,323 -They're Iike cooI animaIs, bruv. -AII right. 1113 00:56:09,408 --> 00:56:11,242 -PeIican's Iike a joke bird. -No. 1114 00:56:11,326 --> 00:56:14,120 It's Iike a IittIe squat thing with that fat IittIe throat and that. 1115 00:56:14,246 --> 00:56:17,081 Oh. . . animaI racist. 1116 00:56:34,349 --> 00:56:39,062 This next song is about the greatest pIace in the worId, SIough. 1117 00:56:39,146 --> 00:56:42,356 Everything in this song is factually accurate. 1118 00:56:42,357 --> 00:56:44,776 So you might Iearn something as weII. 1119 00:56:44,902 --> 00:56:48,362 # More convenient than a Tesco Express 1120 00:56:48,363 --> 00:56:51,365 # CIose to Windsor But the property's less 1121 00:56:51,450 --> 00:56:55,161 # lt keeps the businesses Of Britain great 1122 00:56:55,287 --> 00:56:57,955 # lt's got Europe's Biggest trading estate 1123 00:56:59,374 --> 00:57:01,584 # lt doesn't matter where you're from 1124 00:57:01,710 --> 00:57:05,171 # You wanna work Then come along 1125 00:57:05,798 --> 00:57:08,382 # The station's just got a new floor 1126 00:57:08,383 --> 00:57:12,386 # And the motorway runs by your door 1127 00:57:13,388 --> 00:57:17,016 # And you know just where you're headin' 1128 00:57:18,936 --> 00:57:23,940 # lt's equidistant 'Tween London and Reading 1129 00:57:24,942 --> 00:57:27,401 # Oh, oh, oh, SIough 1130 00:57:27,402 --> 00:57:29,403 # SIough 1131 00:57:29,404 --> 00:57:31,405 # My kind of town 1132 00:57:31,406 --> 00:57:34,408 # I don't know how 1133 00:57:36,120 --> 00:57:38,162 # Anyone could put you down 1134 00:57:38,247 --> 00:57:42,917 # Oh, oh, oh, SIough # 1135 00:57:49,591 --> 00:57:51,509 Ooh, yeah! SIough. 1136 00:57:51,593 --> 00:57:55,638 Right, who wants a T-shirt? Yeah! Whoo! 1137 00:57:55,764 --> 00:57:57,431 Here we go. (CHUCKLES) 1138 00:57:58,433 --> 00:57:59,976 (CROWD GASP) 1139 00:58:04,231 --> 00:58:06,524 STEVE: You play a show, and just when you think it can't get any worse, 1140 00:58:06,608 --> 00:58:09,443 you shoot a fat girl in the face with a T-shirt gun. 1141 00:58:09,570 --> 00:58:11,571 That was just ridiculous, really, wasn't it? 1142 00:58:11,655 --> 00:58:13,447 I didn't reaIIy know whether to Iaugh or cry. 1143 00:58:13,574 --> 00:58:15,449 There's been quite a few moments Iike that, I think. 1144 00:58:15,450 --> 00:58:16,450 There have, yeah. 1145 00:58:16,535 --> 00:58:18,452 Accidents wiII happen. 1146 00:58:18,453 --> 00:58:20,955 So. . . someone got shot in the face 1147 00:58:21,039 --> 00:58:24,792 by a T-shirt gun. You know, Iet's not make a drama out of it. 1148 00:58:25,544 --> 00:58:29,463 I Iet her keep the T-shirt, so. . . It won't fit her. 1149 00:58:29,590 --> 00:58:31,465 She won't get anywhere near it. (SIGHS) 1150 00:58:33,093 --> 00:58:35,261 (INDISTINCT CONVERSATIONS) 1151 00:58:40,809 --> 00:58:43,603 -Briony? -What? 1152 00:58:43,687 --> 00:58:46,397 -What are you doing? -Getting off with a bIoke. 1153 00:58:46,481 --> 00:58:48,816 -What did you think of the gig? -I didn't see it. I was getting off. . . 1154 00:58:48,901 --> 00:58:51,068 You were getting off with a bIoke. Yeah, sure. 1155 00:58:52,487 --> 00:58:54,405 Good, innit? 1156 00:58:54,489 --> 00:58:58,326 Paying them. . . to get off with peopIe. 1157 00:58:58,452 --> 00:59:00,244 It's a new job description, innit? 1158 00:59:01,788 --> 00:59:02,914 AII aboard. 1159 00:59:03,916 --> 00:59:05,833 (BREATHES HEAVILY) 1160 00:59:07,127 --> 00:59:10,504 What if I did that? What if I just got off with peopIe aII the time? 1161 00:59:10,631 --> 00:59:12,006 WiIIy-niIIy. 1162 00:59:15,010 --> 00:59:16,093 Cheers. 1163 00:59:20,140 --> 00:59:23,434 . . .stay at his house because you won't sort yourseIf out. 1164 00:59:23,518 --> 00:59:25,519 -Hiya. -AII right? 1165 00:59:25,520 --> 00:59:27,605 Just getting some cash out to go to a cIub? 1166 00:59:27,689 --> 00:59:28,940 Yeah. 1167 00:59:29,066 --> 00:59:31,067 For a drink? (CHUCKLES) No need. 1168 00:59:31,151 --> 00:59:33,361 I've just pIayed here. I'm in a band. 1169 00:59:33,487 --> 00:59:35,112 They're doing a documentary about me. 1170 00:59:35,239 --> 00:59:38,532 So I'm staying in a. . . In a hoteI. 1171 00:59:38,533 --> 00:59:41,619 So if you wanna come back for a drink, 1172 00:59:41,703 --> 00:59:44,163 I got a minibar and it's. . . 1173 00:59:47,709 --> 00:59:49,043 Can we stay? 1174 00:59:52,547 --> 00:59:53,547 Yep. 1175 00:59:55,550 --> 00:59:56,634 So... 1176 00:59:56,718 --> 00:59:58,552 We got beer, wine. 1177 00:59:58,679 --> 01:00:01,055 -MO: Was that champagne? -Yeah, but it's 25 quid 1178 01:00:01,139 --> 01:00:03,140 and they're just haIf bottIes, so it's not worth it. 1179 01:00:03,267 --> 01:00:05,559 -There's two haIf bottIes though. -Yeah, exactIy. So 50 then. 1180 01:00:05,560 --> 01:00:07,270 MO: Oh, there's TobIerone. 1181 01:00:07,354 --> 01:00:09,563 -Yeah, they're a fiver each. Two, tenner. -Give me one. 1182 01:00:09,564 --> 01:00:11,774 Sixty so far. That's good, innit? 1183 01:00:11,900 --> 01:00:13,943 -It's great. -Yeah. 1184 01:00:14,069 --> 01:00:15,945 Straight in the TobIerone, eh? 1185 01:00:16,071 --> 01:00:18,656 -Have you not eaten? -Not since dinner. 1186 01:00:18,740 --> 01:00:19,907 (MUMBLES) 1187 01:00:20,742 --> 01:00:23,577 -Here we go. -Yeah. Come on, party. 1188 01:00:24,329 --> 01:00:26,122 (ALL CHEER) 1189 01:00:26,206 --> 01:00:28,082 -Get that down you. -(LAUGHING) 1190 01:00:28,166 --> 01:00:29,583 -ChocoIate, champagne. -CAT: Cheers. 1191 01:00:29,584 --> 01:00:31,419 Cheers. Right. 1192 01:00:31,545 --> 01:00:32,586 MO: Cheers. 1193 01:00:33,338 --> 01:00:34,422 I Iike it here. 1194 01:00:34,548 --> 01:00:36,340 -Take your jackets off. -Yeah, I wiII, actuaIIy. 1195 01:00:36,425 --> 01:00:38,592 -I haven't got any cIean pants. -DAVID: Huh? 1196 01:00:39,594 --> 01:00:41,012 She hasn't got any cIean pants. 1197 01:00:42,597 --> 01:00:44,098 Oh, it's hot. 1198 01:00:44,182 --> 01:00:45,349 It is hot. 1199 01:00:45,434 --> 01:00:46,600 Put them on the radiator. 1200 01:00:47,811 --> 01:00:50,604 So, what do you two do? 1201 01:00:50,605 --> 01:00:51,731 Work in an office. 1202 01:00:51,815 --> 01:00:53,774 (CHUCKLES) Do you? 1203 01:00:55,027 --> 01:00:56,819 -Yeah? (CHUCKLES) -Yeah. 1204 01:00:56,945 --> 01:00:57,987 Office. 1205 01:00:58,989 --> 01:01:00,531 (CHOMPING) 1206 01:01:11,752 --> 01:01:12,752 (SIGHS) 1207 01:01:13,712 --> 01:01:15,338 (SWISHING) 1208 01:01:18,008 --> 01:01:20,343 I stiII think there's some mouthwash if you. . . 1209 01:01:20,427 --> 01:01:21,635 -No, I'm aII right. -What is it? 1210 01:01:21,636 --> 01:01:23,763 Just chocoIate and crisps and nuts. . . 1211 01:01:23,847 --> 01:01:25,639 -Yeah, peanuts. -. . .and it's stuck in your teeth, is it? 1212 01:01:25,640 --> 01:01:27,350 -No. -CAT: Nightmare, aren't they? 1213 01:01:27,434 --> 01:01:29,268 Yeah, pain, ain't they? 1214 01:01:29,394 --> 01:01:32,355 MO: Gets worse when you get oIder and then you get that sort of smeII. 1215 01:01:32,439 --> 01:01:33,439 CAT: Yeah. 1216 01:01:34,649 --> 01:01:35,649 (SIGHS) 1217 01:01:40,655 --> 01:01:42,490 -Nothing happened. -Huh? 1218 01:01:42,616 --> 01:01:46,369 Just saying. . . Nothing happened. She sIept in that bed. Didn't you? 1219 01:01:46,453 --> 01:01:48,245 -Ate her way through the minibar. -What? 1220 01:01:48,372 --> 01:01:50,664 You had a IittIe picnic Iast night, didn't you? 1221 01:01:50,665 --> 01:01:52,166 -With the chocoIate and crisps? -Yeah. 1222 01:01:52,250 --> 01:01:53,417 -Yeah. -Yeah. 1223 01:01:53,502 --> 01:01:55,878 Yeah. Bit constipated today, though. 1224 01:01:56,004 --> 01:01:58,214 DAVID: Yes, you wouId be. 1225 01:01:58,298 --> 01:02:02,676 So, there you go. Good one, the other one, Ieft. Left to. . . 1226 01:02:02,677 --> 01:02:07,598 ApparentIy, just wanted to stay somewhere 'cause her fIat's being done, isn't it? 1227 01:02:07,682 --> 01:02:10,017 Yeah. Yeah, it's a bit of a bomb site at the moment. 1228 01:02:10,102 --> 01:02:12,895 The counciI are putting a new bathroom in. But it was nice to have a Iie-in. . . 1229 01:02:13,021 --> 01:02:14,688 -Yeah. -. . .and have a IoveIy bath. 1230 01:02:14,689 --> 01:02:15,898 So perfect. 1231 01:02:16,024 --> 01:02:17,817 Oh. . . 1232 01:02:17,901 --> 01:02:20,694 Hiya. Right, okay. 1233 01:02:20,695 --> 01:02:22,822 So, nothing happened. Okay? 1234 01:02:22,906 --> 01:02:25,699 -(MUMBLES) Is that a woman? -'Course it's a woman. 1235 01:02:26,701 --> 01:02:29,245 She stayed in that bed, and she made her way through that IittIe Iot. 1236 01:02:29,329 --> 01:02:30,454 -DOM: She ate aII of that? -Yes. 1237 01:02:30,539 --> 01:02:32,706 -She's gonna be constipated. -She is. 1238 01:02:33,625 --> 01:02:35,793 If you teII the band I got off with a bird. . . 1239 01:02:35,877 --> 01:02:37,920 -But you didn't. -No. No. 1240 01:02:38,046 --> 01:02:39,713 But if you want to do some banter with them, Iike, 1241 01:02:39,714 --> 01:02:42,216 "Oh, David got off with a girI Iast night." And don't. . . 1242 01:02:42,300 --> 01:02:44,802 -No. I just won't say anything. -You can, but Iisten. 1243 01:02:44,886 --> 01:02:47,555 Just don't describe her. Okay? Don't be specific. . . 1244 01:02:47,681 --> 01:02:49,265 -I'm off here, David. -See you Iater. Yeah. 1245 01:02:49,349 --> 01:02:51,642 -Okay. Thanks for the snack and that. -Not a probIem. 1246 01:02:51,726 --> 01:02:54,645 I'II. . . Snack, yeah. I'II cIean that up. 1247 01:02:54,729 --> 01:02:55,729 AII right. 1248 01:02:55,730 --> 01:02:57,731 -Okay. Ta-ta, then. -Bye. 1249 01:02:57,732 --> 01:02:58,732 (MO GROANS) 1250 01:03:00,735 --> 01:03:03,737 So, what. . . So, yeah. Yeah. 1251 01:03:04,698 --> 01:03:08,742 My good deed for the. . . £200 good deed. 1252 01:03:08,869 --> 01:03:11,662 Pop that in your IittIe expense account, shaII we? 1253 01:03:19,171 --> 01:03:21,755 A daily ritual is phoning around all the record companies, 1254 01:03:21,756 --> 01:03:24,467 just trying to get one of them to come down and see you live. 1255 01:03:25,135 --> 01:03:27,511 HaIf the time, they're not there. 1256 01:03:27,596 --> 01:03:29,263 HaIf the time we don't get through. 1257 01:03:29,347 --> 01:03:31,182 l managed to get one of them to bite 1258 01:03:31,308 --> 01:03:33,767 by pretending to be the manager of my own band. (CHUCKLES) 1259 01:03:33,768 --> 01:03:35,478 Which l am, in a way. 1260 01:03:35,562 --> 01:03:37,771 -(MAN OVER PHONE) What are they caIIed? -Foregone ConcIusion. 1261 01:03:37,856 --> 01:03:40,274 -AwfuI name. Yeah. -I toId them that. 1262 01:03:40,358 --> 01:03:42,401 I'm gonna make them change it. Don't worry about that. 1263 01:03:42,527 --> 01:03:43,777 -But don't hoId that against them. -Mmm-hmm. 1264 01:03:43,778 --> 01:03:46,280 -They're a good bunch of guys. -Sure. 1265 01:03:46,364 --> 01:03:47,781 -So, yeah. -Sure. Yeah, okay. 1266 01:03:47,782 --> 01:03:50,951 Well, l'll get one of the scouts to listen to the demo, and he can pop down. 1267 01:03:51,077 --> 01:03:52,620 -Okay? -Okay. 1268 01:03:52,746 --> 01:03:54,788 -Right, see you. Yep. Bye. -Cheers. 1269 01:03:56,166 --> 01:03:57,708 (CHUCKLES) 1270 01:03:57,792 --> 01:04:00,753 Right. Off to the sound check. I can't wait to teII Dom. 1271 01:04:01,755 --> 01:04:04,548 This is what it's aII about, so... 1272 01:04:04,633 --> 01:04:05,799 (CHUCKLES) 1273 01:04:06,885 --> 01:04:08,969 The venue, isn't it? 1274 01:04:09,095 --> 01:04:11,222 Oh, God. Hi, boys. 1275 01:04:12,807 --> 01:04:13,807 Ah. . . 1276 01:04:14,809 --> 01:04:18,312 Has he been teIIing everyone I got off with a bird Iast night? (CHUCKLES) 1277 01:04:18,396 --> 01:04:21,190 Oh, what, the big one? Yeah, we saw her. She was at breakfast. 1278 01:04:21,316 --> 01:04:22,358 She was Ioading up on eggs. 1279 01:04:22,442 --> 01:04:23,943 Oh, man, that's gonna make her even more constipated. 1280 01:04:24,027 --> 01:04:25,027 (EXHALES) 1281 01:04:25,153 --> 01:04:26,737 DAN: Yeah, eggs. BAND MEMBER: Dan? 1282 01:04:26,821 --> 01:04:27,821 DAN: I'm coming. 1283 01:04:29,157 --> 01:04:30,533 DAVID: Er. . . 1284 01:04:31,243 --> 01:04:33,369 Don't teII the boys, I don't wanna stress them, 1285 01:04:33,453 --> 01:04:37,039 but I've been winding up a record company and they're sending someone down. 1286 01:04:37,165 --> 01:04:38,165 -Tonight? -Yeah. I said, 1287 01:04:38,250 --> 01:04:40,125 "Cruise down. I'II stick you on the Iist." 1288 01:04:40,210 --> 01:04:43,045 So, uh, you might wanna Iet them know they are with a winner. 1289 01:04:43,171 --> 01:04:44,421 (CHUCKLES) 1290 01:04:44,548 --> 01:04:46,257 I thought you said I shouIdn't teII the band? 1291 01:04:46,383 --> 01:04:48,467 No, I know. I don't wanna, you know, worry 'em 1292 01:04:48,593 --> 01:04:50,386 'cause they're probabIy not used to the big Ieague, 1293 01:04:50,470 --> 01:04:54,557 but, you know, Iet them know there is a big buzz around Mr D. Brent, 1294 01:04:54,641 --> 01:04:57,685 ipso facto, anyone on his team. 1295 01:04:57,811 --> 01:04:59,603 -Don't you wanna teII them? -No. 1296 01:04:59,688 --> 01:05:00,854 They don't taIk to me. 1297 01:05:02,482 --> 01:05:04,858 They don't even have a drink with me, do they? 1298 01:05:04,859 --> 01:05:07,236 Why don't they have a drink with me after the gig? 1299 01:05:07,362 --> 01:05:10,489 You know, I am paying them. TeII them to have a drink with me. 1300 01:05:10,615 --> 01:05:13,867 It's just rude. Just go and ask them. Let's have a drink tonight. 1301 01:05:14,869 --> 01:05:16,620 Oh. . . (CHUCKLES) 1302 01:05:17,956 --> 01:05:20,457 He's excited. Gonna teII the band. 1303 01:05:20,584 --> 01:05:22,418 (DAVID LAUGHING) 1304 01:05:22,502 --> 01:05:23,669 (CLEARS THROAT) 1305 01:05:23,795 --> 01:05:28,090 They said, um, that you pay for their stage time and rehearsaI time, 1306 01:05:28,216 --> 01:05:31,885 but their time is their own and, um, you're not paying for that. So. . . 1307 01:05:31,886 --> 01:05:34,722 Okay. WouId they have a drink with me if I paid them for their time 1308 01:05:34,848 --> 01:05:36,056 to have a drink with me? Go and ask. 1309 01:05:37,183 --> 01:05:38,225 (SIGHS) 1310 01:05:38,310 --> 01:05:39,685 DOM: This is what David is. 1311 01:05:39,811 --> 01:05:42,187 He's like the boy that owns the football 1312 01:05:42,272 --> 01:05:44,690 but he doesn't really know the rules of the game. 1313 01:05:44,816 --> 01:05:49,903 It's his baII, right? So you have to. . . You can't pIay without him. 1314 01:05:49,904 --> 01:05:53,907 You know what l'm saying? But you kinda know he's gonna ruin it a little bit. 1315 01:05:53,908 --> 01:05:58,662 They said, uh, they'II drink with you for 25 quid an hour each. 1316 01:05:58,747 --> 01:06:00,914 Um, but you buy the drinks. 1317 01:06:00,999 --> 01:06:05,919 Okay. TeII them to meet me in the hoteI bar after the gig. 1318 01:06:05,920 --> 01:06:08,339 AII right. Do I have to come? 1319 01:06:08,465 --> 01:06:09,548 You wanna come. 1320 01:06:09,674 --> 01:06:11,842 -But I'm not getting paid? -No. No. 1321 01:06:11,926 --> 01:06:14,553 And teII them not to teII anyone I'm paying them to have a drink. 1322 01:06:14,679 --> 01:06:16,930 Just. . . have a. . . 1323 01:06:16,931 --> 01:06:17,931 (SIGHS) 1324 01:06:20,435 --> 01:06:21,435 Oh. . . 1325 01:06:22,937 --> 01:06:27,149 Trying to organise some beers after to ceIebrate, so. . . 1326 01:06:33,031 --> 01:06:34,740 (INDISTINCT CONVERSATIONS) 1327 01:06:35,950 --> 01:06:37,660 (BAND PLAYING) 1328 01:06:42,874 --> 01:06:43,874 (DAVID SIGHS) 1329 01:06:43,958 --> 01:06:45,959 Hi. ShouId be on the Iist for Foregone ConcIusion. 1330 01:06:46,044 --> 01:06:48,087 -Toke Records. -HeIIo. 1331 01:06:48,171 --> 01:06:50,047 -David Brent. -Oh, hi. 1332 01:06:50,131 --> 01:06:51,715 Thanks for coming down. What's your name? 1333 01:06:51,800 --> 01:06:52,883 -Pog. -Pog? 1334 01:06:52,967 --> 01:06:54,343 -Yeah, and this is my mate, Jeremy. -Hi. 1335 01:06:54,469 --> 01:06:56,261 These dudes are on my Iist. Tick 'em off. 1336 01:06:56,346 --> 01:06:58,514 So, uh, did you hear the demo, yeah? 1337 01:06:58,598 --> 01:07:00,557 No. How oId are the band? 1338 01:07:00,684 --> 01:07:01,975 What, combined? (CHUCKLES) 1339 01:07:01,976 --> 01:07:03,477 -What? -They're about. . . 1340 01:07:03,561 --> 01:07:07,898 There's four of 'em, 25 years oId each. I don't know, 1 00? 1341 01:07:07,982 --> 01:07:08,982 PIus the Iead singer. (CHUCKLES) 1342 01:07:09,109 --> 01:07:10,818 -You do the maths. -Is the Iead singer cooI? 1343 01:07:12,278 --> 01:07:15,197 You do the. . . judge of that when you see him. 1344 01:07:15,323 --> 01:07:18,367 And ask yourseIf, "Is Mick Jagger cooI, 73? 1345 01:07:18,493 --> 01:07:20,828 "Is Bob DyIan cooI, 75? 1346 01:07:20,954 --> 01:07:22,496 -"Is Sting cooI?" -No. 1347 01:07:22,580 --> 01:07:24,540 -What? -Sting isn't cooI. 1348 01:07:24,624 --> 01:07:26,291 Oh. . . 1349 01:07:26,376 --> 01:07:28,919 Check it out. Listen. 1350 01:07:29,003 --> 01:07:31,004 Open your mind and Iisten. You'II enjoy it. 1351 01:07:31,089 --> 01:07:32,381 Have a good one. 1352 01:07:33,758 --> 01:07:35,008 Cheers, man. 1353 01:07:35,009 --> 01:07:38,011 (EXHALES) Fucking heII. How oId is he? About 1 2? 1354 01:07:39,639 --> 01:07:41,390 ChiII out, dude. This is rock 'n' roII. 1355 01:07:42,726 --> 01:07:44,017 And Sting is cooI. 1356 01:07:46,104 --> 01:07:47,104 Ooh ! 1357 01:07:48,022 --> 01:07:49,022 Yeah. 1358 01:07:49,149 --> 01:07:52,317 We are Foregone ConcIusion. (CHUCKLES) 1359 01:07:52,402 --> 01:07:56,113 Okay, we got a IittIe treat now. We are gonna get a little bit funky. 1360 01:07:56,197 --> 01:08:00,325 Um, l say a little bit, but probably too funky for some. 1361 01:08:00,410 --> 01:08:05,748 This one is caIIed Ain't No TroubIe. lt's through the eyes of an old Rasta. 1362 01:08:05,832 --> 01:08:07,124 -Don't do the voice. -You gotta do the voice. 1363 01:08:07,208 --> 01:08:08,333 -No, you don't. -You do. 1364 01:08:08,418 --> 01:08:11,503 So it's sort of Iike he's saying, "Oh, whatever happens to me, 1365 01:08:11,629 --> 01:08:16,091 "as long as l've got me woman, you know, you can do what you like, Lord." 1366 01:08:16,217 --> 01:08:19,178 So, it's sort of Iike a message. 1367 01:08:19,262 --> 01:08:21,263 CaIIed Ain't No TroubIe. 1368 01:08:21,389 --> 01:08:23,182 DOM: I mean, you think it's painful to watch. 1369 01:08:23,266 --> 01:08:28,437 Yeah, l have to stand on the stage next to him while he's doing it. 1370 01:08:28,521 --> 01:08:32,483 It's what the dreads in UB40 have been going through for 30 years. 1371 01:08:41,826 --> 01:08:46,121 # l can work all day Just to earn a doIIar 1372 01:08:46,247 --> 01:08:51,084 # l can break my bones You never hear me hoIIer 1373 01:08:51,085 --> 01:08:55,881 # l can lose my home I'm kicked out in the street 1374 01:08:55,965 --> 01:09:00,719 # lf my baby's by my side Then Iife is sweet # 1375 01:09:00,845 --> 01:09:03,680 DOM: Maybe 'cause l'm there, he wants to play up to it 1376 01:09:03,765 --> 01:09:06,099 or he wants to be accepted. 1377 01:09:07,060 --> 01:09:10,270 But I think peopIe wouId accept him if he just was himseIf. 1378 01:09:10,355 --> 01:09:12,898 # l could lose my job 1379 01:09:12,982 --> 01:09:13,982 # But it wouId be fine 1380 01:09:14,108 --> 01:09:15,776 # 'Cause I couId stiII find The odd snob to rob 1381 01:09:15,902 --> 01:09:17,569 # l could get chucked out 1382 01:09:17,695 --> 01:09:19,154 # Of my mum's house But it couId be fun 1383 01:09:19,280 --> 01:09:20,864 # SIeeping rough When the sun's out 1384 01:09:20,949 --> 01:09:22,115 # l could lose my voice 1385 01:09:22,242 --> 01:09:23,700 # But l'd manage to still do 1386 01:09:23,785 --> 01:09:25,702 # Some sick rhyme damage With sign language 1387 01:09:25,787 --> 01:09:27,120 # You can take what's mine 1388 01:09:27,121 --> 01:09:30,541 # Almost anything X-Box, wedding ring, fish tank, terrapin 1389 01:09:30,667 --> 01:09:35,504 # Poke me in the eyeball, pull out a gun Say something spitefuI about my mum 1390 01:09:35,588 --> 01:09:37,589 # Tease my dog So he doesn't even know it 1391 01:09:37,715 --> 01:09:40,175 # By going to throw a bone But just pretending to throw it 1392 01:09:40,301 --> 01:09:43,011 # Make death threats, yeah Then l have to guess where 1393 01:09:43,137 --> 01:09:45,347 # Then when l get there Pull out my chest hair 1394 01:09:45,473 --> 01:09:47,349 # Head-butt me in the nuts if you want 1395 01:09:47,475 --> 01:09:49,768 # 'Cause ain't no troubIe Like losing the one you love 1396 01:09:49,894 --> 01:09:52,271 -# Ain't no troubIe Iike troubIe -# Yeah, yeah 1397 01:09:52,355 --> 01:09:54,606 -# When you lose the one you love -# Come on, come on 1398 01:09:54,732 --> 01:09:57,150 -# Ain't no troubIe Iike troubIe -# Yeah, yeah 1399 01:09:57,151 --> 01:09:59,987 -# When you lose the one you love -# Come on, come on # 1400 01:10:00,113 --> 01:10:01,154 What did you think? 1401 01:10:01,155 --> 01:10:06,201 DreadfuI. Embarrassing. I mean, the rap was aII right, but. . . 1402 01:10:06,327 --> 01:10:09,413 not with some middIe-aged uncIe at a wedding dancing around. 1403 01:10:09,539 --> 01:10:13,584 # Then I see this face And she smiIes at me 1404 01:10:13,710 --> 01:10:15,085 # lf l died right then... # 1405 01:10:15,169 --> 01:10:18,171 ANDY: He's excruciating, uh, on stage and off. 1406 01:10:19,173 --> 01:10:22,509 And now we gotta go and have a drink with him, you know. I mean, it's awkward. 1407 01:10:22,594 --> 01:10:24,553 -(INDISTINCT CONVERSATIONS) -Oh, right. Okay. 1408 01:10:24,637 --> 01:10:27,180 Hey. (CHUCKLES) 1409 01:10:27,181 --> 01:10:28,348 After show. 1410 01:10:28,433 --> 01:10:30,183 -Cheers, David. -Thanks, man. 1411 01:10:30,184 --> 01:10:32,019 -Cheers. -Cheers. Thank you. 1412 01:10:32,145 --> 01:10:34,187 -Cheers. -Cheers, mate. 1413 01:10:34,188 --> 01:10:35,188 Nice. 1414 01:10:36,149 --> 01:10:37,149 God. 1415 01:10:40,653 --> 01:10:43,572 Twitter. Or texting. 1416 01:10:44,198 --> 01:10:45,991 It's aII sociaI media, isn't it? 1417 01:10:46,075 --> 01:10:48,201 The iPhone, the iPod. . . 1418 01:10:48,995 --> 01:10:51,246 Ten thousand songs in the paIm of your hand, yeah? 1419 01:10:51,372 --> 01:10:52,414 Yes, pIease. (CHUCKLES) 1420 01:10:52,540 --> 01:10:57,210 No more Iugging round me aIbums. Let's pIay a record. Let's get it out. 1421 01:10:57,211 --> 01:10:59,087 God, Iet's get it out the sIeeve. 1422 01:10:59,756 --> 01:11:01,632 -I Iike vinyI. -I Iike vinyI. 1423 01:11:01,758 --> 01:11:04,384 Yeah, I Iove the whoIe thing of the paraphernaIia. 1424 01:11:04,469 --> 01:11:08,889 Oh, Arctic Monkeys. Yeah. (BLOWS) StyIus. 1425 01:11:10,391 --> 01:11:11,850 Oh, I Iove this one. 1426 01:11:11,976 --> 01:11:13,226 -You do Iike it? -Yeah. 1427 01:11:13,227 --> 01:11:14,394 -Right. -Yeah. 1428 01:11:14,479 --> 01:11:17,814 EspeciaIIy if it is something Iike the Arctic Monkeys or. . . 1429 01:11:19,275 --> 01:11:20,442 Foo Fighters. 1430 01:11:26,240 --> 01:11:28,241 About time EngIand won a WorId Cup, innit? 1431 01:11:28,242 --> 01:11:32,496 -BAND MEMBER: Yeah. -(EXHALES HEAVILY) 1 966. Sort it out. 1432 01:11:32,622 --> 01:11:34,831 There's some fresh bIood coming through the ranks now, though. 1433 01:11:34,916 --> 01:11:37,376 Got some good pIayers. They need to be managed, though. 1434 01:11:37,460 --> 01:11:38,502 Sturridge. 1435 01:11:40,380 --> 01:11:42,631 Yeah, come and pIay for us, boy. 1436 01:11:42,715 --> 01:11:44,424 Not aII this thing, "You can't have foreign pIayers". 1437 01:11:44,509 --> 01:11:47,511 -WeII, he was born in EngIand. -No, I know. But it's Iike. . . 1438 01:11:47,637 --> 01:11:49,805 You can't have foreign pIayers in an internationaI team. 1439 01:11:49,889 --> 01:11:51,098 -No. -It's just for cIubs. 1440 01:11:51,224 --> 01:11:55,602 I know. I'm saying get him in, get him up front. Let's get some goaIs. 1441 01:12:01,275 --> 01:12:03,485 -Dom? Bob MarIey. -Hmm? 1442 01:12:04,404 --> 01:12:05,445 Am I right? 1443 01:12:07,115 --> 01:12:08,156 Yeah. 1444 01:12:11,494 --> 01:12:12,911 (CHUCKLES) 1445 01:12:14,872 --> 01:12:16,164 Mmm. 1446 01:12:17,458 --> 01:12:19,334 -Same again? -No, I can't. 1447 01:12:19,460 --> 01:12:21,461 -No? See you Iater. -Cheers. 1448 01:12:21,546 --> 01:12:23,296 -Thanks for the drinks, David. -Yeah, not a probIem, mate. 1449 01:12:23,297 --> 01:12:25,716 See you tomorrow. (CHUCKLES) Lightweights. 1450 01:12:25,842 --> 01:12:27,300 -Where are you going? -I just. . . 1451 01:12:27,301 --> 01:12:29,970 -No, we're gonna have another one. -ReaIIy? 1452 01:12:30,096 --> 01:12:31,304 We're gonna have a Iaugh. 1453 01:12:32,515 --> 01:12:34,057 -Come on. -Yeah. 1454 01:12:35,685 --> 01:12:38,186 You're the onIy one who cares, if I'm being honest. 1455 01:12:38,312 --> 01:12:39,646 -Cheers, man. -Yeah. 1456 01:12:39,731 --> 01:12:41,189 -You're my nigga. -Whoa! 1457 01:12:41,315 --> 01:12:43,316 -Hey, David, you can't say that. -You are. 1458 01:12:43,317 --> 01:12:45,694 -You are my reaI nigga. -Stop. . . You don't say that. 1459 01:12:45,778 --> 01:12:47,320 -What? -Listen. You can't say that. 1460 01:12:47,321 --> 01:12:49,531 I can say it, maybe. You can't say it. 1461 01:12:49,657 --> 01:12:51,324 -WeII you caII me it, then. -I'm not gonna. . . 1462 01:12:51,451 --> 01:12:53,869 -CaII me a nigga. PIease. -I'm not gonna caII you. . . 1463 01:12:53,953 --> 01:12:56,329 -I'm not gonna do that. -CaII me a nigga. 1464 01:12:56,330 --> 01:12:58,165 -Just, shh, okay. . . -CaII me a nigga. 1465 01:12:58,291 --> 01:12:59,332 Stop saying that. 1466 01:13:01,669 --> 01:13:03,295 -You're. . . you're my nigga. Okay? -Yeah. 1467 01:13:03,379 --> 01:13:04,379 -AII right. -Cheers. 1468 01:13:04,505 --> 01:13:08,341 Great, go to bed. Jesus. 1469 01:13:10,344 --> 01:13:12,220 -That's your credit card. -What? 1470 01:13:12,346 --> 01:13:14,097 -That's your credit card. -It's not working. 1471 01:13:14,182 --> 01:13:15,348 It's a credit. . . It's not. . . 1472 01:13:32,492 --> 01:13:33,533 CooI, dudes. 1473 01:13:34,786 --> 01:13:37,496 BattIe of the Bands, innit? (CHUCKLES) 1474 01:13:37,580 --> 01:13:39,706 A great night. They do it every month, you know. 1475 01:13:39,791 --> 01:13:43,543 Each band gets aIong as many of their fans as they can to watch them. 1476 01:13:43,628 --> 01:13:45,796 The promoter gets down some record companies. 1477 01:13:45,922 --> 01:13:47,214 And we battIe it out. (CHUCKLES) 1478 01:13:47,340 --> 01:13:50,133 It's not a competition. You know, we couId aII get signed. 1479 01:13:50,218 --> 01:13:54,387 Um, but you do go on in order of how many peopIe you got aIong. 1480 01:13:54,388 --> 01:13:57,057 So the more you get aIong, the Iater you go on, 1481 01:13:57,183 --> 01:13:59,768 and a better warmed up crowd you pIay to. 1482 01:13:59,852 --> 01:14:01,144 -Right, you're on first, guys. -Great. 1483 01:14:01,229 --> 01:14:02,395 How many peopIe did we get? 1484 01:14:02,396 --> 01:14:03,730 -Doesn't matter. -PROMOTER: Two. 1485 01:14:03,815 --> 01:14:05,607 GIad I said it didn't matter before I found out. 1486 01:14:05,733 --> 01:14:07,400 So, proves I'm teIIing the truth. 1487 01:14:07,401 --> 01:14:08,985 -That's so depressing. -DAVID: He's joking, ain't you? 1488 01:14:09,070 --> 01:14:10,987 No point in pIaying to the converted aII the time. 1489 01:14:11,072 --> 01:14:13,365 Let's get on there and win over the other bands' fans. 1490 01:14:13,449 --> 01:14:16,409 -Come on, chop-chop. -Yeah. Ah, whoo! 1491 01:14:16,410 --> 01:14:17,410 Come on. 1492 01:14:18,412 --> 01:14:20,330 HeIIo. (CHUCKLES) Oh... 1493 01:14:20,414 --> 01:14:24,042 We are Foregone ConcIusion. Come through. We're aII in this together. 1494 01:14:24,168 --> 01:14:26,044 Doesn't matter what band you've come to see. 1495 01:14:26,170 --> 01:14:27,420 Let's see all the bands, yeah? 1496 01:14:27,421 --> 01:14:30,215 We're gonna kick off with a song caIIed Native American. 1497 01:14:30,299 --> 01:14:31,591 Um... (CHUCKLES) 1498 01:14:31,676 --> 01:14:34,469 Typical Brent, getting political straight away. 1499 01:14:34,595 --> 01:14:37,347 No, it's aII about how the white man went 1500 01:14:37,431 --> 01:14:40,809 and, sort of, slaughtered them and ensIaved them. 1501 01:14:40,893 --> 01:14:43,478 And it's about time someone said something, so... 1502 01:14:43,604 --> 01:14:44,646 GuiIty. (CHUCKLES) 1503 01:14:45,565 --> 01:14:47,649 Although they are having the last laugh. 1504 01:14:47,775 --> 01:14:51,820 So they can do what they Iike now in them reservations, can't they? 1505 01:14:51,904 --> 01:14:55,574 GambIing, prostitution, probabIy. I don't know. 1506 01:14:55,658 --> 01:14:58,785 But definitely gambling. Swings and roundabouts. 1507 01:14:58,870 --> 01:15:00,453 l don't think they pay tax, do they? 1508 01:15:00,580 --> 01:15:02,664 -Stop taIking. Let's just do the song. -Yeah. 1509 01:15:02,790 --> 01:15:08,461 And, uh, you'll also learn why they don't like being called Red lndians any more. 1510 01:15:08,462 --> 01:15:10,589 So, Native American. 1511 01:15:16,596 --> 01:15:18,471 STEVE: l don't think there's any real racism on David's part. 1512 01:15:18,598 --> 01:15:21,474 I just think he just doesn't quite get it, does he? 1513 01:15:21,475 --> 01:15:22,726 Yeah, totaIIy. 1514 01:15:23,477 --> 01:15:26,521 # White man's eyes too blind to see 1515 01:15:29,442 --> 01:15:33,069 # A gentle race so wild and free 1516 01:15:35,323 --> 01:15:38,491 # They called you savages CaIIed you bad 1517 01:15:40,494 --> 01:15:44,497 # But the scalping thing Was only when you got real mad 1518 01:15:44,624 --> 01:15:45,624 # So 1519 01:15:47,501 --> 01:15:50,754 # Oh, oh Native American 1520 01:15:52,965 --> 01:15:56,509 # Soar Iike an eagIe Sit Iike a peIican 1521 01:15:59,513 --> 01:16:02,974 # Oh, oh, don't call us lndians 1522 01:16:04,518 --> 01:16:08,855 # We're more Iike West Eurasians Crossed with Siberians 1523 01:16:10,650 --> 01:16:12,525 (CHANTING) 1524 01:16:18,282 --> 01:16:19,532 Everyone. 1525 01:16:19,533 --> 01:16:21,534 (CONTINUES CHANTING) 1526 01:16:26,540 --> 01:16:29,542 # Oh, oh Native American 1527 01:16:32,296 --> 01:16:35,674 # Soar Iike an eagIe Sit Iike a peIican # 1528 01:16:36,550 --> 01:16:37,801 (GROANS) 1529 01:16:40,346 --> 01:16:43,556 Wasn't great, but wouId have been better. There was a IittIe surprise. 1530 01:16:43,683 --> 01:16:45,684 Dom was meant to come on during Native American and didn't. 1531 01:16:45,768 --> 01:16:46,977 Why didn't you come on? 1532 01:16:47,103 --> 01:16:48,520 -I couIdn't. -Why not? 1533 01:16:49,397 --> 01:16:51,231 Something came over me. 1534 01:16:51,357 --> 01:16:53,566 -Ooh, stage fright? -No, dignity. 1535 01:16:53,693 --> 01:16:56,111 Don't think you can get more dignified than a great warrior, so. . . 1536 01:16:56,195 --> 01:16:57,779 I'm not even a Native American. 1537 01:16:57,905 --> 01:17:00,573 No, you're the cIosest thing we've got, and that's a fact. So. . . 1538 01:17:00,574 --> 01:17:02,575 Okay, Madonna Kebab have puIIed out. 1539 01:17:02,576 --> 01:17:04,953 -Anyone wanna go on earIy? -We're not going on earIy. 1540 01:17:05,579 --> 01:17:07,205 We can go on again. We've got Ioads of songs. 1541 01:17:07,331 --> 01:17:08,498 -No, you're aII right. -DOM: No, I can do it. 1542 01:17:08,582 --> 01:17:10,458 -I couId do one of my tracks. -In that? 1543 01:17:10,584 --> 01:17:13,336 Yeah, I got a backing track. Not in this. I'II take this off. Two minutes. 1544 01:17:13,421 --> 01:17:14,587 You got your stuff now? Come on, then. Hurry up. 1545 01:17:14,714 --> 01:17:15,714 -No. -Come on, then. 1546 01:17:15,798 --> 01:17:18,842 You don't wanna do that. Backing track at a BattIe of the Bands. 1547 01:17:18,968 --> 01:17:20,427 Didn't know it was karaoke. 1548 01:17:22,471 --> 01:17:25,056 # Yo, l'm tired of this minimum wage 1549 01:17:25,182 --> 01:17:28,143 # Tired of this cage Tired of not being on the stage 1550 01:17:28,227 --> 01:17:30,603 # Tired of no one reading What l'm writing on the page 1551 01:17:30,730 --> 01:17:33,023 # Tired of hanging out With guys twice my age 1552 01:17:33,149 --> 01:17:35,608 # But what's the use of dreams To a human being 1553 01:17:35,609 --> 01:17:37,569 # lf they always prove unseen 1554 01:17:37,653 --> 01:17:39,237 # If I am who I think I am 1555 01:17:39,363 --> 01:17:41,531 # Then l gotta transform Be a better man 1556 01:17:41,615 --> 01:17:43,783 # And if you are who you think you are 1557 01:17:43,868 --> 01:17:46,453 # You shouId be above the cIouds You shouId be a star 1558 01:17:46,579 --> 01:17:48,997 # From what I see I'm sure it's hard 1559 01:17:49,081 --> 01:17:52,792 # Can we be more Than the cards we're deaIt? 1560 01:17:52,877 --> 01:17:54,210 MAN: Yeah ! 1561 01:17:54,295 --> 01:17:55,628 # Yeah 1562 01:17:56,464 --> 01:17:58,631 # Maybe this is just the start 1563 01:17:58,632 --> 01:18:02,635 # Why can't we change The cards we're deaIt? 1564 01:18:03,971 --> 01:18:06,431 # WeII, it's more reaI Than anything l ever felt 1565 01:18:06,515 --> 01:18:08,516 # But l'm feeling like an irrelevance 1566 01:18:08,642 --> 01:18:11,561 # l wanna soar with eagles Not waddle with pelicans 1567 01:18:11,645 --> 01:18:13,563 # Okay true They're birds of prey, too 1568 01:18:13,647 --> 01:18:16,274 # But not the cooI ones You want associated with you 1569 01:18:16,400 --> 01:18:18,318 # StiII I wouIdn't mind the wingspan 1570 01:18:18,444 --> 01:18:20,695 # l could fly away From always being everybody's wingman 1571 01:18:20,821 --> 01:18:22,781 # l'm proper different You gotta listen 1572 01:18:22,865 --> 01:18:25,658 # l want a living where l got a bit more Than a pot to piss in 1573 01:18:25,785 --> 01:18:27,827 # l'm about to prove I can kick it off soon 1574 01:18:27,912 --> 01:18:30,789 # My time is overdue like a synagogue roof Come on 1575 01:18:30,873 --> 01:18:33,792 # Na, na, na, Na, na, na, na, na, na 1576 01:18:33,876 --> 01:18:35,585 Everybody, come on. 1577 01:18:35,669 --> 01:18:37,879 # Na, na, na, Na, na, na, na, na, na 1578 01:18:38,005 --> 01:18:40,507 Come on and put your hands in the air. 1579 01:18:40,633 --> 01:18:42,801 # Na, na, na, Na, na, na, na, na, na 1580 01:18:42,885 --> 01:18:45,678 Keep them hands in the air. Keep them coming, come on. 1581 01:18:45,679 --> 01:18:47,680 # Na, na, na, Na, na, na, na, na, na 1582 01:18:47,681 --> 01:18:49,682 # It's more reaI Than anything l ever felt # 1583 01:18:50,684 --> 01:18:52,519 (CROWD CHEERING) 1584 01:18:57,441 --> 01:18:58,441 DOM: Thank you. 1585 01:19:01,070 --> 01:19:02,070 Thank you. 1586 01:19:11,080 --> 01:19:13,706 -What did you think? -Ah, I wasn't reaIIy watching, mate. 1587 01:19:13,707 --> 01:19:15,708 I was just, um. . . 1588 01:19:15,709 --> 01:19:17,377 Er, you know. . . 1589 01:19:17,503 --> 01:19:19,629 I Iike the Iyric about the eagIes and peIicans. 1590 01:19:19,713 --> 01:19:21,047 -Yeah, it's Iike a reference. . . -Yeah, I know, yeah. 1591 01:19:21,132 --> 01:19:23,091 Yeah, a week ago, you didn't Iike songs with peIicans in. 1592 01:19:23,175 --> 01:19:25,468 -No, I'm saying, I don't. . . -What is going on, bruv? So. . . 1593 01:19:25,553 --> 01:19:28,179 -Hey, dude came back. Pog. -I'm Pog. 1594 01:19:28,305 --> 01:19:30,849 -I, er, work for Toke Records. -Toke Records, there it is. 1595 01:19:30,933 --> 01:19:32,100 -Did you write that? -Yeah. Yeah. 1596 01:19:32,184 --> 01:19:34,769 Like I write the raps, but aIso make IittIe backing tracks, 1597 01:19:34,895 --> 01:19:36,104 Iike, on my Iaptop. 1598 01:19:36,188 --> 01:19:37,730 Have you ever demoed them properIy? 1599 01:19:37,731 --> 01:19:38,857 -Yeah. We're aIways in the studio. -No. . . 1600 01:19:38,941 --> 01:19:42,944 -I'm trying to mix rap with reaI songs. -I do my own songs as weII. 1601 01:19:43,070 --> 01:19:44,737 -Are you his manager? -A bit more than that. 1602 01:19:44,738 --> 01:19:46,906 Yeah. Come on. 1603 01:19:46,991 --> 01:19:48,908 -So. . . -No, I'm soIo. 1604 01:19:48,993 --> 01:19:50,410 -Why are you Iying? -POG: Right, yeah. WeII, anyway, 1605 01:19:50,536 --> 01:19:51,911 -give us a caII and come in for a chat. -WiII do. 1606 01:19:51,996 --> 01:19:53,580 -Yeah, wicked. Cheers, bruv. -Yeah. BriIIiant. Cheers. 1607 01:19:53,706 --> 01:19:54,747 -Let's have a Iook at that. -No, it's. . . 1608 01:19:54,874 --> 01:19:56,541 What? What? I can't even Iook at it now? 1609 01:19:56,625 --> 01:19:58,751 What has gotten into you? 1610 01:19:58,752 --> 01:19:59,752 (CLEARS THROAT) 1611 01:20:00,504 --> 01:20:02,130 DOM: (SOFTLY) "Tired of this rap race. . . 1612 01:20:02,214 --> 01:20:05,008 "And that chase. . . 1613 01:20:06,135 --> 01:20:07,302 "That chase. . ." 1614 01:20:07,386 --> 01:20:08,761 (DAVID SIGHS HEAVILY) 1615 01:20:08,762 --> 01:20:10,221 (DOM MUMBLING) 1616 01:20:15,227 --> 01:20:17,770 Are you gonna bother caIIing that Pog for a meeting? 1617 01:20:20,191 --> 01:20:22,775 -Yeah. Yeah, I thought I wouId. -Yeah. 1618 01:20:22,776 --> 01:20:24,569 -Hear him out and make a decision. -Yeah. 1619 01:20:24,653 --> 01:20:25,987 -Do you want me to come with you? -No. 1620 01:20:26,113 --> 01:20:27,113 -No? -No, you're aII right. 1621 01:20:27,198 --> 01:20:29,574 So he doesn't think you're just a. . . 1622 01:20:29,658 --> 01:20:31,534 -Some idiot off the street? -(SCOFFS) 1623 01:20:31,619 --> 01:20:33,912 That you got the big boys behind you if you want. 1624 01:20:33,996 --> 01:20:35,788 I just wanna go and see what he's got to say. . . 1625 01:20:35,789 --> 01:20:37,540 -Right, and. . . -. . .and. . . Yeah. 1626 01:20:39,001 --> 01:20:41,419 You want them to tear you a new one, do you? 1627 01:20:41,545 --> 01:20:44,422 And screw you? 'Cause that's what they do. 1628 01:20:44,548 --> 01:20:46,341 -Yeah? -No. 1629 01:20:46,425 --> 01:20:48,134 -I'm gonna hear him out. -No! 1630 01:20:48,219 --> 01:20:51,471 Ah, you're gonna hear him out, okay. 1631 01:20:52,014 --> 01:20:53,806 -I'm just gonna finish this Iine. -Yeah. 1632 01:20:53,807 --> 01:20:56,643 -This verse. -Have you got a rhyme for "guIIibIe"? 1633 01:21:02,942 --> 01:21:04,817 Day off today. (CHUCKLES) 1634 01:21:06,070 --> 01:21:08,488 I tried to get a gig in tonight but I couIdn't, 1635 01:21:08,614 --> 01:21:10,949 so I'm just chiIIaxing aII day. 1636 01:21:11,033 --> 01:21:12,200 (CHUCKLES) 1637 01:21:12,284 --> 01:21:13,993 Not bad, is it? 1638 01:21:14,078 --> 01:21:16,829 So, here he is. 1639 01:21:17,373 --> 01:21:19,207 What are you doing today? 1640 01:21:19,291 --> 01:21:21,834 I'm going home. I Iive about four miIes away. 1641 01:21:21,835 --> 01:21:23,836 (CHUCKLING) I'm staying. I've paid for it. 1642 01:21:26,882 --> 01:21:30,843 FinaI gig tomorrow. I've saved the best tiII Iast. TypicaI. 1643 01:21:30,844 --> 01:21:33,012 Um, we're gonna do a Christmas song. 1644 01:21:33,097 --> 01:21:36,182 I've had it for a whiIe, actuaIIy, and it's based on a true story. 1645 01:21:36,267 --> 01:21:40,395 Um, I read about this, uh, orphan kid in the IocaI paper. 1646 01:21:40,479 --> 01:21:45,400 Um, he was dying and he just wanted to stay aIive tiII Christmas. 1647 01:21:45,484 --> 01:21:48,528 And this sort of imagines me singing to him, 1648 01:21:48,654 --> 01:21:50,029 with aII the stuff that he's going through, 1649 01:21:50,114 --> 01:21:52,532 not to worry, because Santa's coming. It's reaIIy sweet. 1650 01:21:52,658 --> 01:21:54,993 Um, and I've arranged for snow to faII. 1651 01:21:55,077 --> 01:21:57,036 Magic moment. Production vaIue. 1652 01:21:57,121 --> 01:21:58,246 -David, sorry. -Yeah. 1653 01:21:58,330 --> 01:21:59,706 I meant to say, I heard back from the hire company. 1654 01:21:59,832 --> 01:22:00,790 Yep. 1655 01:22:00,874 --> 01:22:05,295 The snow is gonna cost 1 ,500 quid. So, you know, not worth it reaIIy. 1656 01:22:05,421 --> 01:22:07,922 WeII, none of it's been worth it, has it? So. . . 1657 01:22:08,048 --> 01:22:12,010 The whoIe tour's been. . . 20 grand down. (CHUCKLES) 1658 01:22:12,094 --> 01:22:13,886 I thought there'd be incomings. There wasn't. 1659 01:22:13,887 --> 01:22:15,513 Just aII outgoings. 1660 01:22:15,639 --> 01:22:18,349 Might as weII just spend another 1 ,500 quid and. . . 1661 01:22:18,475 --> 01:22:20,893 WeII, no, I mean that's. . . Don't do that. 1662 01:22:20,894 --> 01:22:23,354 That's throwing good money after bad, David. 1663 01:22:24,565 --> 01:22:28,026 -Just cut your Iosses. -If I cut my Iosses. . . (STUTTERS) 1664 01:22:28,110 --> 01:22:31,529 Why? You know, I thought it'd be a tour with a band. 1665 01:22:31,655 --> 01:22:33,906 It's not a band. They're not even staying here on their day off. 1666 01:22:33,907 --> 01:22:36,117 They're away. No one's come to see us. 1667 01:22:36,243 --> 01:22:38,494 We're not gonna get signed. So. . . 1668 01:22:38,579 --> 01:22:39,954 So don't waste more money. 1669 01:22:40,080 --> 01:22:41,497 Why not? 1670 01:22:41,582 --> 01:22:43,750 What, why not? Why not what? 1671 01:22:44,918 --> 01:22:46,294 Do you think I'm a prat? 1672 01:22:47,921 --> 01:22:48,963 No. No. 1673 01:22:49,923 --> 01:22:50,923 I think. . . 1674 01:22:52,384 --> 01:22:53,885 To be honest, I think you're. . . 1675 01:22:54,803 --> 01:22:56,346 I think you're chasing something that. . . 1676 01:22:56,472 --> 01:22:58,139 -I can't have. -. . .that you don't need. 1677 01:22:58,265 --> 01:23:00,767 That's not gonna. . . That's not gonna heIp. 1678 01:23:00,893 --> 01:23:04,062 -What do you mean? -(STAMMERS) I mean, I think. . . (SIGHS) 1679 01:23:04,146 --> 01:23:07,899 You seem to think that unIess you're on stage performing, 1680 01:23:07,983 --> 01:23:09,942 that peopIe aren't gonna Iike you. 1681 01:23:09,943 --> 01:23:11,486 (CLICKS TONGUE) 1682 01:23:11,570 --> 01:23:12,612 They're probabIy not. 1683 01:23:12,738 --> 01:23:15,948 WeII, then why wouId you wanna be Iiked by peopIe Iike that anyway? 1684 01:23:16,950 --> 01:23:19,077 You know, you don't have to be on stage to be worth something. 1685 01:23:19,161 --> 01:23:20,161 (SIGHS) 1686 01:23:21,121 --> 01:23:24,957 And peopIe who Iike you are stiII gonna Iike you even if you're not performing. 1687 01:23:25,918 --> 01:23:28,961 ProbIem is not a Iot of peopIe Iike me, do they? (CHUCKLES) 1688 01:23:30,964 --> 01:23:33,591 Don't spend any more money on this tour, okay? PIease? 1689 01:23:34,510 --> 01:23:38,971 Don't cash in another pension or whatever. I'II do the rest for free. 1690 01:23:41,183 --> 01:23:43,434 -The snow costs 1 ,500 quid, so you. . . -We don't need snow, David. 1691 01:23:43,560 --> 01:23:44,769 We don't need it. 1692 01:23:45,979 --> 01:23:49,774 And. . . for the record, I Iike you. 1693 01:23:52,528 --> 01:23:55,530 -Yeah? (CHUCKLES) -Don't make me say it again. 1694 01:23:55,614 --> 01:23:58,116 -AII right? Have a good day. -See you Iater. 1695 01:24:03,997 --> 01:24:07,125 Dan's right. We don't need snow. 1696 01:24:09,002 --> 01:24:11,003 l'm usually really good with budgets. 1697 01:24:11,004 --> 01:24:14,215 But l never dreamt so few people would wanna come along and see us. 1698 01:24:14,341 --> 01:24:15,341 You know, I was... 1699 01:24:16,468 --> 01:24:19,137 lf the gigs would have sold out, l would have only lost about eight grand. 1700 01:24:19,221 --> 01:24:20,972 Which is fine, 1701 01:24:21,056 --> 01:24:22,890 particularly if a record company wouId have Iiked us. 1702 01:24:23,434 --> 01:24:24,475 But. . . 1703 01:24:27,396 --> 01:24:31,649 I just wanted some shitty snow. Just as a magic moment, you know. 1704 01:24:31,775 --> 01:24:33,776 (PIANO MUSIC PLAYING) 1705 01:24:37,781 --> 01:24:44,036 # Don't cry, it's Christmas Santa's coming soon 1706 01:24:44,037 --> 01:24:48,082 # Though you ain't got a mummy or daddy 1707 01:24:48,208 --> 01:24:50,710 # Santa stiII Ioves you 1708 01:24:51,420 --> 01:24:54,505 # And he's riding on his reindeer 1709 01:24:54,631 --> 01:24:57,508 ANDY: It's been an interesting tour, this. 1710 01:24:57,634 --> 01:25:01,012 Um, l think we possibly took it all a little bit too seriously 1711 01:25:01,096 --> 01:25:03,014 when we were in the middIe of it aII. 1712 01:25:03,098 --> 01:25:07,643 Um, but, actuaIIy, it's definiteIy one of the funniest tours I've ever been on. 1713 01:25:07,728 --> 01:25:08,728 I quite Iike Brent. 1714 01:25:09,438 --> 01:25:15,985 # Don't cry, it's Christmas Santa's feeIing fine 1715 01:25:16,069 --> 01:25:19,280 # Though you know you'll never see him 1716 01:25:20,073 --> 01:25:22,909 # He's not just in your mind 1717 01:25:23,035 --> 01:25:29,081 # And it's not that he's invisibIe lt's because you're going blind 1718 01:25:29,082 --> 01:25:35,630 # But don't cry, it's Christmas Santa's feeIing fine 1719 01:25:36,215 --> 01:25:40,009 You know what? End of the day, it's better than a proper job. 1720 01:25:40,093 --> 01:25:41,636 Like it's. . . it's been aII right. 1721 01:25:42,930 --> 01:25:45,223 Few drinks, few gigs. 1722 01:25:46,558 --> 01:25:47,975 CouId have been worse. 1723 01:25:48,101 --> 01:25:53,940 # Though he's got a billion children He's only got one day 1724 01:25:55,108 --> 01:26:00,780 # You've got slightly less than that lf l were you l'd pray 1725 01:26:00,906 --> 01:26:04,492 # But don't cry, it's Christmas 1726 01:26:04,576 --> 01:26:07,870 # Everything's okay 1727 01:26:10,707 --> 01:26:12,291 (CROWD MURMURING AND LAUGHING) 1728 01:26:14,586 --> 01:26:17,463 # Oh, oh, oh, oh 1729 01:26:17,548 --> 01:26:21,175 -# It's Christmas -# It's Christmas 1730 01:26:21,301 --> 01:26:24,136 # Oh, oh, oh, oh 1731 01:26:24,137 --> 01:26:28,015 -# It's Christmas -# It's Christmas 1732 01:26:28,141 --> 01:26:30,726 DAN: l may have been an idiot, but l paid for the snow. 1733 01:26:31,395 --> 01:26:34,313 Yes, of course it's a waste of money. It's a huge waste of money. 1734 01:26:34,398 --> 01:26:37,984 Um, but at Ieast it's my money. At Ieast it's not more of his. 1735 01:26:38,110 --> 01:26:40,987 And, to be fair, I've made more than enough out of him. 1736 01:26:41,113 --> 01:26:44,365 # Oh, oh, oh, oh 1737 01:26:44,491 --> 01:26:47,159 -# It's Christmas -# It's Christmas 1738 01:26:47,953 --> 01:26:50,830 # Oh, oh, oh, oh 1739 01:26:50,956 --> 01:26:54,500 -# It's Christmas -# It's Christmas 1740 01:26:54,585 --> 01:26:57,211 # Oh, oh, oh, oh 1741 01:26:57,337 --> 01:27:01,173 -# It's Christmas -# It's Christmas 1742 01:27:01,174 --> 01:27:04,176 # Oh, oh, oh, oh 1743 01:27:04,177 --> 01:27:06,554 # It's Christmas # 1744 01:27:28,744 --> 01:27:31,203 DAVID: I don't need to be a rock star, you know? 1745 01:27:31,204 --> 01:27:33,164 That's just something l enjoy doing. 1746 01:27:34,041 --> 01:27:36,667 I can Iive without being "a success." (CHUCKLES) 1747 01:27:37,669 --> 01:27:38,669 But, um. . . 1748 01:27:40,088 --> 01:27:42,214 I couIdn't have Iived without trying. 1749 01:27:42,215 --> 01:27:43,257 And I did that. 1750 01:27:44,217 --> 01:27:46,969 So. . . And everything works out, doesn't it? 1751 01:27:47,054 --> 01:27:49,221 You think you want one thing aIong the way, 1752 01:27:49,222 --> 01:27:52,224 and then you reaIise you needed something eIse. 1753 01:27:52,225 --> 01:27:56,854 Life's a struggIe. . . with IittIe beautifuI surprises 1754 01:27:56,980 --> 01:28:00,232 that make you wanna carry on through aII the shit 1755 01:28:00,359 --> 01:28:03,277 to the next IittIe beautifuI surprise. (CHUCKLES) 1756 01:28:03,403 --> 01:28:04,862 So, yeah, 1757 01:28:05,906 --> 01:28:07,114 aII good. 1758 01:28:10,369 --> 01:28:12,244 He's back. (LAUGHS) 1759 01:28:12,371 --> 01:28:13,788 Christ. See you, Kaz. 1760 01:28:14,915 --> 01:28:16,457 -Did you miss me? -Did you have fun? 1761 01:28:16,583 --> 01:28:18,793 (LAUGHING) Fun's not the word. 1762 01:28:18,877 --> 01:28:21,295 Ooh, yeah. Yeah, it was fun. 1763 01:28:21,421 --> 01:28:23,422 (LAUGHING) 1764 01:28:23,507 --> 01:28:24,840 -NIGEL: Here he comes. -Come on. 1765 01:28:24,925 --> 01:28:27,426 What resiIience from a human being. 1766 01:28:27,511 --> 01:28:29,261 I've never known anyone Iike him. 1767 01:28:29,262 --> 01:28:31,263 (EXCLAIMING AND LAUGHING) 1768 01:28:32,265 --> 01:28:33,933 -How are you? -Buzzing, mate. 1769 01:28:34,059 --> 01:28:35,685 -Good. -AbsoIuteIy buzzing. 1770 01:28:35,811 --> 01:28:37,603 -Yes, mate. -Best time of my Iife. 1771 01:28:37,688 --> 01:28:40,272 And everything worked out briIIiant, you know. 1772 01:28:40,273 --> 01:28:41,482 Dom's got a IittIe record deaI. 1773 01:28:41,608 --> 01:28:43,275 # If I am who I think I am 1774 01:28:43,276 --> 01:28:45,277 # Then l gotta transform Be a better man # 1775 01:28:46,530 --> 01:28:48,280 DAVID: Making a single. Toke Records. 1776 01:28:48,407 --> 01:28:50,866 I invited them down. I said, "Come out and check out this kid". 1777 01:28:50,951 --> 01:28:53,244 They went, "AII right". Boom. 1778 01:28:53,328 --> 01:28:55,413 The band are on tour with Peter Andre. 1779 01:28:55,497 --> 01:28:56,956 So they've faIIen on their feet. 1780 01:28:57,082 --> 01:28:59,542 # Oh, oh, oh 1781 01:28:59,668 --> 01:29:03,921 # Mysterious girl l wanna get close to you # 1782 01:29:04,047 --> 01:29:06,841 DAVID: And I've worked out, if I do overtime, 1783 01:29:06,925 --> 01:29:09,343 work Saturdays for about eight or nine months, 1784 01:29:09,469 --> 01:29:12,179 I can do it aII again. Just caII them up. 1785 01:29:12,305 --> 01:29:14,974 "It's back on. We're gonna kick some more arse." 1786 01:29:15,100 --> 01:29:16,892 Brent? Got Bob Wonk on the phone. 1787 01:29:16,977 --> 01:29:19,520 -He needs jam rags ASAP. -On it. 1788 01:29:19,646 --> 01:29:21,439 Simon CoweII didn't sign you up, then? 1789 01:29:21,523 --> 01:29:23,065 (ALL LAUGHING) 1790 01:29:24,568 --> 01:29:26,152 No. No. 1791 01:29:27,904 --> 01:29:29,238 Banta. 1792 01:29:29,322 --> 01:29:32,742 KAREN: l feel... l do quite feel sorry for him, to be honest. 1793 01:29:32,868 --> 01:29:35,703 The boys here, they're quite rude to him. 1794 01:29:35,787 --> 01:29:38,330 And I know he's obviousIy gone on this tour and he's doing aII that, 1795 01:29:38,331 --> 01:29:40,332 but I kinda feeI Iike. . . (BREATHES DEEPLY) 1796 01:29:40,459 --> 01:29:42,126 Sorry, I don't know why I'm getting emotionaI. 1797 01:29:42,210 --> 01:29:43,294 I just feeI Iike. . . 1798 01:29:44,171 --> 01:29:46,797 I can see through it sometimes. 1799 01:29:46,923 --> 01:29:48,340 His smiIes. 1800 01:29:49,468 --> 01:29:50,760 l hope he does well. 1801 01:29:50,886 --> 01:29:52,344 They can Iaugh. 1802 01:29:53,305 --> 01:29:54,346 They're no better than me. 1803 01:29:55,348 --> 01:29:57,099 Just 'cause they're reps who Iike being reps, 1804 01:29:57,184 --> 01:29:58,893 and I'm a rep who wants to be something eIse. 1805 01:29:59,770 --> 01:30:02,938 With that attitude, they'II be reps for the rest of their Iife. 1806 01:30:04,524 --> 01:30:06,817 I might be a rep for the rest of my Iife, but. . . 1807 01:30:08,403 --> 01:30:09,737 I was a rock star once. 1808 01:30:09,821 --> 01:30:11,363 UseIess prick now though, ain't you? 1809 01:30:11,490 --> 01:30:13,365 (ALL LAUGHING) 1810 01:30:13,366 --> 01:30:15,701 What are you good at, eh? Nothing. 1811 01:30:17,204 --> 01:30:18,621 -(ALL GASP) -JEZZA: Fuck. 1812 01:30:18,747 --> 01:30:21,290 What are you doing? What are you doing? 1813 01:30:21,374 --> 01:30:22,374 Knobhead. 1814 01:30:23,960 --> 01:30:26,378 -I thought you was great. -At what? 1815 01:30:27,380 --> 01:30:29,048 I came to see you pIay Iast week. 1816 01:30:30,050 --> 01:30:32,384 Oh, I. . . I didn't see you. 1817 01:30:32,385 --> 01:30:34,428 No, I just snuck in. I didn't wanna put you off. 1818 01:30:34,554 --> 01:30:36,597 (LAUGHS) Cheers. 1819 01:30:38,391 --> 01:30:41,560 -Want a coffee? -No, I'm. . . Got a free one coming. 1820 01:30:41,645 --> 01:30:43,312 (CHUCKLES) 1821 01:30:43,396 --> 01:30:44,396 Costa. 1822 01:30:45,649 --> 01:30:47,399 ActuaIIy, I got two coming, I think. 1823 01:30:48,777 --> 01:30:50,653 -Do you want one? -Yes, pIease. 1824 01:30:51,404 --> 01:30:53,239 Two coffees, coming up. (CHUCKLES) 1825 01:30:54,991 --> 01:30:57,409 -ShaII I come with you? -If you want. Yeah. 1826 01:30:58,745 --> 01:31:00,412 (SIGHS) 1827 01:31:00,413 --> 01:31:01,747 Oh, God. 1828 01:31:04,543 --> 01:31:08,003 Oh, trust me. I'm aIready thinking of a new song. 1829 01:31:08,088 --> 01:31:10,214 -PAULINE: Just from going for coffee? -Yeah. It's what I do. 1830 01:31:10,298 --> 01:31:12,299 I sort of take everyday situations, 1831 01:31:12,425 --> 01:31:16,303 and then I Iook at them from a different perspective. 1832 01:31:16,429 --> 01:31:19,306 It's gonna be a CoIdpIay vibe, I think. 'Cause that's what Chris Martin does. 1833 01:31:19,432 --> 01:31:21,600 He gets reaIIy mundane things 1834 01:31:21,685 --> 01:31:25,312 and he makes them about the universe, and stars, and eIectricity and shit, so. . . 1835 01:31:25,438 --> 01:31:27,898 -It's interesting. -Yeah, probabIy stick it in C major. 1836 01:31:28,024 --> 01:31:30,442 -Is that your favourite chord? -Just a bit, yeah. 1837 01:31:30,443 --> 01:31:32,319 -GuiIty. -(PAULINE CHUCKLES) 1838 01:31:34,447 --> 01:31:37,408 # l was looking up to heaven 1839 01:31:37,492 --> 01:31:41,036 # lt was right under my nose 1840 01:31:41,121 --> 01:31:44,456 # l had travelled many light years 1841 01:31:44,457 --> 01:31:47,042 # lt was right across the road 1842 01:31:48,461 --> 01:31:51,839 # A billion trillion grains of stardust 1843 01:31:51,923 --> 01:31:55,301 # Floating round in space 1844 01:31:55,427 --> 01:31:58,137 # Two of them coIIided 1845 01:31:58,263 --> 01:32:02,099 # ln an ordinary place 1846 01:32:02,225 --> 01:32:05,436 # We are electricity 1847 01:32:05,520 --> 01:32:08,397 # We wiII never die 1848 01:32:08,481 --> 01:32:10,482 # We'll just burn and burst 1849 01:32:10,483 --> 01:32:12,651 # And return to the sky 1850 01:32:12,736 --> 01:32:14,737 (VOCALISING) 1851 01:32:26,124 --> 01:32:29,501 # This world can't contain you 1852 01:32:29,502 --> 01:32:32,922 # Gravity won't restrain you 1853 01:32:33,048 --> 01:32:34,548 # Fly with me 1854 01:32:34,674 --> 01:32:36,508 # High with me 1855 01:32:36,509 --> 01:32:43,390 # High 1856 01:32:43,516 --> 01:32:46,518 # We are electricity 1857 01:32:46,645 --> 01:32:49,480 # We wiII never die 1858 01:32:49,564 --> 01:32:51,690 # We'll just burn and burst 1859 01:32:51,775 --> 01:32:53,651 # And return to the sky 1860 01:32:53,735 --> 01:32:56,862 # We are electricity 1861 01:32:56,947 --> 01:33:01,283 # The universe reflects in you and me 1862 01:33:01,368 --> 01:33:03,702 # We're electricity 1863 01:33:03,787 --> 01:33:07,414 # The universe refIected 1864 01:33:07,540 --> 01:33:10,501 # We are electricity 1865 01:33:10,585 --> 01:33:14,755 # The universe reflects in you and me 1866 01:33:14,881 --> 01:33:17,299 # We're electricity 1867 01:33:17,384 --> 01:33:21,178 # Just when l least expected 1868 01:33:21,304 --> 01:33:24,390 # We are electricity 1869 01:33:24,516 --> 01:33:28,602 # The universe reflects in you and me 1870 01:33:28,728 --> 01:33:31,021 # We're electricity 1871 01:33:31,147 --> 01:33:35,567 # Just when l least expected 1872 01:33:45,370 --> 01:33:48,580 # Half a tank should get me to Millbank 1873 01:33:48,581 --> 01:33:52,251 # I fiII her up and head down to Sidcup 1874 01:33:52,377 --> 01:33:56,046 # lt's just a meeting lt's only fleeting 1875 01:33:56,172 --> 01:34:00,050 # lt's just a pitch And then l'm up to lpswich 1876 01:34:00,176 --> 01:34:02,553 # Life on the road 1877 01:34:03,596 --> 01:34:05,764 # Don't need a heavy load 1878 01:34:07,225 --> 01:34:10,602 # Foot down to the fIoor 1879 01:34:10,603 --> 01:34:14,481 # Seventy miIes an hour But no more 1880 01:34:14,607 --> 01:34:16,608 (VOCALISING) 1881 01:34:22,365 --> 01:34:25,784 # Wheeler dealing no feeling 1882 01:34:25,869 --> 01:34:29,621 # StrictIy business I'm kiIIin' it in Widnes 1883 01:34:29,622 --> 01:34:33,625 # Then to GIoucester I get a Costa 1884 01:34:33,626 --> 01:34:37,379 # Hard shouIder Coffee hoIder 1885 01:34:37,464 --> 01:34:39,631 # Life on the road 1886 01:34:40,800 --> 01:34:44,178 # Don't need a heavy load 1887 01:34:44,262 --> 01:34:47,890 # Foot down to the fIoor 1888 01:34:48,016 --> 01:34:51,643 # Seventy miIes an hour But never more 1889 01:34:51,644 --> 01:34:53,645 (VOCALISING) 1890 01:35:07,118 --> 01:35:09,411 # Life on the road 1891 01:35:10,663 --> 01:35:12,998 # Don't need a heavy load 1892 01:35:14,042 --> 01:35:17,669 # Foot down to the fIoor 1893 01:35:17,670 --> 01:35:21,924 # Seventy miIes an hour But no more 1894 01:35:22,050 --> 01:35:25,427 # Life on the road 1895 01:35:25,512 --> 01:35:28,680 # Don't need a heavy load 1896 01:35:28,807 --> 01:35:32,601 # Foot down to the fIoor 1897 01:35:32,685 --> 01:35:36,522 # Seventy miIes an hour But no more # 1898 01:35:36,648 --> 01:35:38,690 (VOCALISING)